Tag: British rock

Categories
Vinyl

Vinyl love: The Clientele “Suburban light”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Clientele
Album Title: Suburban light
Year released: 2000
Year reissued: 2014
Details: 180 gram

The skinny: Okay. So I don’t usually make a habit out of posting two of these ‘Vinyl love’ pieces in a row. However, my most recent vinyl purchase, that of the long awaited reissue of “The violet hour“, and of course its requisite go-round on the turntable, immediately put me in the mood to listen to more of The Clientele. And while posting the piece a few days ago, I came to the realization that I hadn’t beforehand published a single ‘Vinyl love’ post on any of their long players, of which I now have all of them on my shelf. So I’ve decided to remedy (and perhaps overcompensate for) this oversight and run the gamut over the next few months, starting back at the beginning, with their debut, 2000’s “The suburban light”. The English dream pop trio cobbled together demos and rough (sometimes home) recordings for this debut, preferring their sound to the versions that resulting from time spent in proper studios and because of this, the album was oft mislabeled a compilation* rather than an album proper. My copy of the record was the one Merge reissued in 2014 with the original artwork and tracklist, as part of its 25th anniversary series, pressed to 180 gram vinyl using the original analogue tapes. So beautiful.

Standout track: “Rain”

*Indeed when I posted about “Rain” (the song above) for its entry on my Best tunes of 2000 list, I referred to the album as such.

Categories
Vinyl

Vinyl love: The Clientele “The violet hour”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Clientele
Album Title: The violet hour
Year released: 2003
Year reissued: 2025
Details: standard black

The skinny: Here’s one that’s been on my vinyl wish list for a very, very long time, perhaps even from day one of my collecting vinyl in earnest. “The Violet hour” was my introduction to London-based dream pop outfit The Clientele and to say I was obsessed with its gauzy sound for the larger part of the 2000s would be putting it mildly. I’ve been intently following the group ever since and every single one of their long players has found a place on my record shelves, all but this one… until now. As I wrote when the song featured below appeared on my Best tunes of 2003 list, the original recordings had been thought to have been lost, which was why this was the only album in their discography that hadn’t seen a recent vinyl reissue. When it was located, incidentally in the year of the album’s 20th anniversary, I was hopeful that this reissue would finally see the light. And now, two years later, here it is and I wasted no time in procuring a copy. It’s a thing of beauty.

Standout track: “Porcelain”

Categories
Tunes

Eighties’ best 100 redux: #79 Love and Rockets “So alive” (1989)

<< #80    |    #78 >>

At track #79, we’ve got “So alive” by Daniel Ash’s third and longest lasting band, Love and Rockets.

After the ground-breaking goth act, Bauhaus, disbanded in 1983, guitarist Daniel Ash focused more on his side project, Tones on Tail, with friend Glenn Campling and Bauhaus drummer Kevin Haskins. They would release an album and a litany of EPs (including popular club single “Go!”) before dissolving in 1984. Shortly afterwards, the members of Bauhaus, minus vocalist Peter Murphy, reconvened under the moniker Love and Rockets.

This trio started off in much the same dark place musically as Ash’s two previous bands but as time wore on, Love and Rockets would play with more elements, like psychedelic rock, folk, glam rock, and much later, electronic music, as their sound continued to evolve. “So alive” comes from their self-titled, fourth album and is an obvious example of the band’s love affair with glam rock. It’s sleek, it’s smooth and for the first time, Ash sounds like a sexy beast as he leads a slew of backup singers through a chorus of “doot-doots”. “So alive” became a surprise hit for the band in North America, peaking at number 3 on the billboard charts, their highest ever charting.

This song was so popular back when I was in high school, I couldn’t help but know who Love and Rockets were. I have very specific memories of scouring the cassette tape racks lining the walls of HOV (Hooked on video) music store, the only such purveyor of music in my small hometown, looking for the Love and Rockets album that had this particular song on it. For some reason, I never found it there amongst the other Love and Rockets albums, perhaps because it was always sold out.

I now have a copy of the band’s very fine greatest hits compilation, “Sorted!”, and have developed an appreciation for a great many of their other tracks. But I will always have a soft spot for the “doot-doots” of “So alive”.

Original Eighties best 100 position: 81

Favourite lyric: “I don’t know what colour your eyes are, baby / But your hair is long and brown” Interesting that he doesn’t know her eye colour? What does that mean, I wonder?

Where are they now?: Love and Rockets was a going concern throughout the 90s, finally calling it quits in 1999. They reunited for some live shows for a few years in the latter half of the 2000s and despite the fact that Ash was quoted as being finished with the band in 2009, they returned in 2023 after a failed Bauhaus reunion and are active again… for now.

For the rest of the Eighties’ best 100 redux list, click here.