(This year’s edition of Ottawa Bluesfest has been cancelled, for obvious reasons. In previous years, especially on my old blog, I would share photos and thoughts on some of the live music I was enjoying at the festival throughout the duration. So for the next week and a half, I thought I’d share ten great sets, out of the many I’ve witnessed over the years, one for each day on which music would have be performed. Enjoy.)
Artist: The Shins
When: Wednesday, July 12th, 2017
Where: Claridge Stage at 7:55pm
Context: This set by The Shins in 2017 marks the most recent performance to make this list and it also marks the only one for which I didn’t have any notes to which I could refer and pilfer to write this post. For all the other sets in this series, I was diligently making notes during them so that I could post reviews of sorts to my old blog ‘Music Insanity’. By the time 2017 rolled around, I had stuck a fork in that old blog and had just started this one and I decided to spend less time making notes and taking photos during concerts and just tried to enjoy the live experience more.
Interestingly, this particular Wednesday was the only day I got to Bluesfest in 2017. I was going to skip the festival altogether that year but the one day lineup that included Phantogram, The Shins, and LCD Soundsystem was too good to pass up. I had seen The Shins five years earlier with my wife Victoria and remembered that they blew us away, despite the rain storm that had swept up during their set. Still, leading up to that day, I was considering them and Phantogram icing on the cake to finally seeing LCD Soundsystem. That all changed when James Mercer and his players hit the stage.
The particulars are rather fuzzy, given that it was three years ago, again, I don’t have any notes from the day, and of course, I had enjoyed a few pints beforehand with my friend Jean-Pierre. However, I was totally engaged and enrapt during the set’s entirety. James Mercer and The Shins definitely know how to rock. They pulled out tunes from all of their albums, right back to their 2001 debut, “Oh, inverted world”, and didn’t focus solely on selections from their newest, 2017’s “Heartworms”. Yeah, I was there singing along to all the tunes right there with the rest of the crowd. And the smile never left my face the whole time.
Caring Is Creepy
Name for You
Mine’s Not a High Horse
Girl Inform Me
Kissing the Lipless
Painting a Hole
The Rifle’s Spiral
Half a Million