(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Belle And Sebastian Album Title: The boy with the arab strap Year released: 1998 Year reissued: 2014 Details: black vinyl, 150 gram, gatefold sleeve
The skinny: On their third album, the Glasgow-based indie pop collective upped the beat some, resulting in a couple danceable numbers, including the incredible title track. This is perhaps my favourite B&S LP.
Like P.S. I Love You, who started this particular list off at the number thirty spot, I discovered Library Voices through seeing them live at Ottawa Bluesfest in 2011. But unlike the former, I didn’t listen to any of Library Voices recordings in advance and so my first real introduction to their music was their live set.
They made quite the first impression as all eight of them filed on to the stage and the way they performed, all passionate and chaotic, trading instruments and jumping into the admittedly sparse crowd at different points, led me to describe them to a friend later as a poor man’s Arcade Fire. It’s a description I immediately regretted saying out loud but the similarities in their live show sensibilities were too obvious to ignore. And when I later purchased and listened to their debut full-length, “Denim on denim”, I was able to add another Canadian indie rock band as a comparison point: The New Pornographers. If you like either of these two bands, Library Voices might just be worth a look for you.
They were formed in 2008 in Regina, Saskatchewan by a group of musician friends and there were 10 of them at the beginning! They have since released a couple of EPs and three LPs in total, the latest of which, last year’s “Lovish”, saw the band drop all the madness, pare down their personnel, and focus more on the power pop. It’s a good sound for them but I still hold a soft spot for their early tunes, the big sound, the blue eyed innocence, and the pure joy, though I must say the one constant in all their material are the smart and literary lyrics.
“Drinking games” starts off “Denim on denim”, an album of party ready numbers, with a tune about a party girl, who’s “not one for love but sure loves the chase”. The singer is quite aware of who she is and what she’s like but despite his claim that he’s “too old for these drinking games”, you can tell that he’s fallen for her just the same. It starts of with a capella harmonies that sound funnelled through an AM radio. After two go rounds of the chorus, the bass line and handclaps join the house party. Eventually, the whole crew joins in, sometimes whispering, sometimes shouting, sometimes banging loudly on the tambourine. They are digging through crates of records, spilling red wine on the new couches, vomiting in the kitchen sink, and pretty much drinking every last beer in the fridge. Library Voices are definitely not the quietest friends at your party.
But often these are good friends to have.
(And oh yeah, if I haven’t sold you yet and you haven’t pressed play on the above video, there’s a lovely little nod tossed in near the end of the tune for all of you Cure fans. Cheers!)
For the rest of the Best tunes of 2010 list, click here.
I’m sure a great many of you know and love this Bad Religion track. But did you know that it was originally released in 1990, as part of their fifth studio album “Against the grain”? And that it was only released as a single in 1994 after being re-recorded for their first major label album “Stranger than fiction”? I certainly didn’t know all of this back in ’94 when I was busy getting hooked on the song through regular airplay on Toronto’s CFNY. But it’s all true.
“21st century (digital boy)” was written by guitarist Brent Gurewitz and this fine American punk rock band had been performing it during their legendary live sets as early as 1989, becoming a fan favourite in the process. Depending on who you believe, the song was re-recorded for “Stranger than fiction” either because Gurewitz felt that the band was performing it better in 1994 than when it was originally recorded or because their new label, Atlantic, wanted a single for the album that wasn’t yet there. Regardless, the song did become Bad Religion’s biggest hit and their most easily identifiable track.
By the time that I sat down to put together this list, I was more familiar with the history of the track and I momentarily hesitated to include it. Should it be considered a 1990 track because that was when it was originally written? Or does it belong with the best of 1994 because the re-recorded version is the one that everyone (including me) knows and is more familiar with? In the end, it obviously found a place in this series because it’s too great a track not to rave about, right here and right now. (I’ve got both versions below so that you can enjoy the version of your choice.)
Bad Religion has been a going concern since 1979 with a fluid roster whose only static member has been lead vocalist Greg Gaffin. The band toiled in the punk underground for years but started to gain traction in the late 80s and amassed a following on the back of their electrifying live shows. It was here they attracted the attention of the majors and signed with Atlantic during the gold rush of alt-rock band label signings post-Nirvana. The aforementioned “Stranger than fiction” long player is their best selling album, attaining gold status in both Canada and the US, and featuring a number of fan favourites, including this one and the thundering title track. The band is still quite active, touring with Pennywise and The Offspring as recently as 2014.
“21st century (digital boy)”, like many of Bad Religion’s tracks, has plenty of raging guitars, hammering percussion and angry sounding, three-pronged vocals. With its apparent diss at all things technological and commercial, and all the toys that we can dream of, it is as relevant today as it was twenty five years ago. And yes, I smile knowingly at this as I listen to this track and jot down these very ideas on my Apple iPad.
Original version from 1990’s “Against the grain”:
Re-recorded version from 1994 (including a music video):
For the rest of the Best tunes of 1990 list, click here.