(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Phoebe Bridgers Album Title: Punisher Year released: 2020 Details: Limited edition, red and swirly vinyl, gatefold sleeve, included lyric book
The skinny: I pre-ordered this limited edition, red and swirly pressing of Phoebe Bridgers’ sophomore solo record, “Punisher”, as soon as I heard tell of it, right off her website. No second guessing. I loved her first album and both of the collaborative project (boygenius, Better Oblivion Community Center) of which she has since been a part. The wait for it was interminable. I’m not talking about the release date but the amount of time it took to get from California to here. I was worried that the sitting and changing hands through the multiple stages through two postal systems, it might have gotten damaged along the way. But not so. And it was definitely worth the wait. The packaging is immaculate and the artwork and lyric booklet is lovingly rendered. And well, the music itself? Let’s just say that you can believe the hype.
Back at the end of April, I posted the first part of this series, sharing with you all a playlist containing twenty-five tracks that I enjoyed during the first quarter of 2020. At that time, we were just five weeks or so into COVID-19 lockdown and had no idea what was going to happen or how long things were going to go on the way they were going. And well, we’re now nearing the end of July and we still don’t really have the answer to any of these questions. Restrictions have been relaxed in different parts of the world and we’ve had second outbreaks happen in others. We’ve been very tentative here in Canada. Slowly, slowly, slowly, we’ve seen some return to normalcy, albeit with some changes. Drive-in movie theatres appear to be making a comeback and leapfrogging from that, drive-in concerts. Masks are now prevalent and being made mandatory in all indoor public places. And of course, many of us are still working from home and really, seeing very little of other people outside of our own little bubbles.
Luckily for us, new music is still being released. Something to keep us occupied while we all stuck at home. I’ve (more than once) found myself wondering, though, if it, at some point, the music would stop coming. But no, at least not yet. Indeed, I would imagine that many of the tracks on this playlist were finished up during this crazy time and maybe even some of it recorded while in isolation. And when I get to posting the third playlist in this series, sometime in October, I feel like most of those songs will be influenced in some way by this new reality, whatever that will look like by then.
But before I get to much ahead of myself, let’s have a look at some of the highlights of this season’s playlist:
It all opens up with “Breathe”, the frenetic second track off Canadian indie popsters Born Ruffian‘s latest album, “Juice”
“The adults are talking” is a tune that I just can’t resist, the first in many years by The Strokes that has grabbed me right from the beginning and has yet to let go
One of my favourite Netflix series of late has been this British comedy, “Sex education”, and the soundtrack by Ezra Furman is just phenomenal and it finally saw a release this year, on which “Every feeling” is a standout track
I purchased I Break Horses‘s new album, “Warnings“, for my vinyl collection in May and it is quickly becoming one of my favourites of the year – just have a taste of “I’ll be the death of you” to see why
I saw and fell for Gateway Drugs when they opened for Swervedriver in 2015 and have been waiting for new material ever since, soooo… yes, “Wait (medication)” off this year’s “PSA” is very welcome and its production by Raveonettes’ Sune Rose Wagner definitely doesn’t hurt
It’s been 30 years since Pete “Sonic Boom” Kember’s last solo album but the founding member of Spaceman 3 creates quite the groove on “Just imagine” and the rest of “All things being equal” is quite lovely as well
A lot is being made of Phoebe Bridgers‘ sophomore record “Punisher” by the critics and I cannot fault them at all – “Kyoto” is a fine example of her mature and intelligent songwriting
For those who don’t use Spotify or if the embedded playlist below doesn’t work for you, here is the entire playlist as I’ve created it:
(This year’s edition of Ottawa Bluesfest has been cancelled, for obvious reasons. In previous years, especially on my old blog, I would share photos and thoughts on some of the live music I was enjoying at the festival throughout the duration. So for the next week and a half, I thought I’d share ten great sets, out of the many I’ve witnessed over the years, one for each day on which music would have be performed. Enjoy.)
Artist: Belle and Sebastian When: Saturday, July 6th, 2013 Where: Claridge Homes stage at 8:00pm Context: Where do I even begin? I mean Belle and Sebastian has been one of my favourite bands for a very long time. I’ve been following this Scottish indie pop band since some point around 1997 or 1998. One of my favourite ever albums is 1998’s “The boy with the arab strap” but I know each one of their albums intimately and have a bunch of them in my vinyl collection. But this set was my first and still only time seeing the band to date.
When Belle and Sebastian took the stage, they were an impressive sight. They are already a large band, sitting at seven full-time members, but then when you add in the string quartet, a cellist, additional keyboards and horn players, they had up to 13 musicians on stage at different points in their performance. Again, it was a pretty impressive sight and the sound was just incredible.
The biggest surprise for me of their whole set, though, was Stuart Murdoch. I’m not sure what I was expecting but I thought he was excellent and I’m not just talking about his singing and guitar playing. He was a delight with the audience from the beginning, telling stories and jokes between every song. He started off by mentioning that because this was their first time in Ottawa, they fully intended to play music from their entire catalogue. As Murdoch himself put it, “something old, something new, something borrowed, something blue.” He also called Ottawa the friendliest city in Canada and went on to the tell the story of how he went for a walk downtown and didn’t think he’d make it back to the festival on time so he jumped on a bus without correct change and the driver let him ride for free, “just this once”.
As promised, Murdoch and company performed tracks from all over their career. A couple of times during the set he introduced older tracks with the preface that they were for those in crowd that were older, like him, but that if the youngsters in the crowd knew the songs too, even better. There was so much from which to choose that they could have played but didn’t. Still, I was not disappointed in the least at the songs that made the set. In fact, I think I would have been happy with whatever they played but there was one song in particular that I really wanted to hear, that is, of course, the title track off “The boy with the arab strap”. And wouldn’t you know? They played it, along with another of my favourite tracks, “Legal man”, during a part of the set where Murdoch was feeling like dancing. He invited a few members from the audience to come up on stage while the band performed these two songs. It was brilliant.
The band finished off their proper set with “Judy and the dream of horses” and left the stage. But the crowd was not letting them off that easily, insisting on one more song. They returned, almost embarrassed, and Murdoch wondered aloud whether it was “bad protocol” to perform an encore at a music festival. We weren’t complaining at all, especially when he dove into another classic track, “Get me away from here I’m dying”.
Judy Is a Dick Slap
I’m a Cuckoo
I Want the World to Stop
To Be Myself Completely
Piazza, New York Catcher
If She Wants Me
Funny Little Frog / Seeing Other People
Like Dylan in the Movies
I Didn’t See It Coming
The Boy With the Arab Strap
Judy and the Dream of Horses Encore:
Get Me Away From Here, I’m Dying