Vinyl love: Orville Peck “Pony”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Orville Peck
Album Title: Pony
Year released: 2019
Details: limited edition Urban Outfitters exclusive of 2000 copies on ‘orange red’ vinyl, poster

The skinny: We’re only just a few months removed from 2019 and yet, it feels so long ago. Thus, now feels like as good as time as any to revisit my favourite albums of last year and so that’s what I am going to do. Starting with my number five album, I am going to count them down again over the next bunch of weeks in this ‘Vinyl love’ space. I purchased this Urban Outfitters exclusive red-orange vinyl pressing of Orville Peck’s debut album, “Pony”, in December, but it had taken me the most of the year to gradually fall in love with it. Really, though, it was inevitable. As I said back in December: “A Lone Ranger mask with a long fringe, the ever present cowboy hats, and clothing that ranges from garish and sparkly to rough-hewn but slightly fey. He sings songs about cowboys with a voice Roy Orbison would be proud of, the whistles and plodding bass lines only slightly covering up that he is actually subverting the traditional idea of the cowboy.”

Standout track: “Dead of night”

Best tunes of 2002: #15 Luna “Renee is crying”

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I first heard Luna in 1995. Their sophomore album, “Bewitched”, was loaned to me by my neighbour in university residence, Josh, who is better known in our circle of friends as Good Josh (as opposed to Bad Josh), but that’s another story. I was flipping through his CD collection one day*, he noted me looking at the album cover with interest, and highly recommended I give it a listen.

Luna has been one of my favourite bands ever since. I continued to listen to them long after I graduated, entered the adult workforce, moved away to Ottawa from Toronto, and gradually began to grow apart from most of my university friends. In fact, the last time I saw many of them, including Good Josh, was one weekend in 2002, when I took a Greyhound bus to Peterborough. A bunch of these friends were living there so the town was chosen as a central point to gather together to meet up with our friend Mark, who was temporarily back from an ESL teaching job in Japan. I distinctly remember bringing a copy of the latest Luna album, “Romantica”, along to listen to on the bus. I also pulled it out at one point on the weekend to share with Good Josh because he mentioned that hadn’t listened to them in a very long time. I don’t exact remember if he thought much of the album but it has become one of my favourites out of all their discography and was one of my first ever purchases for my vinyl collection, way back back on Record Store Day 2012.

Luna was formed by Dean Wareham in 1991 when his first band, the legendary dream pop outfit, Galaxie 500, disbanded. It was considered somewhat of an indie supergroup at the time because he had managed to gather a past member each from The Chills (Justin Harwood) and The Feelies (Stanley Demeski). Seven full-length studio albums, a live album, as well as a handful of EPs were released under the Luna moniker before the group disbanded in 2005, though the lineup was quite different then than when they had formed. Almost a decade later, Luna reunited as the lineup of Wareham, Sean Eden, Lee Wall, and Britta Philips, and they have since released a new album, an EP, and have toured pretty consistently since.

“Renee is crying” is track six on “Romantica”, an album that seems to me a rejuvenation for the band. Much of that can possibly be attributed to it being the first album with new bassist, Britta Philips, who, for you trivia buffs out there, was the singing voice Jem (of the Holograms). She also happened to be newly, romantically involved with our intrepid frontman and songwriter, Dean Wareham. Many of the tracks on the album have a bit more pep in their step, especially when compared to the previous couple of releases. “Renee is crying” isn’t as sad as the title suggests, but is actually quite upbeat and googly-eyed, though still with the band’s patented understated intricacies. For the guitar work, acoustic rhythms mesh with electric meanderings and the jaunty drums will have your toe-tapping all the way along highway seven on the Greyhound, perhaps annoying the passengers around you, who can’t hear the joyous music pumping through your earphones.

* Flipping through the CD collections of friends in university residence was how I discovered the music of a great many bands in the mid-1990s.

For the rest of the Best tunes of 2002 list, click here.

Vinyl love: The Smiths “Rank”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Smiths
Album Title: Rank
Year released: 1988
Year reissued: 2011
Details: Remastered, includes promotional poster, double LP, part of box set that includes booklet and poster

The skinny: I’m finishing off this eight-part series (thankfully, for some) with the album that I will rarely be apt to spin, this out of all the pieces in this “Complete” box set. I am not really all that fond of live albums. Indeed, this is one of only three live albums in my vinyl collection and I likely would have never purchased this one had it not come included with the set. “Rank” was an obligatory release by the band’s British and North American labels, coming out over a year after the group split and over two years after the live show at which it was recorded.  It’s an interesting listen but would probably only be that to their most hardcore fans. However, it is one of only two places in this collection where one can hear the excellent track featured below, which as Morrissey admits on the live recording was the band’s newest single at the time.

Standout track: “Ask (Live)”