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Albums

Best albums of 1991: #3 Primal Scream “Screamadelica”

I’m not sure if it was 1997 or 1998. I know it was one of the two because I was walking to class at York University from my apartment in the student slums just south of campus on Sentinel road. I remember being accosted while just strolling past the old Schulich school of business building on the way to my shortcut through Vari Hall. He was a long-haired grad student wearing retro framed glasses, the kind that were considered nerdy before becoming hipster cool again. He wanted me to know that he liked my t-shirt and that the band name printed on the back was probably influenced by some radical psychology therapy from the 60s (I think he said) but I wasn’t really listening as he droned on about it. Not only was I already late for class but I also got the impression that the t-shirt lead in was just an excuse to show off his esoteric knowledge. So I nodded politely several times and as soon as was humanly possible, interrupted him with thanks and a brief explanation about my destination. I promised him that I’d check out whatever was he was speaking of but as of yet, still haven’t gotten around to it.

I had bought that very t-shirt a few years before when I saw Primal Scream open for Depeche Mode at the Kingswood Music Theatre at Canada’s Wonderland. I went to the merch stand hoping to find the t-shirt I had seen a cute girl wearing earlier that summer at an alternative music bar in Waterloo called Phil’s Grandson’s Place. And wouldn’t you know, there it was, tucked in the corner reserved for the support acts, greatly outnumbered by the Mode concert tees (of which, I bought one too). It was bright red with the telltale sun, the one that appeared to be drawn by a child*, the same one from the “Screamadelica” album cover shown above, and the band’s name, Primal Scream, in yellow script on the back. I wore that t-shirt everywhere and had it for years, finally getting rid of it sometime in the 2000s when my wife convinced me to rid my wardrobe of all the “holey and ratty” concert shirts. Sigh.

“Screamadelica” was a revelation to me, a masterpiece album right up there with some of my all-time faves. And it was a game-changer for Primal Scream too. Bobby Gillespie had put together the band almost a decade prior to the album’s release, but they were really only a live outfit until the Reid brothers put to him the ultimatum of dropping this “second” band or leaving his post as drummer for The Jesus and Mary Chain. He chose the latter in 1986. Some early Primal Scream singles drew buzz but their first two records were mostly panned by critics. Then, after a few years of being plied and peer pressured by Gillespie’s schoolboy chum, Creation founder Alan McGee, the Primals succumbed to the wiles of the acid house scene.

“Screamadelica” is a direct result of the band’s adventures and misadventures while deeply immersed in club and drug culture. In fact, the album could almost be said to be the story of a trip, riding the arc from dance explosion to psychedelic wonder to ecstatic freakout and finally, to its calm and low deflating denouement. It mixes samples and beats with gospel and soul inflections and oft features the inimitable vocals of Manchester singer Denise Johnson. As I said earlier, the album changed everything for Primal Scream, selling tons of copies, winning them the first ever Mercury Prize in 1992, as well as legions of new fans, and started them off on a long and storied career that continues to this day.

Chances are you’ve heard of Primal Scream or at least would recognize this iconic album cover on sight, but if you’ve never listened to “Screamadelica”’s contents, you should not delay and at the very least, have a taste of my three picks for you below.


”Movin’ on up”: Very recently, Swedish indie folk duo First Aid Kit covered this very track (you can find that version here), which I think highlights what a classic track this is, being covered yet again, 30 years after its original release. It is just shy of four minutes and way too short at that. It’s gospel blended with drugged out psychedelics and Mick Jagger swagger. Yeah, that’s a thing. The guitars wail, the hands clap, the keys shuffle, the bongos get you dancin’, and the choirs get you singin’: hallelujah! It is miraculous and ecstatic and a hell of a good time. How else do you open a brilliant album but with an instant adrenaline punch like this? Sing it, Bobby! “I was blind, now I can see. You made a believer out of me.” We’re all believers now.

”Come together”: This was the second single to be released from the album, and much like the tune to follow, was an advance single. The version of the track that I know and love is eight minutes of funky piano, gospel choirs, bongos mixed with drum machines, roaring guitars, and Bobby Gillespie’s slippery and smooth vocals flitting and flirting with horn flourishes. “It’s beautiful. It’s really beautiful.” This is the Terry Farley mix of the track that appeared on the version of the album that was released in North America and that I bought on CD and listened to ad nauseam. However, the original version of the track (check it out here) was mixed by Andrew Weatherall, was two minutes longer, appeared on the British release of the album, and lacked any of Gillespie’s vocals. I prefer the Farley version. In fact, I almost feel like if my copy of the album had Weatherall’s mix, I might have had an entirely different experience with it. But let’s not go there.

”Loaded”: Track number seven on the album was literally the template from which this album was borne. “Loaded” is in fact a remix by DJ Andrew Weatherall (RIP) of a single from the band’s previous, self-titled record called, “I’m losing more than I’ll ever have”. Weatherall took a wicked riff that finishes off an otherwise mellow track, threw in a bunch of samples, drum loops, vocal rips, and some dialogue from a Peter Fonda flick called “The wild bunch”. And yeah, “we wanna get loaded and we wanna have a good time”. The original single was released in 1990, a full 18 months before “Screamadelica” was released, became a massive club hit, and turned everyone’s previous perceptions of band (including their own) on their heads. This funky, seven minute groove was my introduction to the band and having nothing else from which to judge them, fell for them immediately, and it is still my favourite tune by the band today**. I can still see Gillespie dancing, eyes closed, and hands clapping to this track on the Kingswood Music Theatre stage, in a memory, amongst many that are tied to this tune. And that always brings smiles.

*Legend has it that Paul Cannell’s inspiration for the cover art was a water spot on the walls of Creation Records’ offices that he zoned out on while tripping on acid.

**”Loaded” appeared at number three on my Best tunes of 1991 list.


Check back two Thursdays from today for album #2. In the meantime, here are the previous albums in this list:

10. Ned’s Atomic Dustbin “Godfodder”
9. Spirit Of The West “Go figure”
8. Chapterhouse  “Whirlpool”
7. Blur “Leisure”
6. Levellers “Levelling the land”
5. The Wonder Stuff “Never loved Elvis”
4. R.E.M. “Out of time”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Playlists

Playlist: Ode to the opening act

The lot of the opening act is a tough gig.

On the one hand, travelling with an established band, especially one of similar aesthetic, can bring a new or lesser known musician or band some much needed exposure. On the other, if it’s not thought through, the results can be disastrous and ego-battering. I’ve heard stories of great and talented artists booed, heckled, and worse, made the targets of beer bottle tossing. There have also been cases where bands of mutual respect have decided to team up for a tour, leaving their collective fan bases somewhat confused and terribly mixed, and yes, I’m thinking here of a certain Public Enemy/Sisters of Mercy tour back at the beginning of the 1990s.

Far too often, though, these hardworking and earnest opening acts are simply ignored. Audience members will show up late, often in the middle of the set, choosing instead to pre-drink at a nearby waterhole rather than pay the often exorbitant fees at the concert venue. Or these same folks will show up early with their general admission tickets to carve out a sweet spot right at the front of the stage for the headlining act and rudely spend the whole opening set talking loudly with their friends. I’m not sure which would be worse, though, an empty room or a simply disinterested one.

I always try to make it a point to head out to the show early to catch and show support for these opening acts. There have been times, of course, where the openers have not been my cup of tea and I just focused on drinking (and spending) more. However, I’ve more often than not enjoyed these sets. In fact, I’ve discovered many a new favourite amongst these support acts.

So yes, this month’s playlist goes out to all those opening acts out there. It is twenty songs by bands I’ve seen in the early slot in my many years of concert going. To be fair and to limit things some, I’ve not included any bands that I’ve seen in lower card time slots or on side stages at festivals, though there have been many of these as well. For each act in this list, I’ve provided the date of the show and the headliner, some sentences of context, and where possible, chose a song from that time period. As you’ll see, there are bands that made of me a bigger fan with their set, some that were brand new to me and won me over, and others that actually drew me to the show more than the headlining set. Some of these bands are huge now and some even became bigger names than the ones they were supporting. Check it out.

1. Chapterhouse “She’s a vision”
Opened for The Wonder Stuff, February 20, 1994: When I arrived at the tiny Toronto venue to see my favourite band at the time for a measly $10, I was surprised to learn that many of the people I was meeting at the show were more excited for the opening band that I was considering a bonus. Let’s just say that when Chapterhouse, with whose albums I was already familiar, hit the stage, I was mesmerized.

2. Primal Scream “Rocks”
Opened for Depeche Mode, June 20, 1994: This one’s a bit of a cheat because both the Primals and Mode were preceded by Stabbing Westward, who was to be honest, a yawn. However, Primal Scream and their 1991 album, “Screamadelica”, were what finally drew me to see Depeche Mode live and incidentally, it was the first concert I went to with my future wife, Victoria. Were the Primals great live? You betcha!

3. Weezer “Undone (The sweater song)”
Opened for Lush, August 21, 1994: The song chosen is the one song I had only barely heard before seeing Weezer, who would later become a household name, open for Lush, an iconic shoegaze band remembered now in just a few circles. They were really fun, yet I think I was the only one amongst my friends who was really paying them any attention.

4. Pulp “Do you remember the first time?”
Opened for Blur, September 28, 1994: None of us had really heard much from Pulp before that show but the very next day, it seemed, my friends and I all went out and bought “His ‘n’ hers”. Frontman Jarvis Cocker was engaging, charismatic, and exciting, while the rest of the band, well, they collectively blew our minds.

5. The Dandy Warhols “Not if you were the last junkie on earth”
Opened for The Charlatans, September 26, 1997: The Dandys were another band by whom I was only barely familiar with the one song (again, the one chosen) before seeing them live. Victoria was unimpressed but I loved them and purchased their next release, “Thirteen tales from urban bohemia“ a couple of years later. The rest is history.

6. Spiritualized “I think I’m in love”
Opened for Radiohead, April 12, 1998: These guys are the only reason I’ve ever seen Radiohead live. After seeing Spiritualized blow the doors off a much smaller venue, I just had to see them again when they swung back through town on the same tour, this time warming up a much larger venue for Thom Yorke and the boys. Jason Pierce’s set was great and I was super glad that I stuck around for Radiohead.

7. Billy Bragg “Accident waiting to happen”
Opened for The Lowest of the Low, August 2, 2001: Another cheat because this card was actually led off by Winnipeg’s own, The Weakerthans, but I’m giving Bragg the nod here for returning after his set to perform the song included on this playlist with headliners, The Lowest of the Low. It was fun watching the local heroes falling over themselves and going fanboy over the Bard of Barking.

8. The Sid Hillman Quartet “No perfect world”
Opened for Neil Halstead, April 20, 2002: It was weird seeing Slowdive and Mojave 3 frontman, Neil Halstead, do a show at a tiny, tiny club in Ottawa’s Byward Market but the bigger surprise came when I was even more impressed by the previously unknown to me, alt-country singer/songwriter, Sid Hillman.

9. The Polyphonic Spree “Light & day / Reach for the sun”
Opened for David Bowie, April 2, 2004: We walked into the Corel Centre a little late and found our seats a few songs into the opening set, but the twenty-odd-piece band dressed in flowing robes (that included a harpist, a theremin player, and a choir) certainly made an impression. The very next day at home, I went digging on the internet to track down their debut album.

10. Ambulance LTD “Heavy lifting”
Opened for The Killers, October 9, 2004: There were two bands opening for The Killers at that tiny club in downtown Ottawa but the dream pop/psych rock band from New York definitely made the bigger impression. Ambulance LTD’s self-titled debut has become a favourite of mine from that era. Sadly, they never made another record.

11. Arcade Fire “Rebellion (Lies)”
Opened for U2, November 25, 2005: I finally acquiesced to seeing U2 with my wife when they played a show at the Corel Centre at the behest of friend and then Canadian prime minister, Paul Martin. At that time, it was the most I’d ever paid for a concert ticket but when Montreal’s Arcade Fire were announced as headliner, I stopped complaining. Arcade Fire made a lot of new fans that night in the capital and shortly afterwards, got so big, they were assuming headliner spots at venues of that size.

12. Richard Ashcroft “A song for the lovers”
Opened for Coldplay, March 17, 2006: Much like my Radiohead and Spiritualized story above, I might have never seen Coldplay live if they hadn’t brought Richard Ashcroft along on their X & Y tour. Victoria and I were two of only a few pockets of those standing and singing and dancing along to his whole set amidst a sea ambivalent talkers. He peppered in a bunch of Verve tunes with his solo work but when he played “Bittersweet symphony” as his final song, the rest of the crowd joined us on their feet.

13. The Essex Green “Don’t know why (you stay)”
Opened for Camera Obscura, January 30, 2007: I had never heard this Brooklyn-based indie rock band before the show but based on their performance, bought the CD at the merch table and went back to find their earlier album later on. Unfortunately, they went on hiatus not long after this tour and finally returned last year with a new album that made an appearance on my best of the year list.

14. Young Galaxy “Outside the city”
Opened for The Besnard Lakes, October 13, 2007: This is actually the first of two times I saw Young Galaxy as an opening band (the second time was when they supported Austra in 2011) and I’ve actually seen them two other times live. Indeed, they are one of my favourite ever bands. However, their set supporting The Besnard Lakes seemed perfect, a dream pop/psych rock band doing support for another. Although Young Galaxy moved on to a more electronic sound, this era was my favourite of theirs.

15. Small Sins “We won’t last the winter”
Opened for Secret Machines, November 15, 2008: Small Sins were the short-lived synth pop project of Thomas D’Arcy that released three albums in the late 2000s. D’Arcy later released work under his real name and has found success in production work on some very successful Canadian rock albums. His opening set that night was incredible.

16. I Break Horses “Winter beats”
Opened for M83, May 6, 2012: I’ve already written on these pages about how I Break Horses (pictured above) was the bigger draw for me than M83, for whom they were opening. Well, M83 were eye-opening but the Swedish duo of Maria Lindén and Fredrik Balck didn’t disappoint in the least either.

17. John Grant “Pale green ghosts”
Opened for Elbow, May 17, 2014: I had never heard John Grant before seeing him open for Elbow at the famed Danforth Music Hall but his deep baritone vocals and dramatic presence was certainly a welcome warm up and both my wife and I took notice.

18. Gateway Drugs “Friday’s are for suckers”
Opened for Swervedriver, May 5, 2015: This band of newcomers impressed me enough to pick up their debut album at the merch table, their performance being my first exposure to their dirty and noisy glam rock. Their silence in the years since has been a surprise to me because I was sure they would make a name for themselves but it’s not too late: a sophomore album is forthcoming in October.

19. Tess Parks “Somedays”
Opened for Ride, June 2, 2015: I had to rush the whole lot of friends and friends of friends who had amassed to pre-drink before the first Ride show in Toronto in decades to finish their beers just so I could see her set. Tess Parks was tentative but the strength of her songs carried her. She has since collaborated with Brian Jonestown Massacre’s Anton Newcombe and I expect there’s more good tunes coming from her soon.

20. Japanese Breakfast “Everybody wants to love you”
Opened for Slowdive, May 6, 2017: I was at first quite surprised to see all the young people that were at the Montreal stop on shoegaze legends Slowdive’s tour. But then, it occurred to me that they were probably there to catch buzz act and next gen dreampopper, Japanese Breakfast. I had only given Michelle Zauner’s debut a cursory pre-listen but really enjoyed her set.

Now that you’ve perused and perhaps listened to the embedded playlist below, I’d just like to sum up by saying: Next time you go to a show, remember this playlist and the fact that you might be missing out on your next favourite band. Come out early and join me near the front of the stage. I’ll be there with a beer in hand, trying not to be annoyed by the loud talkers standing in front of me. Cheers.

For those of you who are on Spotify, feel free to look me up. My user name is “jprobichaud911”.

Categories
Tunes

Best tunes of 2002: #29 Primal Scream “Miss Lucifer”

<< 30    |    #28 >>

A couple of weeks ago, I posted about Primal Scream’s “Loaded” as my third favourite tune of 1991. That particular ditty turned me on to the Primals and then, after buying and listening to “Screamadelica”, I quickly grew obsessed.

I got to see them live in 1994, when they opened for Depeche Mode at Kingswood Music Theatre, a show I saw with my friend Tim, my eventual wife Victoria, and her cousin Rosa. By this time, Primal Scream were touring “Give up but don’t give out”, a blues-rock hippie jam that I didn’t love quite as much as its predecessor but that had some great, great tunes. After that album didn’t perform quite as well critically or commercially, the band regrouped and dropped “Vanishing point” on all of us in 1997. I survived that bomb but 2000’s “XTRMNTR” almost killed me. In its wake, a handful of years needed to be taken before I was ready to dip my toe back in, eventually doing so with “Riot city blues” in 2006.

So yeah, I completely missed their 2002 album “Evil heat” upon its release. I only got to it after I warmed to the next few albums, building a lasting love rather than the meteoric lust and infatuation I suffered with “Screamadelica”. And only then was I able to revisit their back catalogue without such a black demeanour. I still don’t think it’s their best work but after the maelstrom that was “XTRMNTR”, Bobbie Gillespie and his cohorts really needed a bridge album and in that, “Evil heat” was successful.

“Miss Lucifer” is one of the album’s hot spots, the first single released off it, and it’s a real dancefloor razer. Don’t go looking for any witty or deep lyrics here because you’ll find none. It’s your typical femme fatale/evil woman motif and warning. It’s the drone and angry beat that’s special here, hoofing it like Saturday night’s leftovers from Prodigy’s Friday rave and tumble. Gillespie whispers and hisses and spits venom before getting to the chorus and turning admonitions into invitations to “shake it baby”, over and over and over again.

It’s not “Loaded” but it’s a trip nonetheless.

For the rest of the Best tunes of 2002 list, click here.