Vinyl love: Doves “Lost souls”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Doves
Album Title: Lost souls
Year released: 2000
Year reissued: 2019
Details: double LP, grey vinyl, limited edition, numbered 2952

The skinny: Last year gave us the big news that Doves, one of my all-time favourite bands, was re-forming for some live shows. And then came the vinyl reissues of their now classic first three albums. I received them in the mail around this time last year and I immediately posted ecstatic pics of my new copy their sophomore release, “The last broadcast“. These days, we are eagerly awaiting news for their brand new album to drop. (We’ve already heard the first single, “Carousels”, which sounds brilliant.) Until then, here’s another of those limited edition, coloured vinyl, numbered releases. This one, their debut, “Lost souls”, pretty sums it all up for me this week. Those in the know will understand.

Standout track: “The cedar room”

Vinyl love: I Break Horses “Warnings”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: I Break Horses
Album Title: Warnings
Year released: 2020
Details: double LP, clear vinyl, gatefold sleeve

The skinny: I first came across the name I Break Horses back in 2011 and fell for the then-duo’s shoegaze-influenced debut album, “Hearts”. Then, I went to see them as the opening band on M83’s North American tour the following spring. And I Break Horses put on a blistering set, all but showing up the headliners. Unfortunately, I wasn’t as sold on their sophomore release, 2014’s “Chiascuro”, and after that, things were quiet for many years. When I heard tell that Maria Lindén was putting out a new album this year under the I Break Horses moniker, I was cautiously optimistic. When it was released, I gave it a spin on Spotify. I wasn’t even finished one go around (perhaps not even through the opening track featured below) before I was on the Bella Union website ordering this clear vinyl pressing. Yep. So far, “Warnings” is definitely one of my favourite albums of the year.

Standout track: “Turn”

Best tunes of 1992: #12 Lush “For love”

<< #13    |    #11 >>

Having reached my teen years growing up in a small town, wheels became an absolute necessity. I didn’t get my driver’s license until 1992, much later than my other friends, and only because I wanted to beat the implementation of graduated licensing in Ontario, Canada (those from the province of a certain age will know of what I speak). But even after getting my license, there was always the hurdle of convincing my parents to loan me their vehicle for the evening.

Luckily, we had a few friends in our group that had their own car or had no similar difficulties in borrowing one from their parents, and one of these was our friend Tim. Even when he went off to university, he had no problem getting his father’s keys whenever he was back in town for a visit. And though we appreciated being able to get anywhere within driving distance on most nights, it didn’t stop us poking fun at the malfunctioning climate controls or the fact that the fuel gauge was perennially on empty. We never did run out of gas, to everyone’s surprise, and Tim always ended the night by putting $2-3 in the tank to keep the needle just above the red mark.

Of course, there was always great tunes pumping out of the factory-installed speakers on those evenings out on the town. Tim seemed to have a new mix in the cassette deck every single time and though we always jokingly slagged him for his tastes, I was always discovering new bands this way. Which brings us to our song at the number twelve spot on my best tunes of 1992 list.

It was either late November or early December in 1992. It was most definitely a cold evening because I remember Tim having to rub away a small window in the frost that had accumulated on the inside of the windshield. He was back for the weekend from Waterloo university and we were getting into his car after taking in the late showing of “Bram Stoker’s Dracula” at the Whitby cineplex theatre. The heater didn’t seem to be doing anything to warm our bones but thankfully, the stereo was working and as he pulled out of his parking spot, Lush’s “For love” came bursting forth.

I would later learn that this was the second single to be released off “Spooky”, the London-based quartet’s first proper LP of new material. For this one, the band had enlisted Cocteau Twin’s Robin Guthrie to produce, much as he had on two of their previous EPs. Fans of his band might recognize his influence on the work here, lots of light bounces and sun reflections and haze rather than the noisy guitars of Lush’s shoegazing contemporaries. There was plenty of time for that later.

“For love” is still one of my favourite Lush tracks and not just because it was my first. Just listen to that bass line bopping back and forth like a slinky and those ringing and jangling guitars, sounding like chimes and bells dancing in the wind. And yeah, the dual harmonizing female vocals by Miki Berenyi and Emma Anderson, all breathy and breathless, voices sounding almost like they are singing through flutes. It could be the memory creeping in every time I listen to it but I always get the tingling feeling of a light frost and the twinkling and tinkling of icicles shaking off of fir trees. Beautiful.

For the rest of the Best tunes of 1992 list, click here.