Live music galleries: Dizzy [2018]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Like my ‘Vinyl love’ series, these posts will be more photos than words but that doesn’t mean I won’t welcome your thoughts and comments. And of course, until I get around to the next one, I invite you to peruse my ever-growing list of concerts of page.)

Dizzy live at Ottawa Dragonboat Fest, 2018

Artist: Dizzy
When: June 22nd, 2018
Where: Ottawa Dragon Boat Festival, Mooney’s Bay, Ottawa
Context: Tonight marks the start of Ottawa’s Dragon Boat Festival, the festival that is considered by many the kick off to the festival season in our nation’s capital. It is a non-profit event that showcases both competitive and for fun dragon boat racing. They also happen put on a series of free concerts on every night of the festival and often, the Canadian talent they manage to draw is amazing. Unfortunately, this year will mark the first in the last six that I will be unable to attend any of the free music sets. Indeed, I have seen some great shows over the recent past and discovered some great homegrown musical artists. Oshawa-based Dizzy is one of two bands that blew me away last year and made a fan of someone who had not heard them before their performance on the Dragon Boat stage. They are a quartet made up of Katie Munshaw and brothers Alex, Charlie, and Mackenzie Spencer and their sound is some upbeat dreampop in the vein of Lorde. Their set was engaging, their cover of “The suburbs” compelling, and most definitely enough to draw me into investing in their debut album, “Baby teeth”. And now, they’re my second favourite band from the town where I was born.
Point of reference song: Joshua

Katie Munshaw of Dizzy
Alex Spencer of Dizzy
Mackenzie Spencer of Dizzy
Charlie Spencer of Dizzy
Katie Munshaw, close up

Best tunes of 2011: #13 The Rural Alberta Advantage “North star”

<< #14    |    #12 >>

Just after Christmas in December of 2011, I joined my friend Tim on a short road trip out to Cambridge to visit his friends Greg and Wendy. They had recently opened a used records and book store called Millpond and we met up with them there to check it out, just before they closed for the day.

(I browsed their record selection with some interest, though I was still a few months removed from starting my collection in earnest.)

Afterwards, we went out for dinner, where there were plenty of laughs and reminiscences and of course, talk eventually turned to music. The fact that I had recently starting blogging about music was raised and I showed them the home page on my iPhone, which at that moment was deep in the depths of my first ever end of the year, best albums countdown. Wendy exclaimed that she liked the look of one of the album covers and when I looked at the one about which she was talking, it was The Rural Alberta Advantage’s sophomore album, “Departing”. Its cover art is mostly white, what looks like a mostly untraveled two lane highway obscured by whiteout conditions, snow sliding across the asphalt, a set of headlights barely visible in the near distance. Incidentally, it aptly foreshadowed our drive back to Toronto as we were hit by one of those surprise snow storms particular to the areas surrounding Lake Ontario.

Without digging back in the archives of my old blog, “Music Insanity”, I couldn’t tell you what position “Departing” held in my top ten that year but I think if and when I redo it on these pages, this album would still be somewhere in the mix. The Rural Alberta Advantage is an indie rock trio, that despite their moniker are actually based out of Toronto. Their sound is the happy melding of Nils Edenloff’s rough guitar manhandling and raw vocal chords vocals, Amy Cole’s delightful keys and other percussion flourishes and her soft touch backing voice, and of course, Paul Banwatt’s frenzied impression of Animal punishing the drum kit. Every song on the album, nay, on all their albums, is an adventure.

The first half of “North star” is more sparse than the usual RAA tune. Cole’s piano chords are like a punctuation on Banwatt’s drum rhythm, those that just chug along like the sleepers on a night train, above whom the glass ceiling looks over the prairie night sky and the stars are everywhere, a million pin holes in the night. Then, the piano becomes more than an accent and fills all the rest of the empty space with chimes and bass reverberations. Edenloff, meanwhile, is almost restrained, singing forlornly about a love that might never be.

“We’re far apart under the same sky,
You’re diving in the dark I’m in the city’s lights,
Wishing just to see you for another night.”

If you’ve never listened to the RAA before, I suggest you give the song below a go. You’re welcome.

For the rest of the Best tunes of 2011 list, click here.

Vinyl love: Metric “Old world underground, where are you now?”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Metric
Album Title: Old world underground, where are you now?
Year released: 2003
Year reissued: 2015
Details: Black vinyl

The skinny: So Metric is doing a show tonight at Ottawa’s TD Place with another Canadian indie rock success story, July Talk. I’m not going (though I’m sure it’ll be a great show). I’ve seen both bands live already and in the case of Metric, a couple of times. But it got me thinking about their humble beginnings during the hey day of Canadian indie rock and I thought I’d give their debut a spin. Metric is another band that I came across as a result of discussions with my friend Jez (whom I mentioned a few days ago in connection with Neutral Milk Hotel) and it’s with whom, I had a few chances to see the group live at some tiny, intimate clubs in Ottawa before they really hit it big. Unfortunately, I didn’t have a lot of cash in those days and only finally got to see them live five or so years later at Bluesfest, circa 2009, with a larger crowd (though perhaps not as large as tonight). “Old world underground, where are you now?” is a very sturdy debut for an indie band with an ear for the past and hints for the future… And as my friend Mark might say, Emily Haines is a rock goddess.

Standout track: “Combat baby”