Best albums of 1988: The honourable mentions (aka #10 through #6)

 

Happy Thursday! And welcome back to my Throwback Thursday (#tbt) best albums series.

I know it’s been a while since the last of these but there’s good reason. If you look back at my sentiments at the time of my last series, you’ll see that I had this crazy idea of whipping through six of these things this year to catch up. Well, halfway through writing for this particular list, I hit a wall. I found the mission way too onerous and ambitious…. So I decided to take a break, take my time writing these posts, and enjoy them again. I’ve decided instead to choose years at random to do throughout future years and maybe even do some theme-based best albums lists. First, though, I wanted to share this particular list with you because I pushed through to finish it and it is a good one with a lot of important albums.

Our destination here is 1988, which is unbelievably just over thirty years ago now. I can’t really say it feels like yesterday because at the time, I was spanning my first and second years of high school. The problems of acne, getting braces, and math homework seem like another world ago. I had yet to hit my growth spurt, hadn’t yet started shaving, and I still hadn’t yet dipped my toes in the theatrical arts, something that would radically change my high school experience from then on out.

This is the second time we are touching down in the 1980s The last time we did so, I mentioned in the introductory post that I was still finding my way in the music world. The pop charts were king. AM radio and music video shows and countdowns, and whatever they played at the high school dances at which I was holding up walls. So yeah, a lot of the albums on this list were not even close to being on my radar back when they were released. In some cases, I came upon them a few years later, some of them took longer to take hold, but all of them are now staples in my collection and revered for their place in my musical education.

Yes, the ten albums in this list are all classics and I am going to kick things off with the first five below. And if you don’t know the trick by now, I will be featuring the top five, an album each Thursday, over the next five weeks. I hope you enjoy this trip back to 1988 with me.


#10 The Sugarcubes “Life’s too good”

Nowadays, we have the international sensations Sigur Rós and Of Monsters and Men but before The Sugarcubes hit the scene, we hadn’t heard much rock music from Iceland. The six-piece alternative outfit were made up of veterans of different music groups from the Reykjavik scene. They released three full-length albums in their four year existence, though none as impactful as their debut, “Life’s too good”. Admittedly, I didn’t first listen to the album until well after their former frontwoman, Björk, had established her solo career with her excellent first two records. However, I have grown to love the quirky, punk-inflected DIY rock of The Sugarcubes’ debut. And it doesn’t at all sound thirty years old.

Gateway tune: Birthday


#9 Erasure “The innocents”

Here is an album that I was definitely listening to in high school, though perhaps not as early as 1988. “The innocents” was Erasure’s third full-length album and first to hit the top 10 in the UK charts, spawning a number of hit singles. The duo of Vince Clark and Andy Bell took 80s synth pop and made a career out of getting people out on the club dance floors. I love many of their singles but this is the only one of their albums that I love all the way through. I am well aware that it could be nostalgia factor here, given that this is the first of theirs that I listened to after my friend John made a copy of it on cassette for me.

Gateway tune: Chains of love


#8 Billy Bragg “Worker’s playtime”

I got into Billy Bragg with the album after this one, 1991’s “Don’t try this at home”, during my final year of high school and only went back to discover this previous album a few years later, when one of my university housemates Meagan had it in her CD collection. “Don’t try this at home” is considered by many his attempt at pop but in 1988 Bragg was still mixing his prototypical protest songs with songs on love. He usually performs these songs live solo on stage with his electric guitar but on record, he had a full band with him, though the music is typically secondary to his words. “Workers playtime” is his third album and is chock full of classics and fan favourites like “Must I paint you a picture?”, “She’s got a new spell”, and the one below, “Waiting for the great leap forwards”.

Gateway tune: Waiting for the great leap forwards


#7 Jane’s Addiction “Nothing’s shocking”

Jane’s Addiction is another artist I was listening to by the end of high school, the introduction coming with the album following the one on this list, in this case, 1990’s “Ritual de lo Habitual”. In 1988, though, the quartet led by founding members Perry Farrell and Eric Avery, and including Dave Navarro and Stephen Perkins, were releasing their second album, their major label debut, “Nothing’s shocking”. Here, the group re-recorded a couple of tracks that appeared on their ‘live’ self-titled debut album and added some explosive new ones that mixed metal, surf, glam, funk, and punk. They were a hard-living group and it shows in the raw angst on so many of the songs here.

Gateway tune: Jane says


#6 Leonard Cohen “I’m your man”

I’m hoping that Canada’s singer/songwriter/poet, Leonard Cohen, needs no introduction to anyone that lands on these pages. His eighth studio album, “I’m your man”, was the first CD I owned by the influential lyricist, after being introduced to him by way of the appearance of “Everybody knows” a couple years later in the film “Pump up the volume”, a favourite of mine at the time. The production and instrumentation on this album definitely sound of its time but Cohen’s rich and deep vocals and excellent lyrics allow you to forgive him. So many great tracks, like the title track, “First we take manhattan”, and the aforementioned, “Everybody knows”. How could I not include this here?

Gateway tune: Everybody knows


Check back next Thursday for album #5 on this list. In the meantime, you can check out my Best Albums page here if you’re interested in my other favourite albums lists.

Best albums of 1987: The honourable mentions (aka #10 through #6)

Happy Thursday! And welcome to the third installment of my Throwback Thursday (#tbt) best albums of the year series. This time, we are on a voyage all the way back to 1987. Just over thirty years ago. The world was a different place, especially for me. Because I was but a child.

1987 marked the year I left grade school and entered high school. A big step for some but since my school was in the process of spawning a secondary school, it just meant changing classrooms. I don’t remember much else special about those early days of grade nine, at least nothing else I want to share today. It was… a very, very long time ago.

Nonetheless, I can assure you that, at the time, I didn’t know anything about music. I definitely wasn’t listening to the albums that will make up this top ten list. In fact, I can’t even remember for certain the songs and artists to which I might have been listening. It was likely the pop and top 40 that I was able to pick up on my AM radio, music from singers like Bruce Springsteen and Corey Hart and Madonna. I would only start discovering the world of alternative music a few years later and some of the following albums would figure in, while others I wouldn’t discover until much later.

It will go without saying that a good portion of the albums I will cover today and in the coming weeks are now considered classics and very much in the mainstream but back in the day, they were on the cutting edge and pushing the boundaries of what pop and rock music should be. So before I start ruining surprises, I am going to kick things off with the first five albums of my top ten below. And if you don’t know the trick by now, I will be featuring the top five, an album each Thursday, over the next five weeks. I hope you enjoy this trip back 30 odd years with me.


#10 Dead Can Dance “Within the realm of the dying sun”

“Within the realm of the dying sun” is the third album by these Australian exports to England, mainly the duo of Brendan Perry and Lisa Gerrard by 1987. It marks a departure from their earlier post-punk and gothic rock sound, dispensing almost completely with guitars and utilizing a vast range of unorthodox instruments, some of which you may have never heard of or seen before. The album’s sides are split between the two primary vocalists and songwriters but it is cohesive in its big and dark and worldly sound. This is the Dead Can Dance we know and love.

Gateway tune: Xavier


#9 Spaceman 3 “The Perfect prescription”

With this, their second album, Jason Pierce’s pre-Spiritualized band with Pete “Sonic Boom” Kember, Spacemen 3 were arguably at their recorded output apex. They were given pretty much free reign of a recording studio for eight months, where they were able to experiment and hone their songs together to perfection. Compare that with the debut that was recorded in a week with an unsympathetic producer and to their third and fourth records, where the relationship, both personal and working, between the primary songwriters, Pierce and Kember, were by times, deteriorating and completely non-existent. This “rollercoaster” concept album of a trip (see what I did there?) is raw and soulful and psychedelic and woefully underrated.

Gateway tune: Walkin’ with Jesus


#8 The Jesus And Mary Chain “Darklands”

For their second album, the Reid brothers replaced Bobby Gillespie (who left to focus on Primal Scream) with a drum machine and really, did much of the instrument work on “Darklands” themselves. They stripped back a lot of the feedback and fuzz and noise but still managed to infuse the follow up to “Psychocandy” with just as much darkness and pure cool. Like the other two albums I’ve already listed, I got into this album years after its release and for me, it’s not an album of singles (although “Happy when it rains” is pretty phenomenal) but one of mood and feel. All black leather and sunglasses cool.

Gateway tune: Happy when it rains


#7 Jane’s Addiction “Jane’s Addiction”

In doing these best albums lists, I’ve been trying to limit my selections strictly to studio albums, which is why you won’t find New Order’s iconic compilation album, “Substance”, in this list for 1987. However, Jane’s Addiction’s self-titled debut album is a special case. Yes, it is a live album but it was heavily mixed and dubbed in the studio afterwards. I also think that Perry Farrell and company went this route to avoid having their debut release come out on a major label, given that they were being heavily courted by Warner at the time. And finally, it’s an album that defies ignoring. It captures the band’s raw live energy and includes rough first recordings of songs like “Pigs in zen” and “Jane says” that would later get a makeover and become classics. And oh yeah, there’s a couple of great covers… like the one below.

Gateway tune: Sympathy


#6 The Sisters Of Mercy “Floodland”

My friend Tim got me into The Sisters of Mercy back in the latter days of high school. He recorded me a copy of 1990’s “Vision thing”, which I loved, and later, when I caught and recorded the video for “This corrosion” on Much, the deal was sealed. The Sisters released three albums and each were recorded by three very different looking bands, the only constants were frontman Andrew Eldritch and his drum machine, Doktor Avalanche. On this, their second album, the goth rock outfit also included Patricia Morrison, who didn’t do very much on the album musically but definitely added to its image and tone. Epic rock producer Jim Steinman (who worked a lot with Meatloaf) also added his touches, especially on the aforementioned “This corrosion” and “Dominion/Mother Russia”. It’s big and it’s dark and it’s awesome.

Gateway tune: This corrosion


Check back next Thursday for album #5 on this list. In the meantime, you can check out my Best Albums page here if you’re interested in my other favourite albums lists.

*Note: The photo under the title is not my own but I was unable to find the original source. Apologies and kudos to its creator.

Best tunes of 1990: #5 Jane’s Addiction “Been caught stealing”

<< #6    |    #4 >>

“I’ve been caught stealing
Once when I was 5
I enjoy stealing
It’s just as simple as that”

Haha. If it were only as simple as all that. Farrell does like to play with us all. After hearing his intro to this very tune on the “Kettle whistle” compilation, where he muses about and chastises a fan for stealing another man’s girl, worse yet, his best friend’s girl, I wonder if anything Jane’s Addiction does is so simply black or white.

I’ve already made mention that “Ritual de lo habitual” was my introduction to these guys when I posted about “Stop!” at the number 26 spot on this list. If you’ve read those words, you’d know that this album is still my favourite album in their catalogue and using logic, you might surmise “Been caught stealing” as the likeliest candidate for my favourite of their tunes. You’d be right. It is also their biggest tunes, and so probably, a lot of people’s favourite Jane’s Addiction tune. The video and its circulation on the music channels was one of the major contributing factors to its success. The video matched the song in chaos and hilarity, featuring members of the band shoplifting in a ridiculous manner.

“Been caught stealing” is a rebel without a cause. It rocks a serious groove, the bass is heavy and funked out, the guitars scream metal and the badass lyrics are sung in a badass manner. Yet as much as I loved it from the beginning, I loved it even more when I heard the outtake version on the aforementioned “Kettle whistle” compilation. Go ahead. Have a listen and glory in its laidback lounge aroma, replete with steel drums and scat singing.

For the rest of the Best tunes of 1990 list, click here.