Vinyl love: Mew “And the glass handed kites”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Mew
Album Title: And the glass handed kites
Year released: 2005
Year reissued: 2020
Details: 2 x 180 gram, black and white marbled vinyl, Limited, Numbered 1450/2500, 15th anniversary expanded, RSD 2020 drop 2

The skinny: So here’s one of the four Record Store Day exclusive releases I managed to pick up from this year’s offerings. This 15th anniversary expanded edition of Mew’s fourth album and undisputed masterpiece, “And the glass handed kites”, was released by Music on Vinyl on the second (September) of the three ‘drops’ this year. The record is pressed onto two 180-gram slabs of white and black marbled vinyl, the second disc being of b-sides and alternate versions of the studio album’s tracks, and it includes a lovely 12-page booklet, as pictured above. This album was my introduction to the Danish band and what an introduction it was. An epic and big sound, songs that ebb and flow into each other, creating a sonic dreamscape that would fit snugly in the same solar system as Spiritualized, Ride, and Sigur Ros. Beautiful stuff and this pressing sounds just amazing, well worth the money.

Standout track: “Why are you looking grave?”

Vinyl love: Lush “Topolino”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Lush
Album Title: Topolino
Year released: 1996
Year reissued: 2016
Details: yellow vinyl, disc five in limited Origami box set, Record Store Day 2016 release, limited to 2000

The skinny: “Topolino” is the final piece in “Origami”, the five disc box set of Lush LPs that 4AD put out on Record Store Day 2016. And truth be told, of the five records I’ve posted about over the past five weeks, this one is the least likely to hit my turntable on a regular basis. Perhaps a dour way to end the series but even this record has its merits. If you paid attention to the photos of last week’s subject, “Lovelife“, you might notice that the artwork of this week’s record looks eerily similar. The explanation is a simple one. “Topolino” was a compilation of b-sides recorded during the “Lovelife” sessions and as it turned out, it was the final full-length release by the group. Chris Acland, the band’s drummer, died two month’s after its release and Lush disbanded, save for a short-lived reunion almost a decade later… but that’s a story for another time.

Standout track: “Shake baby shake”

Vinyl love: Lush “Lovelife”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Lush
Album Title: Lovelife
Year released: 1996
Year reissued: 2016
Details: pink vinyl, disc four in limited Origami box set, Record Store Day 2016 release, limited to 2000

The skinny: As I mentioned last week, Lush’s third studio album, “Lovelife”, was their Britpop album. Don’t look down your nose at them though. Everyone was doing it at the time. I didn’t mind the change in sound at all because I had gotten caught up in the hype of the scene, just as much as did many of my friends. Still, had you not followed their progression as closely as I did, you might not have recognized this as at all the same band that had us dreaming colours on “Gala” and “Spooky“. Sure, there was some ethereal sounds on “Lovelife” but the guitar driven pop had been amped up and Mike Berenyi’s vocals were without a doubt more obvious here than on any of their previous work. And yeah, she definitely does hold her own in a duet with Pulp’s Jarvis Cocker on the tune below. 4AD’s choice of pink for this fourth disc in the ‘Origami’ box set does not just match the colour palette of the album artwork but also feels in line the with the decidedly bubblegum tone of its sound.

Standout track: “Ciao!”