Categories
Vinyl

Vinyl love: Suede “Dog man star”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Suede
Album Title: Dog man star
Year released: 1994
Year reissued: 2014
Details: 2 x 180 gram, gatefold sleeve

The skinny: Suede’s second album is an absolute classic and yet, I don’t listen to it nearly enough. Definitely not as often as I do spin their first and third records, both of which have already received the ‘Vinyl love’ treatment on these pages and are likely already due for a revisit. “Dog man star”, like many other excellent sophomore releases, was fraught with difficulties from the beginning. It is the last album to feature original guitarist, Bernard Butler, who departed acrimoniously before it was completed. Many are those who feel that he kept Brett Anderson in check and without him, Suede continued further from rock and into pop territory for their future records. Indeed, this one is an epic glam rock opera. The copy I have on my shelves was re-issued on two 180-gram discs by Demon Records in 2014, twenty years after the original album was released. I’ve read plenty of complaints about this particular pressing but it sounds better than the copy I had on compact disc back in the day so it works for me.

Standout track: “We are the pigs”

Categories
Vinyl

Vinyl love: Various artists “Help: The album”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Various artists
Album Title: Help: The album
Year released: 1995
Year reissued: 2020
Details: 2 x LP, 25th anniversary reissue

The skinny: On September 4th, 1995, many of the biggest names in British rock went into studios across England and Ireland to record a brand new song to contribute to a charity compilation album in support of War Child. These recordings were all handed over to Brian Eno for mixing the next day and on September 9th, the resulting compilation album was released and went straight to number one on the UK album charts (for compilations). Late in August of this year, it was announced by War Child (and many of the contributing artists) that the album would be reissued on vinyl on September 9th, 2020, to celebrate its 25th anniversary and I was one of thousands that frantically went online to pre-order it. Yeah, the first run of 2020 copies completely sold out on the first day and they’ve since had to press a second run. The excitement was palpable the day I found it in my mailbox and walked home with it. In my humble opinion, this is the best the compilation album ever recorded. I distinctly remember when I purchased my first copy of it on CD from the now long defunct Penguin Music in Toronto and there was sticker providing the track listing affixed to the jewel case, so done because the artwork (done by The Stone Roses’ John Squire and Massive Attack’s 3D) was printed concurrently with album’s recording and couldn’t possibly include the finalized track list. My eyes must’ve bulged out of my head upon reading the wealth of my (at the time) favourite artists who appeared on the compilation: Blur, Oasis, Suede, Radiohead, The Boo Radleys, The Charlatans, Levellers, The Stone Roses, and more. The quick timeline on the album’s release meant that many of the songs were either original works in progress or covers of already established tracks. Indeed, two of the songs on this album have already appeared my 100 best covers list (at #100 and #74) and I feel like we might see at least one or two more make an appearance on that list. I still have that CD, though I played the hell out of it over the years, and now I have it my vinyl collection. And that makes me smile.

Standout track: “Come together” by The Smokin’ Mojo Filters (Paul McCartney, Noel Gallagher, and Paul Weller)

Categories
Tunes

Best tunes of 1992: #10 Suede “My insatiable one”

<< #11    |    #9 >>

There are certain bands who have been, at certain points in their career, so prolific that even their B-sides are phenomenal. Such is the case with London-based glam rockers, Suede (known as The London Suede in North America), and this is especially true of their early years. So it came as little surprise to me when I learned that “My insatiable one” was originally released as a B-side to Suede’s very first single, “The drowners”.

I first heard the song the year following this single’s release, when it was included on the soundtrack for the Mike Myers vehicle, “So I married an axe murderer”. Haven’t heard of it? I wouldn’t be at all surprised. I enjoyed it at the time but really, the best thing about it is Myers’ secondary role in the film as his protagonist’s father, complete with the same outrageous Scottish accent he later reused in SNL sketches (“If it’s nae Scottish, it’s crrrrrrap”) and for the “Austin Powers” villain, Fat Bastard.

Oh yeah, sorry, the soundtrack for the film was fantastic too. The La’s original classic, “There she goes”, as well as a cover of it by The Boo Radleys, served as a theme of sorts for the film. And the soundtrack also included Ned’s Atomic Dustbin covering a Charlene pop song, Big Audio Dynamite II’s amazing single, “Rush”, a little early 90s hit called “Two princes” by the Spin Doctors, and of course, Suede’s “My insatiable one”.

The boys show here (on a B-side) why they were such a hot and exciting item back in those early days and why they are considered one of the bands that kickstarted the BritPop movement. Bernard Butler’s athletic and aggressive guitar playing is more restrained on this tune but still very much present, arpeggiating all over the place, climbing up and down the walls, roaring like a lion, while Brett Anderson prances about the stage, vocals operatic and theatrical, playing fey and falsetto, and well, daring, his listeners come along with him for the ride.

“Oh he is gone, he’s my insatiable one.”

The fact that Brett was singing about a “he” being his “insatiable one” raised a few eyebrows at the time and he riled things up even further by claiming at times that the song was about anal sex. Knowing Anderson, though, I would tend to believe his other explanation, the one that posits that he wrote it about himself from Justine Frischmann’s (whom many of you might remember as the frontwoman of Elastica and erstwhile girlfriend of Damon Albarn, but who got her start with Suede and as Anderson’s girlfriend) point of view.

Either way, this is a great tune. A B-side that plays as a single that should’ve been a hit kind of great tune.

For the rest of the Best tunes of 1992 list, click here.