Categories
Live music galleries

Live music galleries: Nap Eyes [2016]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Nap Eyes at Ottawa Dragon Boat festival, 2016

Artist: Nap Eyes
When: June 25th, 2016
Where: Ottawa Dragon Boat Festival, Ottawa
Context: Tomorrow marks the beginning of this year’s edition of Ottawa’s Dragon Boat Festival and if the weather gods are kind, it will mark the return of live music to my life after a two and a half year absence. Of course, the festival itself is mostly about the dragon boat racing and raising money for charity but it also includes free, all-ages concerts that typically showcase the finest in Canadian talent. I’ve seen some excellent shows there over the years, a few from which I’ve shared photos on these pages. Back in 2016, I caught Halifax, Nova Scotia’s Nap Eyes just after they released their critically acclaimed sophomore album, “Thought rock fish scale.” I was truly excited to see them because I had just discovered them and had been talking them up to friends and colleagues, describing them as The Velvet Underground, if all their songs meandered just so, like “Sunday Morning”. Live, they were completely as I suspected, all jangly and crashing guitars, and jaunty, consistent drumming. All four band members were playing in their own world, eyes closed and heads down, as if the audience weren’t there most of the time. Frontman Nigel Chapman’s vocals were uneven and unassured but in my opinion, that’s what gives the songs their edge, like early Belle & Sebastian or New Order: tentative but charming. It was an amazing show, nonetheless, and one during which I found myself lost in the music throughout most of the hour.
Point of reference song: Click clack

Seamus Dalton and Nigel Chapman of Nap Eyes
Josh Salter of Nap Eyes
Brad Loughead of Nap Eyes
Seamus Dalton
Nigel Chapman
Categories
Tunes

Best tunes of 2012: #1 Of Monsters And Men “Little talks”

<< #2

What is it with Iceland, this tiny island country with a population hovering between 300,000 and 400,000, that keeps producing not just talented, but groundbreaking musicians? Is it something in the volcanic ash or all those dang waterfalls? First, it was The Sugarcubes and Björk in the late 80s, followed by Múm and Sigur Rós in the late 90s, and then, in 2012, Of Monsters And Men were suddenly the darlings of the indie rock world.

The group formed in 2010 when singer/songwriter, Nanna Bryndís Hilmarsdóttir decided to flesh out her sound with a full band and flesh it out she did. By the time they were signed to Record Records in 2011, they were up to six members and typically added a couple more on stage for good measure when performing live. Their debut album, “My head is an animal”, was actually released in 2011 in their home country but it wasn’t long before they were generating buzz outside the small island’s borders, mostly on the back of the song that is the reason for today’s post. I’ve included “Little talks” as my number one favourite song of 2012 (despite being released the year before) because this is the year it was officially released in North America and just a few months earlier was when I came across them and quickly fell for them.

I actually have work colleague, Jean-Pierre, to thank for turning me on to Of Monsters And Men*. He mentioned their band name one day as we passed each other in the office hallway, as we were wont to do, back when we were actually working in the office. Indeed, we often shared the names of bands and especially, the names of songs to which we were currently listening and typically, name dropped other band names as points of reference. In this case, The Decemberists and Edward Sharpe and the Magnetic Zeros set off alarm bells in my head so I made a mental note and set about investigating later that night.

As I already hinted above, “Little talks” generated tons of buzz with the indie hipsters, on the net, in blogs everywhere, and on college radio. And with very good reason. “Little talks” is one of the catchiest pieces of pop gemstones that you might ever hear. It definitely benefitted from the surge of interest at the time in indie-folk music, mostly generated by bands like The Decemberists, The Lumineers, and Mumford And Sons. “Little talks” shared some of the qualities of these types of acts (“Hey!”) but the female/male vocal interplay also had me drawing comparisons to The Beautiful South and the varied instruments and big sound was reminiscent of Arcade Fire.

It’s a beautiful, whimsical, and uplifting song. It’s happiness. It’s magical. It’s timeless. It’s love.

“Though the truth may vary
This ship will carry our bodies safe to shore”

Amen.

*Although, given how big they became, I’m pretty certain I may have noticed them eventually.

For the rest of the Best tunes of 2012 list, click here

Categories
Vinyl

Vinyl love: Big Red Machine “How long do you think it’s gonna last?”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Big Red Machine
Album Title: How long do you think it’s gonna last?
Year released: 2021
Details: Limited edition, double LP, red opaque

The skinny: This sophomore release by the collaborative effort between Bon Iver’s Justin Vernon and The National’s Aaron Dessner marks the final instalment in this ‘Vinyl Love’ sub-series featuring my favourite albums of 2021. To be honest, I wasn’t bowled over by Big Red Machine’s 2018 self-titled debut, so I was a bit skeptical and didn’t rush to check out “How long do you think it’s gonna last”. When I finally did, though, mostly at the urging of a couple of my vinyl-loving friends, I was quite pleasantly surprised by the twitchy and anxious painting of this strange world that we are more and more finding ourselves in. Much is made of all the great guest contributions, and they certainly are great, but I think the most compelling moments are when Dessner steps out of his comfort zone and into the spotlight. This limited edition double red LP pressing was purchased from Pop Music Toronto’s online webstore, bundled with the 30th anniversary pressing of “Trompe Le Monde” to save on Canada Post shipping costs. And with all the time it has spent on my turntable, it’s not a purchase I regret in the least.

Standout track: “Magnolia”