(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Album Title: Leisure
Year released: 1991
Year reissued: 2012
Details: 1 of 7 in Blur 21, anniversary box set, black vinyl, 180 gram
The skinny: The debut album by Damon Albarn, Graham Coxon, Alex James, and Dave Rowntree, also known as Blur. It’s a bit messy, not knowing whether to lean towards baggy or shoegaze, two sounds that were both on their way out. Still, some fantastic tracks here.
Standout track: “There’s no other way”
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I feel like I’ve loved these guys forever, even though I know it’s an impossibility. In the more than twenty years since I first laid ears on them, the music by this Oxford-based, four piece hasn’t strayed very far from my front of consciousness, at least their first two albums haven’t.
They formed in 1988 and caught the attention of Jim Reid (of Jesus and Mary Chain) via a demo tape they had recorded in bassist, Steve Querait’s bedroom, which, in due course, led to interest by Creation Records’ Alan McGee. Ride would go on to record four full-length albums for that label, as well as a mess of EPs and singles. They did really well commercially in their native England but not so much here in North America. Their legacy, however, grew immensely over the years and endures today. They never much liked the shoegaze label with which they were saddled but despite that, they have since become icons of the original wave of said genre from the early nineties and have had a massive influence on the bands of the second wave that started in the 2000s. So much so, that a reunion became inevitable and when it finally happened two years ago, I scored a ticket to their tour’s stop in Toronto. As you might guess, it was a brilliant show…
…But I digress…
“Chelsea girl”, along with “Drive blind”, were songs on that aforementioned demo and were re-recorded for the Ride’s self-titled, debut EP. On the former (without discussing the latter), the guitars start out semi clean, albeit heavily treated with effects pedals, and they follow the bouncing ball on an arpeggiating intro. But have no fear: they quickly fall down the rabbit hole, turning messy and heavy, just like molasses, and just as sweet. Hiding in weeds and peeking out at just the right moments are the lackadaisical vocal harmonies of Bell and Gardener, providing yet another sweet melody to the mix. But the real treat here, is the punishing drum onslaught displayed by Loz Colbert. I’ve always thought all four members of the band talented on the piece that they add to the beautiful puzzle but for me, “Chelsea girl” is the beaut that it is because of Colbert.
Turn it up as loud as your speakers can handle and you just might thank me for it.
For the rest of the Best tunes of 1990 list, click here.