Playlist: Be my valentine

Okay. So here’s something that’s never been done before, at least not on this blog, or really, during any of my years of blogging. It’s true. I have never done a post observing this somewhat suspect ‘holiday’, a day that has been over-commercialized and become more about selling chocolates and flowers and overpriced dinners than spending time with the one you love. Still, as I’ve alluded to in previous posts, I do have a sappy side, a side that gets totally wrapped up in rom-coms and even the odd Hallmark Christmas film. And yeah, my wife and I typically do observe February 14th, usually in our own quiet way, but the odd time we have gone out for a nice dinner and paid exorbitant prices for roses.

It just so happened a few weeks ago that I realized I was due for a new playlist and the idea occurred to me to create one of ‘love songs’. Then, I quelled the idea, remembering the struggle Victoria and I had looking for appropriate songs in my collection that we could dance to on our wedding day. “Do none of your bands write songs about love?” she asked, frustrated and tired at one point during our search. Apparently not, was the answer, at least not in the conventional sense, the sense in which hair bands managed it in the 80s and out of which some R&B singers have made a career. Often the alternative and indie bands to whom I listen wrote beautiful lyrics that touched on love but did so looking at it not as a pure thing but one to be feared and revered, a bringer of both pain and joy. In short, not your typical love songs.

In the end, we found a handful to use, of which a few of them can be found in the playlist below. Of course, I had Victoria in mind while putting this one together, though I know she wouldn’t appreciate many of the tracks, still, there’s a little something for everyone. I’ve got some iconic tunes by influential alt-rock bands like The Cure and The Smiths, lesser known acts from the 90s like The Lowest of the Low and My Drug Hell, and of course, highlights from the indie kids of this new century, like Bloc Party and The Decemberists. I’ve got the whole list below, in case the Spotify doesn’t work for you, and included a lyrical gem from each song, just to give a glimpse of what you can be listening for as you peruse the list.

1. The Cure “Lovesong”
“Whenever I’m alone with you, you make me feel like I am home again. Whenever I’m alone with you, you make me feel like I am whole again.”

2. Elbow “An audience with the pope”
“I have an audience with the Pope, and I’m saving the world at eight, but if she says she needs me, she says she needs me, everybody’s gonna have to wait.”

3. Blur “To the end”
“You and I collapsed in love. And it looks like we might have made it.”

4. The Rural Alberta Advantage “In the summertime”
“Once in a while, I know our hearts beat out of time. And once in a while, I know they’ll fall back in line.”

5. Teenage Fanclub “What you do to me”
“There’s something about you, got me down on my knees.”

6. The Cranberries “Dreams”
“Now I tell you openly, you have my heart so don’t hurt me. You’re what I couldn’t find, totally amazing mind, so understanding and so kind, you’re everything to me.”

7. The Postal Service “Such great heights”
“I am thinking it’s a sign that the freckles in our eyes are mirror images, and when we kiss they’re perfectly aligned.”

8. Coldplay “Yellow”
“Look at the stars, look how they shine for you.”

9. Depeche Mode “One caress”
“Just one caress from you and I’m blessed.”

10. James “Just like Fred Astaire”
“Meteors may strike the earth. Nations live and die. I’m the boy who got the girl who showed me how to fly.”

11. The Beautiful South “Song for whoever”
“I love you from the bottom of my pencil case. I love you in the songs I write and sing.”

12. Death Cab For Cutie “I will follow you into the dark”
“Love of mine, someday you will die, but I’ll be close behind, and I’ll follow you into the dark. No blinding light or tunnels to gates of white, just our hands clasped so tight, waiting for the hint of a spark.”

13. Oasis “Wonderwall”
“I don’t believe that anybody feels the way I do about you now.”

14. Nick Cave & The Bad Seeds “Do you love me?”
“I knew from that moment on that I’d love her till the day that I died.”

15. The Lowest of the Low “Subversives”
“There’s something subversive about you and me, ’cause there’s a market-value on love and we’re getting something for free.”

16. The Smiths “There is a light that never goes out”
“And if a double-decker bus crashes into us, to die by your side is such a heavenly way to die.”

17. The Lemonheads “Alison’s starting to happen”
“I never looked at her this way before, but now she’s all I see.”

18. Bloc Party “This modern love”
“Do you want to come over and kill some time? Throw your arms around me.”

19. The Verve “Sonnet”
“Yes, there’s love if you want it, don’t sound like no sonnet, my lord.”

20. Chairlift “Bruises”
“I tried to do handstands for you, but every time I fell for you. I’m permanently black and blue, permanently blue for you.”

21. The Decemberists “We both go down together”
“And my parents will never consent to this love. But I hold your hand.”

22. Black Box Recorder “Andrew Ridgley”
“I came alive to the smouldering fire in your eyes. I love you now and I will ’til the day that I die.”

23. The Stone Roses “Ten storey love song”
“When your heart is black and broken and you need a helping hand. When you’re so much in love, you don’t know just how much you can stand.”

24. First Aid Kit “Emmylou”
“I’ll be your Emmylou and I’ll be your June, if you’ll be my Gram and my Johnny too. No, I’m not asking much of you, just sing little darling, sing with me.”

25. Björk “Violently happy”
“Since I met you, this small town hasn’t got room for my big feelings. Violently happy, ’cause I love you.”

26. Longpigs “On and on”
“All the songs that I’ve sung you, more often than you know. You’re the love that I’ve clung to more often than I’ve let it show.”

27. Edward Sharpe & The Magnetic Zeros “Home”
“Ah, home, let me come home, home is wherever I’m with you.”

28. My Drug Hell “Girl at the bus stop”
“Girl at the bus stop, I wished for once that the bus would never come. She sat downstairs, I sat behind I couldn’t get her off my mind.”

29. Pulp “Babies”
“Oh I want to take you home. I want to give you children. You might be my girlfriend, yeah.”

30. Nine Inch Nails “Closer”
“I want to f*ck you. I want to taste you. I want to feel you.”

Enjoy. Happy (Saint) Valentine’s Day.

And of course, I’d be up for hearing what your own favourite ‘love’ songs are from the alternative and indie rock realms.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

Best albums of 2008: #4 Death Cab For Cutie “Narrow stairs”

I got into Death Cab for Cutie with their breakthrough album, 2003’s “Transatlanticism”, but perhaps a year or so after its release. To be honest, I wasn’t sold on them right away, especially on that of the voice of frontman, Ben Gibbard. It took me a while to get used to, most definitely a few spins in my CD carousel. By the time 2005 rolled around and the band unleashed “Plans” upon the world, however, I was sold. I noted a slight change in sound with that album, from more guitar focused indie rock to something crisper and cleaner with a hint of the electronic. I imagined at the time that Gibbard’s work with Jimmy Tamborello in The Postal Service (whose 2004 album I really did fall for right away) must have informed this change some. I got to see the band live in 2006 while they were still touring “Plans” and was quite drawn in by it all.

Then, in early 2008, I heard “I will possess your heart”, the first single off the upcoming album, and I sensed a reversion back to the mean. This was more prog and rock than pop and electronic for sure. Now, I’m not saying I didn’t like “Plans”, no, not at all. It was a great album and a great balancing act. However, I was glad to see that the seesaw was tipping back into rock territory.

I’ve read that former guitarist Chris Walla had been quoted while the band was working on “Narrow stairs” as saying that the album was sounding “pretty weird and pretty spectacular; lots of blood” and further calling it “creepy and heavy”. Weird descriptions for sure when you think of how the final product sounds but I really like the idea of saying that there is “lots of blood” here. I can totally see that. Not that the album is a horror show but how Gibbard and company are always pouring their heart out into their music and putting it on display for us.

“Narrow stars” is a mighty fine album and complete, so it was hard to pick just three tunes for you but here is what I’ve got.


“No sunlight”: As the song’s title suggests, the lyrical themes and subject matter are dark. A cloudy day, tall and modern buildings blacking out light, the loss of innocence, the letting loose into independence, and finding oneself losing their ideals and dreams and optimism. Gibbard’s fresh-faced delivery makes you believe he is/was that way, which makes it all the more real and dire. And yet… and yet… the track is a boppy and toe-tapping number that weighs in at just two and half minutes, like a sniper attack aiming right for the heart. Yeah, it’s total Brecht.

“You can do better than me”: You want to talk heartbreak and self-deprecation? Check these lyrics out: “We’re starting to feel we stayed together out of fear of dying alone. I’ve been slipping through the years. My old clothes don’t fit like they once did so they hang like ghosts of the people I’ve been.” And is if that weren’t enough, Gibbard finishes you right off with this page ripped from Morrissey: “Cause you can do better than me but I can’t do better than you.” And like the last track, this is one short, not even two minutes, practically an interlude. The bass drums just chug along, pacing the organs that sound carnival-like, and Gibbard dances inside the ring, alone, alone, and alone, in a loveless relationship that is like a well-worn circus tent.

“I will possess your heart”: Ok. Here’s something different. The aforementioned first single off the album. It’s eight minutes in length, at least half of it an instrumental intro that throbs and beats itself deep into your soul. Heavy bass and twinkling keys dance and flirt with chiming guitars. It’s a total tease that builds and builds for over four and a half minutes, making you anxious for reprieve. Finally, Gibbard starts in with his obsessive, stalker monologue, words as creepy as those of “Every breath you take”. It’s a song that shouldn’t ever be a single, or a hit single at that, but it did very well, almost garnering the band a Grammy (if you’re impressed with that sort of thing).


Check back next Thursday for album #3. In the meantime, here are the previous albums in this list:

10. Fleet Foxes  “Fleet Foxes”
9. The Submarines “Honeysuckle weeks”
8. Schools of Seven Bells “Alpinisms”
7. Glasvegas “Glasvegas”
6. Spiritualized “Songs in A & E”
5. Elbow “The seldom seen kid”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

100 best covers: #87 Amy Millan “I will follow you into the dark”

<< #88    |    #86 >>

…And speaking of Death Cab for Cutie… Here’s a cover by Stars vocalist Amy Milan of the standout single from Death Cab for Cutie’s fifth album, “Plans”.

The original was recorded by frontman Ben Gibbard by himself on guitar, using just the one microphone. The result is a quiet and lonely sounding number that is kind of morbid on first listen but is quite romantic upon further reflection. The idea that one loves the other so much that he or she would them even into death to keep them company is quite lovely. “I will follow you into the dark” didn’t originally chart very high as a single but has since become one of the band’s best-selling, still receives quite a bit of radio play, and has been covered many times over by various artists.

Canadian songstress Amy Millan covered it a mere four years after the original’s initial release for her second solo record, “Masters of the burial”. Hers is slightly longer than the original’s three minutes and markedly different in style and tone. A full band backs her. The use of banjo and lap steel giving it a decidedly old time country feel. Her soft touch on vocals is more upbeat than in Gibbard’s original but definitely lends the subject matter the weight it deserves.

“If Heaven and Hell decide that they both are satisfied
Illuminate the no’s on their vacancy signs
If there’s no one beside you when your soul embarks
Then I’ll follow you into the dark”

I am a fan of both of these. In fact, I refuse to pick a favourite. Thoughts?

The cover:

The original:

For the rest of the 100 best covers list, click here.