Vinyl love: Stars “The five ghosts”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Stars
Album Title: The five ghosts
Year released: 2010
Details: 6 x 7″ box set, coloured vinyl (pink, yellow, white, pink marbled, clear milky, light blue), wood box, 13 postcard photos (one of them signed)

The skinny: If “Set yourself on fire” was their best album, Stars’ fifth album “The five ghosts” is most definitely a close second, in my mind anyway. Two of its songs appeared in my Best tunes of 2010 list (at #20 and #7) and in one of those posts, I told the story about how I sent out a search party the night it was released to find a copy on CD. And as soon as I started collecting on vinyl, I knew I needed a copy on this format but they weren’t easy to come by. On a whim one day, I checked out the band’s website store and found they were clearing these 7” singles box set copies of the album. I jumped on it and though I don’t spin it very often, given the extra attention required for the listening of it, I’m very glad it’s part of my collection.

Standout track: “Wasted daylight”

Best albums of 2008: The honourable mentions (aka #10 through #6)

Now that we’re firmly into 2018, I thought it time to start back in again with these album of the year series. If you remember the scoop from last year, I finished off my list of 2017’s best albums in December and then, in the new year, I travelled back in time, decade by decade, from 2007 and 1997 back to 1987 to deliver my favourite ten albums of each year. And yes, the plan is to do the same over the course of this year.

The year 2008 was very memorable for me musically because it marked the year I went to V fest (at which the above photo was taken) on Toronto island for the first and only time. Believe it or not, this was also the first music festival I ever attended (check my list of concerts here if you are on the not believing side). Of course, this is the flurry that started the avalanche. The following year, I attended two of the days of Ottawa’s Bluesfest and the year after that, I attended a full week of the same festival and also put in an appearance at Winnipeg’s renowned folk festival. I’ve attended some sort of outdoor music festival every year since. There is just something about being out in the elements, in a field or forest with a beer or two in your hands, wandering from stage to stage and soaking in the music.

And yeah, the music. Let’s get back to that.

This year 2008 was also a great one for releases. So many great albums that it was difficult narrowing things down to just the ten. However, I persevered. Below you’ll find albums ten through six of my favourite albums of 2008 and for the next five Thursdays, I’ll be posting the next five albums until I get to my favourite album of the year. Enjoy!


#10 Fleet Foxes “Fleet Foxes”

I remember being at Toronto’s V fest in September of 2008 and this album playing between live sets. I recognized it but didn’t immediately put a name to it. I felt more compelled to do so when my friend Mark asked me about it, noticing that I was tapping my foot. I described Fleet Foxes to him then as the current ‘it’ band, which was accurate, given that praise was being heaped on this self-titled debut from all corners. It is all deserved, of course. Robin Pecknold and his band of merry men seamlessly blend old and new, minstrel music wrought with acoustic picking, big band sounds, and all for one harmonies. This particular blogger feels this album ushered the indie folk genre to the masses.

Gateway tune: White winter hymnal


#9 The Submarines “Honeysuckle weeks”

I came across this Los Angeles-based indie pop band by way of the soundtrack for “Nick and Norah’s infinite playlist”, which I loved on first watch and listen. They formed in 2006 around the duo of Blake Hazard and John Dragonetti, a married couple who met through a friend but stayed for the music, and are rounded out by Jason Stare and Scott Barber when they perform live. “Honeysuckle weeks” was the album I first listened to by the band, tuned in on the strength of “Xavia” from the aforementioned soundtrack. It is ten songs of shiny happy pop goodness, reflecting the yellow, sunny days of summer, the season in which it was recorded.

Gateway tune: You, me, and the bourgeoisie


#8 School Of Seven Bells “Alpinisms”

I’ve already told the story on these pages of how Secret Machines guitarist Benjamin Curtis met twin sisters Alejandra and Claudia Deheza of the band On!Air!Library! and they decided to form a band. Well, “Alpinisms” was their debut album and of course, I had to check it out immediately after I learned of it to see what it was that could coax Curtis away from such a promising band. It turned out to be a good choice because this is some great stuff. A little bit more electronic than his former work but no less dreamy and hazy and beautiful and the twin vocals by the Deheza sisters are mesmerizing. The whole package is rife with magic and mysticism and otherworldly sounds.

Gateway tune: My cabal


#7 Glasvegas “Glasvegas”

It’s a bit unfortunate about their name and the fact that their second and third albums lacked the punch of the debut because this self-titled album by Glasvegas was fantastic. It is ten reverb-drenched and fuzzed out tracks that scream for a Phil Spector encore and paired with frontman James Allan’s emotive and passionate delivery in his thick Scottish accent, they become that much more beautiful and vibrant. And other than positing that this album might just suggest enough romance to celebrate today with, that’s all I have to say about that.

Gateway tune: Geraldine


#6 Spiritualized “Songs in A & E”

The two albums that followed Spiritualized’s “Ladies and gentlemen we are floating in space” were slight (and slighter) disappointments around these parts but there were likely doomed, given the lofty expectations heaped upon them. So when Jason Pierce resurfaced after a five year absence and a near death experience in 2005 (that inspired this album’s name and overall theme), the fact that his sixth album as Spiritualized was so good was a bit of a pleasant surprise. It is less rock noise and more orchestral expansion and gospel salvation. And yet at 18 tracks, it is just a hair over three quarters of an hour in duration. The album also gave me one of my first “I’m getting old” moments back in 2008 when I saw Pierce and company performing at V fest: I was standing beside a father and his toddler child, who sang loudly along with every word to the song below.

Gateway tune: Sweet talk


Check back next Thursday for album #5 on this list. In the meantime, you can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Best tunes of 2011: #18 The Pains of Being Pure at Heart “Heart in your heartbreak”

<< #19    |    #17 >>

For a while in the early 2010s, I was completely enamoured with twee and indie pop. Something about the precious quirkiness and often upbeat sound really appealed to me at that time. In my attempts to track down everything I could and trace my way back through the genre, I found my way to the label Slumberland Records. And well, my mass consumption of all the bands on their roster led me to The Pains of Being Pure at Heart.

The group was formed in 2007 by Kip Berman and a bunch of friends while living and working in New York after college. Their first two albums were released by the original lineup of Berman, Alex Naidus, Peggy Wang, and Kurt Feldman but after that, the band disintegrated some and nowadays, it is Berman’s solo project.

The second album released under the Pains moniker was 2011’s “Belong”, the final release on Slumberland, and was produced and mixed by Flood and Alan Moulder, two very well known names in the alt rock world. It was a critical darling, mixing the precious feelings of twee with reverb drenched shoegaze noise.

“Heart in your heartbreak” was one of the singles released in advance of said album. It’s got a peppy beat and and post-punk bassline. You can feel in the Eighties style, singalong chorus, a cheeriness covering up a high school sadness and teen angst that we can all identify with.

“She was the heart in your heartbreak
She was the miss in your mistake
And no matter what you take
You’re never going to forget”

It is a song for winter, for gathering yourself up in your coziest, heavy sweater with a hot mugga and remembering the warmth of summer, when love seemed possible and all dreams were alive, instead of sleeping under piles of snow. Yeah, “Heart in your heartbreak” is certainly the cause for wistful smiles and plenty of yearnings of yesterday.

For the rest of the Best tunes of 2011 list, click here.