<< #96 | #94 >>
After all the talk about “99 luftballons” appearing at spot #98 on this list (close call, that one), I found myself looking ahead to see where The Nails’ “88 lines about 44 women” would land. As you can imagine, I found myself breathing a sigh of relief that it’s not track #88 but arriving a bit earlier at spot #95.
Nonetheless, I’m sure you’ll remember this one.
Of course, you do. If not when it was first released, you definitely would have heard it when it enjoyed a resurgence due to its use in a Mazda car commercial in the late nineties. If you’re not convinced, here’s said commercial:
The Nails were a 6-piece American new wave band that got a surprise hit out of this very track. It was first released on a 1982 EP called “Hotel for women” and then re-recorded for their debut LP “Mood swing” in 1984. They released another album two years later and then, recorded another that was released without the band’s approval in 1993. Both of The Nails’ proper albums were critically acclaimed but the band was never able break the “novelty” die cast by “88 lines”. To be honest, this is the only song by The Nails I have ever heard but from what I can gather, their other work is much darker than this.
“88 lines about 44 women” has always been a guilty/not guilty pleasure of mine and always reminds me of my friend Zed and dancing at retro night at Whiskey Saigon. It’s not only just a fun song to bop along to but it also has smart and funny lyrics: 44 rhyming couplets, each about a different woman, many of whom I think I would have been interested in meeting (and some, perhaps not). If you’ve never had a good listen to the lyrics, pay attention when you press play below.
Original Eighties best 100 position: #96
Favourite lyric: “Terri didn’t give a shit / was just a nihilist”… We believe nothing, Lebowski!
Where are they now?: The Nails officially broke up many moons ago but frontman Marc Campbell released a solo album called “Tantric machine” in 2010.
For the rest of the Eighties’ best 100 redux list, click here.