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Vinyl

Vinyl love: Bedouin Soundclash “Light the horizon”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Bedouin Soundclash
Album Title: Light the horizon
Year released: 2010
Details: Gatefold sleeve, orange translucent vinyl

The skinny: Just over a week ago, I started counting down my favourite albums from 2010, perhaps one of my favourite post-Y2K* years for music, especially in terms of Canadian indie rock. Bedouin Soundclash’s fourth album, “Light the horizon” appeared at the number nine spot on said list and while writing about it for that post, I got the urge to pull the record down off the shelf and give it a spin or three. It’s easily my favourite by the ska/reggae outfit that formed back in 2001 while its members were attending Queen’s university in Kingston, Ontario. They had had a huge radio hit with “When the night feels my song” in 2004 but I really think they found some special magic when they put together the ten solid tracks that made up this album six years later. I managed to procure this original pressing to orange translucent vinyl from Amazon, back before I became disillusioned with their lax attitudes with shipping records, and am grateful that I did. It looks and sounds great on my turntable.

Standout track: “Fools tattoo”

*Is Y2K still a thing?

Categories
Vinyl

Vinyl love: Blur “The special collector’s edition”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Blur
Album Title: The special collector’s edition
Year released: 1994
Year reissued: 2023
Details: RSD 2023 reissue, 2 x LP, Light blue translucent

The skinny: Long gone are the days when I would set the alarm to wake up early, drive downtown, and queue up in a massive line at one of my favourite independent record stores for a chance at purchasing one of that year’s Record Store Day exclusives. In fact, there have been some years in the last handful where I haven’t even ventured out at all and instead, tried and generally succeeded at tracking down some of the exclusives online. This year, though, I decided to head out for the festivities* in person, albeit arriving at the respectable hour of 11 am, instead of 7:30 am, when the employees at the store I chose to visit opened up early to a ridiculous amount of waiting customers. I had my own eye out for a couple of the special releases and yesterday, found one of the two at Compact Music, and so after flipping through the rest of that store’s wares on the racks**, I returned home satisfied with my limited participation. Then, last night, I gave Blur’s “The special collector’s edition” a proper spin for the first time and quite enjoyed it. Originally released as a Japan-only release back in 1994, this b-sides collection, from what I would consider the best period of one of my favourite bands, featured some tracks with which I was already familiar*** but others that I had never at all heard before. For even more fun, the artwork plays upon magazine pull out adverts for collector’s edition memorabilia that I always though no one ever purchased. Twenty-four hours and two full spins later, I am still quite pleased with my Record Store Day purchase.

Standout track: “When the cows come home”

*Unlike last year when I went out a day afterwards and still found what I was looking for.

**And finding a non-RSD exclusive to bring home with me.

***Including the above tune, a hidden track on the CD copy I had of 1993’s “Modern life is rubbish”, and one of my favourites on that particular album.

Categories
Vinyl

Vinyl love: Alvvays “Blue rev”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Alvvays
Album Title: Blue rev
Year released: 2022
Details: Clear

The skinny: It had been five years between the release of Alvvays’ sophomore album, “Antisocialites”, and their third album, last year’s “Blue rev”. Thus, even though I’d been following the Toronto-based indie pop group since their early days and have both of their previous records on my shelves, I didn’t jump on the pre-order train for this one right away. I wouldn’t say I had tired of them or gone off the band in any way but perhaps just wary, taking a wait and see approach. Any hesitation melted away, though, when I gave “Blue rev” a go shortly after its release last October and I was more than pleasantly surprised at the group’s leaps and bounds to escape their allotted pigeonholes. I ordered a copy off Pop Music Toronto’s online store because they had a few of the clear pressings released by the group’s own Canadian-based label Celsius Girls on their virtual shelf. The album ended up placing at number two on Billboard my end of the year album list for 2022 and this record continues to be one I return to my turntable often.

Standout track: “After the earthquake”