Best tunes of 2011: #3 Sloan “Unkind”

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Last summer after seeing Canadian alt-rock icons, Sloan, in concert for the first time ever, I shared some pics and a few words, for which if you missed the post, you can find here. I had mused, then, about how the group played pretty much every song, save one, that I would’ve wanted to hear. This is a quite a feat when you consider that I’d been listening to them for almost twenty-five years, a period during which they had released eleven full-length albums. In the comments section afterwards, I had a bit of jive with Geoff from 1001albumsin10years, comparing notes on our favourite songs written by each band member, and I admitted that the one song they didn’t play was perhaps my favourite of theirs of all time. And yeah, that song was “Unkind”.

In 2011, Sloan were celebrating twenty years together as a band so when they released their tenth album that year, they called it “The double cross” as a play on the Roman numeral representation for the number twenty. It was their shortest album to date at just under 35 minutes but it was typical in that each band member contributed their own songs to the finished product and that the album rocked in totality.

“Unkind”, a Patrick Pentland penned tune, was the only single to be released from the album but it was enough to get me to pick it up. It is the second longest track on an album of short quick hits but I personally wouldn’t mind it being even longer. It’s got this raunchy but ripping, guitar riff that was built for ‘raising the goblet of rock’. The drums are all over the place and yet definitely organized enough for you to nod you head and tap all your hands and feet, as if you’re frantically playing the air drums. The patented Sloan harmonies are here too, of course, all members jumping in to perfect the chorus.

This song brings me so much joy. It is an almost flawless rock song. And so close to hitting the number one spot in this list. Stay tuned to see what beat it.

For the rest of the Best tunes of 2011 list, click here.

Live music galleries: Orville Peck [2019]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Like my ‘Vinyl love’ series, these posts will be more photos than words but that doesn’t mean I won’t welcome your thoughts and comments. And of course, until I get around to the next one, I invite you to peruse my ever-growing list of concerts of page.)

Orville Peck and his band at CityFolk, 2019

Artist: Orville Peck
When: September 12th, 2019
Where: City stage, CityFolk, Lansdowne Park, Ottawa
Context: Just a few days ago, I posted about how Orville Peck’s debut album, “Pony”, made the number five spot on my best albums of the year list. As I mentioned there, I wasn’t that high on it at first listen. However, with repeat spins, it quickly climbed the ranks and by the time September rolled around, I was solidly hooked. Peck’s inclusion on the CityFolk lineup was the main reason I considered going at all this year. I had originally planned on going away on vacation in September but when that fell through, I took another look and bought a ticket for opening night. Orville Peck started off the festival proceedings and I’m sure the half the crowd that didn’t know what it was in for, was baffled for at least a few songs. He was backed by Toronto post-punk outfit Frigs, trading in their usual threads for cowboy hats and vintage, western garb. The set was phenomenal, engaging, and hooting and hollering fun, all the way through.
Point of reference song: Big sky

Orville Peck, man of mystery
Bria Salmena on the keys
Kyle Connolly on bass
Kris Bowering on drums
Bria Salmena on guitar
Kyle Connolly and Duncan Hay Jennings
Orville Peck leading the jam

Vinyl love: Piroshka “Brickbat”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Piroshka
Album Title: Brickbat
Year released: 2019
Details: black vinyl, hand screen-printed sleeve, signed postcard

The skinny: Just this past Tuesday, I started counting down my favourite albums of the year with my traditional ‘honourable mentions’ post, focusing on albums ten through six on my list. At the top of that post, I did a bit of a cheat by sharing a photo of four records that didn’t quite make the top ten, but that bore mentioning nonetheless, and one of these was this very album: “Brickbat” by Piroshka. Fans of Lush, Moose, Modern English, and Elastica should take note, that is, if they already haven’t. This is a supergroup, though the members would have you believing otherwise, made up pieces of those very bands, and this resulting debut sounds a bit like each and like none of them at the same time. For me, the album was a grower and am now glad that I pulled the trigger early, ordering a vinyl copy direct from Bella Union, and doing so early enough to get the limited edition hand-printed sleeve and autographed postcard. Yeah, a sweet score all round.

Standout track: “Everlastingly yours”