Vinyl love: Goat Girl “On all fours”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Goat Girl
Album Title: On all fours
Year released: 2021
Details: Limited edition, gatefold, double LP, pink transparent vinyl

The skinny: The first 2021-released record that I bought last year was Goat Girl’s sophomore album, “On all fours”, and it ended up as my fifth favourite album when I counted them down at the end of December. I had never heard of the band before but the track below caught my attention when it popped up on one of those “Release radar” playlists on Spotify last January. I checked out the rest of the album and then, checked it out again. The next thing I knew, I was hunting down a copy to order for my vinyl collection and found this limited edition pink transparent pressing. This all female quartet is post-punk, but less in the sense that we’ve come to know of late. They are their own thing, beating to their own drum, giving no f*cks, and that ethos feels truer to me to the original movement than so much of the music being put out by their peers and that is so much fawned over by the music press. Goat Girl is colourful and unique, much like the album art suggests.

Standout track: “Sad cowboy”


Vinyl love: Middle Kids “Today we’re the greatest”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Middle Kids
Album Title: Today we’re the greatest
Year released: 2021
Details: Limited edition, tangerine vinyl

The skinny: Just over a week ago, I counted down my top ten favourite albums from 2021. This last year’s list was full of surprises for me but I still managed to procure many of these records for my collection before they flew off the shelves so I plan on featuring these purchases for my Vinyl Love series over the next little while. I’m starting off with the number ten album but won’t necessarily stick to the ranked order. Australia’s Middle Kids put out a very excellent sophomore release in March of last year. I had loved their debut but wasn’t expecting to be as blown away by this one. Still, I pre-ordered a copy of the ‘indie only’ tangerine pressing from one of my favourite independent record stores and was pleasantly surprised. “Today we’re the greatest” isn’t as immediate a rocker as “Lost friends” but it still has anthemic written all over it.

Standout track: “Today we’re the greatest”


Best tunes of 2020: #30 Morrissey “Jim Jim Falls”

#29 >>

Well howdy! It’s 2022. A new year, but one that’s feeling much the same as the last two. And what better way to start off the year than with a post kicking off a countdown of my favourite tunes from the year that started this mess. Dark humour? A sucker for punishment? Perhaps. But for me, it’s more about remembering that there was still some good to come out of these dark times.

Take my number thirty for the year, for instance. Morrissey released a new album in 2020 and though this sort of news has once again fallen smack dab into the ho-hum category, I found myself liking quite a bit of “I am not a dog on a chain”.

I first discovered Stephen Patrick Morrissey shortly after he went solo and I loved his first bunch of early 90s albums. I later discovered his work fronting the legendary British rock band, The Smiths, right around the time that was releasing his late 90s work, a period in his solo career to which I remain to this day mostly ambivalent. Then, he released what many (including myself) consider his comeback album, “You are the quarry”, in the early 2000s. He followed that with a string of albums of diminishing returns, to the point where I couldn’t even have been bothered to check out his album of covers, 2019’s “California son”.

Morrissey has always been a polarizing figure, eliciting equal amounts of gag reflex, eye-rolling, cheers, and undying love from all parts of the music-buying public. He actually seems to have become more known for his penchant for cancelling concerts and tours and for his increasingly right wing views than he is for any new music that he manages to record. He has lost a number of fans along the way, been dropped from record labels, and had numerous fellow artists publicly express their disappointment in him. I’ve always tried to separate the artist and their art, which is why I still try to give his albums a listen, just in case there’s a gem or two to pluck from the mire. And in 2020, there were a few on his latest and, in fact, I distinctly remember listening and bopping right along to it on the first spin while working away at my dining room table.

The opening track, “Jim Jim Falls”, starts off not sounding like typical Morrissey at all but then the industrial/electronic percussion and synth crashes give way to his familiar vocal delivery. It’s dark and ominous and harrowing in feel but the tone, biting and no holds barred, rings true. Lyrically, he sets death (particularly suicide) against living life for real, walking the walk and jumping the jump instead of talking the talk. And it rocks and it rolls. Seriously. When else but with Morrissey would you find yourself happily singing along with the lines: “If you’re gonna kill yourself, then for God’s sake, just kill yourself?”

For the rest of the Best tunes of 2020 list, click here.