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Tunes

Best tunes of 2003: #5 Death Cab For Cutie “The sound of settling”

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“Bop-baaah… bop-baaah! This is the sound of settling!”

Yes. “The sound of settling”. This was my first of many favourite songs by Bellingham, Washington’s Death Cab for Cutie.

As I wrote back in August in relation to the number 10 song on this list, it was the many promotional posters, wallpaper style, in the windows of a local independent record store, The Record Runner, hundreds of blackbirds tangled in red yarn, that first piqued my interest in the band and their fourth album, “Transatlanticism“. I wasn’t immediately sold on their sound on first listen but there were a couple of tracks that did grab me right away, this one included, and those sustained me, drawing me back for repeat listens. Eventually, I picked up on the melancholic joy that “Transatlanticism” was laying down and the rest was history.

The band originally formed back in 1997, releasing three albums prior to “Transatlanticism” but those I could never really get into. Founding members Ben Gibbard, Chris Walla, and Nick Harmer found structure with their fourth drummer Jason McGerr in 2003 and this lineup remained a constant through their jump to the majors with their fifth album, 2005’s “Plans”, up until lead guitarist Walla departed the group in 2014. Without him, Death Cab has soldiered on, replacing him with a pair of guitarist/keyboardists, releasing three more albums and they remain active.

“Our youth is fleeting
Old age is just around the bend
And I can’t wait to go gray
And I’ll sit and wonder
Of every love that could have been
If I’d only thought of something charming to say”

But back to “The sound of settling”. The album’s second single was famously disliked at first by Gibbard because it was so upbeat but it had a big supporter in Walla, who was also producing the album. I’m so glad he won out*. The song is unbelievably catchy and immediately replayable. It’s got a driving beat that lasts the whole two minutes that is tailor-made for a mid-tempo pogo. It’s got the hand claps, the bopping baseline and Ben Gibbard’s unique voice and take on the dangers of searching for love, the anxiety, the fear that it might not be returned, and on the other side of the coin, the risks of not taking those risks. And yeah, those inescapable “bop-baaahs”!

Pure indie pop goodness.

*And I’m sure Ben and the rest of the band were also glad in the end given how universally loved it is.

For the rest of the Best tunes of 2003 list, click here.

Categories
Vinyl

Vinyl love: Death Cab For Cutie “Transatlanticism”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Death Cab For Cutie
Album Title: Transatlanticism
Year released: 2003
Year reissued: 2013
Details: Gatefold sleeve, 10th anniversary, 2 x 180 gram, 12-page booklet

The skinny: I finally got around to purchasing a full pass to this year’s Ottawa Bluesfest and I can’t even really explain why I procrastinated so much. The organizer’s typically do a pretty good job of putting together a diverse lineup that tries to please everyone to some extent (and invariably, disappoints many) but this year’s lineup suits my own personal tastes better than it has for many years now. There’s at least one act on each of the festival’s nine days that I really want to see*. And one of the acts I’m most looking forward to is Death Cab for Cutie, who I saw live for the first time more than 15 years ago but haven’t seen since. This performance is part of the tour supporting last year’s “Asphalt meadows” but they are also touring in the fall to celebrate the 20th anniversary of their now iconic 4th album, “Translatlanticism”. I can’t even believe that I purchased the copy of this very same record for my vinyl shelves a decade ago: a 10th anniversary, 180-gram double LP edition, complete with a gatefold sleeve and a lovely 12-page booklet. This was procured back when my collection was still in its infancy and probably just around the time that I finally bought my turntable. “Transatlanticism” was a no-hesitation purchase because it was my introduction to this great band upon its initial release and with all the albums they’ve released since, it’s one I return to time and time again.

Standout track: “The sound of settling”

*But I’ill likely have to miss a night or two in the interest of conserving energy.