Categories
Live music galleries

Live music galleries: New Order [2013]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

New Order at Osheaga 2013

Artist: New Order
When: August 4th, 2013
Where: Mountain stage, Osheaga, Parc Jean Drapeau, Montréal
Context: A week ago, the organizers of Montreal’s Osheaga music and arts festival announced that much like last year, this year’s event would not take place due to the COVID-19 pandemic. It was hardly a surprise and yet, though I hadn’t attended in many years, I felt a bit sad at the news. Every year, I get excited around lineup announcement time and I peruse the acts, weighing whether it is worthwhile to attend and whether I think I might be able to convince friends to go with. The last time I was able to achieve such a feat was in 2013 and though the lineup was favourable, it was mostly because my friends Mark, Tim, and I were all celebrating a certain landmark birthday. The headliner on the final night was Mumford and Sons but we were way more excited to see New Order, who were slated to perform just beforehand. Original keyboardist Gillian Gilbert had recently rejoined the group but Peter Hook had departed and was touring with his own band, performing landmark New Order and Joy Division albums in full. New Order, meanwhile, was touring in support of their latest album, “Lost sirens”, but the set list that night featured none of its songs and instead, read like a greatest hits album, much like that of The Cure’s set, two nights earlier. And then, just when we thought it was over, the band blew our mind’s further by performing three classic Joy Division tracks, going well over their allotted set time and cutting into Mumford’s set. The indie kids were pissed but we were in heaven. Afterwards, the headliners felt pedestrian by comparison and we were tired of drinking macro brewed beer so we ducked out of the final night early and went off to a local pub.
Point of reference song: Crystal

Bernard Sumner of New Order
Stephen Morris of New Order
Gillian Gilbert of New Order
Bernard Sumner, Tom Chapman and the multimedia light show
Phil Cunnngham of New Order
Bernard Sumner (and Stephen Morris obscured by the drum kit)
Forever Joy Division
Categories
Playlists

Playlist: “Raging Retro” (a mixed tape)


So I was downstairs in the basement a few days ago, looking for something else entirely, when I came across a treasure trove of my old cassette tapes. Yes, you read that right: cassette tapes. And with that clarification, you may be asking yourself why I still have cassette tapes in my possession, especially when I no longer have the appropriate hardware on which to play them. Well… it would be the same reason why I still have piles of old concert tickets, old floppy discs, rough drafts of long forgotten and unfinished short stories, and other random bric-a-brac from my past, all cluttered together in the same roughneck storage bin. The memories attached to these things are priceless and irreplaceable and even though I only ever come across them once or twice a year (while looking for something else), I can’t bring myself to part with them.

It was while sorting through these cassettes, remembering when and for what reason I made each, and reading through the track listings, that I got the brilliant (well, you might not think so) idea to share one or two of these as part of my (Spotify) playlist series. I’m starting off with this one, “Raging retro”, because it’s one of only a handful of those in the box that I didn’t in fact make, but instead, was made for me. Susan, a scenester friend of mine in university (and who I haven’t spoken to in years), actually made a few mixed tapes for me, though this might be the only one that I still have.

As evidenced by the faded but still legible in some places playlist pictured below, the mix was conceived in October 1995. Susan wanted to share a taste of the songs that had been in constant rotation at an eighties night she started attending regularly the previous summer. I feel like this was one of the first times I ever heard the term “retro” being used in regards to music. I was dubious at first because the memories I had of the music from that era were not great but I ended up listening to the tape quite a bit.

Pretty soon, I was hearing the term “retro” everywhere, mostly in reference to music from the 1980s, and not necessarily the mainstream music to which I grew up listening . A couple of years later, I found myself going to a Toronto club named “Whiskey Saigon” pretty regularly on Sunday nights. Of course, that was the night the club had an eighties night that was so wildly popular that the radio station, Edge 102, broadcasted live to air every week and the club was constantly filled to capacity, on all three floors. Retro, for a time, almost became like a sub-genre of music all its own, which for some reason even appealed to young hipsters that were too young remember this music when it was originally released.

In 1997, the film “Grosse Point Blank” was released starring John Cusack (incidentally, another 80s icon making a comeback) with a soundtrack featuring a number of eighties songs, including ones by The Clash, The Beat, and The Specials (there were three other Specials songs in the movie that were not on the soundtrack). This movie and the ubiquitous presence on eighties night playlists is how songs like the Violent Femmes’ “Blister in the sun” resurfaced in the nineties, was infinitely more popular than when it was originally released in 1983 and is now considered a classic in popular music.

But I’ve gone off on a tangent, let’s get back to this mixed tape. For me, “Raging retro” was the springboard to regaining an appreciation of the 1980s. So many of those tunes on this tape became favourites of mine. And for those bands of which I wasn’t already a fan, it led me to delve deeper into their catalogues. Such is the magic of a well-executed mixed tape and the main reason why I’ve decided to share it with you all today.

As I mentioned above, some of the tracks in the listing are no longer legible. Apparently, purple ink doesn’t have the staying power against the sun and the passage of time as has black ink. Nonetheless, I was able to piece it all together and laid it out for you below. At least three of the songs were apparently too obscure to be found on Spotify but I at least managed to find YouTube links for those of you who want to know what you are missing as you peruse this delicious Spotify mix.

But before I get right into the playlist itself, here are some highlights that you definitely should check out and incidentally, half of those are ones that Spotify hasn’t made available:

      • “Sinful”, the debut solo single by Pete Wylie, who got his start in punk bands with Julian Cope and Ian McCulloch and led a band in the early 80s with multiple names, all including the word “Wah!”
      • The version of the early The The single, “Perfect”, that appears in the YouTube video linked below is the one that was on my cassette but I’ve never been able to locate a physical copy of it
      • Scottish new wave band Endgames never truly broke through but their single “First last for everything” was a mainstay on Edge 102.1’s 80s shows
      • The Chameleons UK were an English post-punk band that I always meant to explore, mainly on the back the very excellent “Swamp thing”, and I’m happy to say that I finally picked up a copy of “Strange times” this year
      • This a cappella cover of Yazoo’s “Only you” by The Flying Pickets is just as good as the original in my books
      • Canadian new wavers Boys Brigade were pretty obscure everywhere but here at home but their single “Melody” is definitely worth checking out

For those who don’t use Spotify or if the embedded playlist further below doesn’t work for you, here is the entire playlist as it appeared on the original mixed (complete with side titles):

Side one “Trapped in the 80s”:
1. Dexy’s Midnight Runners “Come on Eileen”
2. The Icycle Works “Birds fly (Whisper to a scream)”
3. A Flock of Seagulls “I ran”
4. Pete Wylie “Sinful” (unavailable on Spotify)
5. Naked Eyes “Always something there to remind me”
6. Big Country “In a big country”
7. The The “Perfect”
8. Alphaville “Forever young”
9. Endgames “First, last for everything” (unavailable on Spotify)
10. Chameleons UK “Swamp thing”

Side two “Disgruntled 20 somethings”:
11. New Order “1963”
12. Soft Cell “Tainted love”
13. Talk Talk “It’s my life”
14. R.E.M. “Superman”
15. The Boomtown Rats “I don’t like mondays”
16. Split Enz “I got you”
17. The Jesus And Mary Chain “Head on”
18. Nena “99 luftballons”
19. The Flying Pickets “Only you”
20. Boys Brigade “Melody” (unavailable on Spotify)
21. The Dream Academy “Life in a northern town”
22. The Smiths “Unhappy birthday”

And here is the promised embedded Spotify playlist for your listening pleasure. Get out your Vuarnet sunglasses and neon spandex and enjoy.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

Categories
Tunes

Top five tunes: Depeche Mode (21st century edition)

Who? Depeche Mode

Years active: 1980-present

Band members:
Dave Gahan (vocals) 1980-present
Martin Gore (vocals, keyboards, guitars) 1980-present
Andy Fletcher (keyboards, backing vocals) 1980-present
Vince Clarke (keyboards, lead and backing vocals, guitars) 1980–1981
Alan Wilder (keyboards, piano, drums, backing vocals) 1982–1995

Discography (21st century):
Exciter (2001)
Playing the angel (2005)
Sounds of the universe (2009)
Delta machine (2013)
Spirit (2017)

Context:
As it stands right now, Depeche Mode will be inducted into the Rock and Roll Hall of Fame in just over two weeks. This year’s ceremony was pushed back from the spring, when it is traditionally held, and now, instead of a live event, a special is due to be televised on HBO on November 7th. In any event, we’ve been assured the induction will happen and in their 40th year in existence, Depeche Mode, the iconic synthpop and alternative rock band will be a part of the action.

At the beginning of 2020, I came up with this idea of celebrating Mode’s 40 years by doing a three-part series focusing on some of their best tunes over the years. I usually try to distill a band’s or artist’s best tunes down to a top five for this series but given this band’s longevity, how long I’ve been following them, and how much their music has meant to me over my own bunch of decades, I decided to spread it out over three top five tunes posts, each focusing on a portion of their career. I posted part one on Depeche Mode’s first and most prolific decade together, the 1980s, back at the end of January. I was hoping to have this whole series wrapped up by the end of July but didn’t get around to posting part two on the band’s 1990s catalogue until pretty much the end of August. Here we are now nearing the end of October and I’m finally presenting the third and final chapter, the one where I will count down my favourite five of their tunes from the 21st century. Yeah. I did it.

I actually thought after posting the last part in this series that the steam I managed to gather would carry on and I’d just bang this one out right away. I honestly didn’t know how much I’d have to write about them after all I’ve done so far. The 80s and 90s were my favourite Depeche Mode years by far. Still, they’ve managed to stay very relevant this century, releasing a new album every four years since 2001. And though I haven’t been as excited about a new release since 1997’s “Ultra”, I’ve stopped and paid attention to each of the five albums the band released when they came out. And on each, there’s been at least one or two excellent tracks worthy of this iconic group and their storied discography.

So yeah, the 21st century, Depeche Mode worked with Mark Bell, Ben Hillier, Flood, and James Flood. They flirted with techno and all of its derivatives, all styles of music upon which Depeche Mode was one of the greatest influences, and though the results were decidedly mixed, it showed that the band was continuing to forward think. Indeed, Depeche Mode have never been a band to rest on their laurels and bank on past successes and the five tunes below will highlight some new classic tunes that are just as timeless as anything they’ve produced in the past. If they continue the trend that they started back in 2001, we should be seeing new music from the trio in 2021 but until then, have a gander here at their recent past and of course, sit back to enjoy the music.

The top five:

#5: Peace (from “Sounds of the universe”, 2009)

We start this top five with the second single released off Mode’s 12th (!) studio album, 2009’s “Sounds of the universe”. Martin Gore, the band’s principal songwriter, has called it one of his favourite songs he has ever written, this on account of its ’spiritual’ feel. David Gahan, the main voice of the group has said that for him, “it represents the joy and ecstasy of everything looking better, tasting better, sounding better.” The song starts off all heavy percussive low end synths with high end electronic beats, flittering and frittering digital party streamers, and then, more synth washes give way to breakbeats and other flourishes, Gahan gets all exultant, even breaking out the falsetto just before that breathtaking chorus, yeah, an unusually optimistic note, the repetition of the refrain: “Peace will come to me”. Gore joins in and it all sounds like we should be hearing this from the highest peak, monks and other spiritualists and the like.


#4: A pain that I’m used to (from “Playing the angel”, 2005)

From uplifting and optimistic, we move directly into more familiar Depeche Mode territory: sleek, dark, and sexy. The opening track off 2005’s “Playing the angel” was released as its second single. It is like the older and wiser and infinitely more lecherous cousin to “Master and servant”. “There’s a hole in your soul like an animal with no conscience, repentance unknown. Close your eyes, pay the price for your paradise. Devils feed on the seeds that are sown.” It feels kind of like industrial light, some bass heavy drumming, half human and half computer, alarming tidal wave synths wash and crush, left and right. Gore breaks out some guitar chops, dusting off the rock and roll stance. Everyone wears sunglasses here. Purgatory and pain. Angelic voices with broken wings. Atonement does not come easy.


#3: Where’s the revolution (from “Spirit”, 2017)

The first single from 2017’s “Spirit”, Depeche Mode’s last album to date, was a real eye-opener and call to arms. This isn’t the sound of a decades old band cashing in old cheques. No. This is Mode getting political, something they did on occasion, but haven’t for decades. “Where’s the revolution? Come on, people. You’re letting me down.” Tentative vibrations are answered by a twitchy and anxious beat, more of that industrial aesthetic, factory thumps and whistling steam exhaust, feet stomping like a military parade in a dystopian, fascist state. Fist pumps and salutes. Gahan is older but his voice has aged like fine whiskey and rather than grow stoic, he’s let the fire spread to conflagration. Fletch and Gore are right behind him, the muscle with arms crossed and sunglasses reflecting rage and moral superiority. These are big brothers but they’re not just watching, they’re calling you out to action.


#2: Dream on (from “Exciter”, 2001)

The runner up track on this particular list was the first single to be released by Depeche Mode in the 21st century. I’ve already written some pretty decent words on this very track when it made an appearance at number 18 on my Best tunes of 2001 list. So excuse me, while I plagiarize myself a little bit here. “You can hear the influence of producer Mark Bell (LFO, Björk) with the EDM beats throughout the record but here, it’s augmented by a bluesy acoustic guitar riff that just doesn’t quit. Dave Gahan’s vocal work is almost soulful and old-timey, clear and front of the palette of the austere production with Martin Gore adding his usual flourishes at opportune moments. Gore’s song subject is an addict hitting rock bottom and you feel that he is a addressing a woman he could love if she would give him the chance. But it’s Gahan that is singing the words and he does so from a place of experience.”


#1: Precious (from “Playing the angel”, 2005)

There’s a very good reason that there’s two songs on this list from 2005’s “Playing the angel” and that’s because, in this blogger’s humble opinion, that album is Depeche Mode’s best album since the 1990s. And this particular track, “Precious”, is the group’s best in a very, very long time. It’s got all of the hallmarks of Depeche Mode at their peak. A driven beat, dark and insular tones, an atmosphere of its own, nay, a world of its own, a wicked hook, and a draw to the dance floor. Not just any dance floor though. I’m thinking of your local vampire bar, dry ice and lasers, leather and PVC everywhere, dyed black hair and tattoos and piercings, and yeah, perhaps some sharp fangs. Martin Gore was at the top of his game when composing this wonder and David Gahan invoked some deep romance in his vocals. “If God has a master plan, that only He understands, I hope it’s your eyes He’s seeing through.” It’s precious and beautiful and pure Depeche Mode. Let’s hope we hear more of this very soon.


For other top five lists in this series, click here.