Best tunes of 1991: #1 James “Sit down”

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Okay. I have likely stretched this list out longer than it needed to be, given that I started counting down these tunes well over a year and a half ago. And well, for those of you who have frequented these pages in the just over two years since I started this blog and know that I am something of a James fanatic, this post might seem somewhat anticlimactic. And yet at the same time, this song placing at number one for 1991 may still come as somewhat of a surprise.

“Sit down” was originally released as a single in 1989 but in that seven minute long form, it didn’t take a big piece out of the music sales pie. The song was later re-recorded to a shorter length, with some editing in the lyrics, and re-released in 1991. This is the version that I first heard, being my first ever exposure to the band, coming to me like many of the songs on this list, in the form of the video recorded off of CityLimits. This is the version that many people know best, definitely making a bigger mark with the buying public, and placing one spot short of number one in the UK singles charts in 1991. Neither version appeared on the original track listing of their 1990 album “Gold mother” but the re-recorded “Sit down” was included when the album was released in North America as “James” with a new cover, the white flower insignia on blue backdrop. And though this has ultimately become my favourite James tune, I actually had to go searching for the original to remember what it even sounded like in my research for writing this post.

So yes, for me, this tune is 1991 at its best. The re-recording is definitely punchier, tighter, and more succinct than the original, perhaps influenced by the acid house dance and psychedelia prevalent at the time with their fellow Mancunians. Frontman Tim Booth was certainly a willing and able dancer for the music they created, just watch the video for a hint of his ecstatic moves. And there is depth here as well. But I’m not just talking about the multiple layers of sound that the band’s players create, though that definitely contributes to the majestic beauty of their music. Nay, it’s Booth’s recognizable vocals and his lyrics that set the band apart from their peers.

“If I hadn’t seen such riches, I could live with being poor.”

“Sit down”, for its danceable beats and upbeat melody, seems to be a song about those lowest moments in your life when you feel like you’re all alone, Booth sounding like he’s coming from a place of experience and wanting to assure us all that, if nothing else, he’s there for us all. But it’s not just Tim, no, the whole band, sliding guitars and the punished drum kit and all. It’s a song my wife Victoria loves, just as much as I do, perhaps her favourite by the band as well. I’m sure she’ll correct me if I’m wrong. However, we’ve definitely sung along together the following lines, while driving in the car, just hanging around, or wherever we’re hearing it.

“Those who feel the breath of sadness
Sit down next to me
Those who find they’re touched by madness
Sit down next to me
Those who find themselves ridiculous
Sit down next to me”

Yep. I think I could listen to this song forever.

For the rest of the Best tunes of 1991 list, click here.

Live music galleries: James [2008]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Like my ‘Vinyl love’ series, these posts will be more photos than words but that doesn’t mean I won’t welcome your thoughts and comments. And of course, until I get around to the next one, I invite you to peruse my ever-growing list of concerts of page.)

James live in Montreal, 2008

Artist: James
When: September 22nd, 2008
Where: Club Soda, Montreal
Context: I recently finished wrapping up the series on my favourite albums of 2008 and in talking about how James’s 10th album “Hey ma” was my number one, I also referenced their show that I caught in Montreal that year and how it was my favourite (as well as my wife’s favourite) ever live show. Much like the gallery I posted recently from the Virgin festival that took place earlier that same month, the pictures here are not quality because they were taken with my old camera but I do have pictures and this is mainly due to Victoria’s forethought. It was the first and last time we ever drove to Montreal and back the same night for a concert and never plan to do it again because it was exhausting. However, neither of us regret seeing the show. We saw one of our favourite bands that normally plays gigantic shows at an intimate venue and were able to sing along with all of our favourite tunes. In fact, the whole club loudly sang along, blowing the band away, especially during “Sometimes” when the crowd lengthened the song to well over seven minutes by repeating the chorus refrain over and over again. Such an exhilarating and magical night.
Point of reference song: Sometimes“*

Tim Booth, Mark Hunter, and Andy Diagram of James
Jim Glennie, Saul Davies, David Baynton-Power, and Andy Diagram of James
David Baynton-Power, Tim Booth, and Mark Hunter of James
Saul Davies and Andy Diagram of James
James performing ‘Sometimes’
James’s final bow

*The link I’ve shared is to the music video but someone who was also there has shared video footage from James’s performance of this song on YouTube from the show. You can find that here.

Best albums of 2008: #1 James “Hey ma”

For those of you who have been following this blog (and its predecessor) for a good amount of time, this pick for the number one spot on this best albums of 2008 list might not come as a huge surprise. You’ll know already that I’m a pretty big James fan and that I continue to follow this band and buy their albums, despite the face that their popularity in North America is pretty much limited to just the one song. However, back in 2008, this pick was a huge surprise, most of all to me.

I had loved James throughout the 1990s and was a little bit crushed when I heard Tim Booth was leaving the band in 2001 to pursue other efforts. They reformed the group six years later when Booth returned to the fold and saw success with their comeback shows. It all went so well that they decided to reconvene for a new album, news I took in with a good deal of reservation. These days, a lot of the bands I loved in my youth are coming back out with brand new albums, many of them quite successfully, but in 2008, the bands that I had previously witnessed trying to recapture the magic of their heyday had not gone as particularly well. As it turned out, though, “Hey ma” was a revelation. It was an album that didn’t try to ride on the band’s back catalogue’s coattails, instead, forging forwards, finding its own feet, and can stand tall with any of their previous work.

This was no more obvious than when my wife and I trekked down to Montreal in September of 2008 to go see the group in a small club. James is a band that my wife loves as well as I and we have both agreed that this show stands as one of our favourites ever. It was a show that both of us sang along to every song in the set and the fact that the setlist included a good deal of “Hey ma” just proved that we loved this album just as much as their previous material.

For those that don’t know the band, James plays big sounding tunes with lot of atmosphere and soul, all anchored by Tim Booth’s expressive vocals and poetic lyrics. Any of the three picks below could stand as a good starting point and if you like these, I recommend voyaging back to check out some of their previous albums as well.


“I wanna go home”: “Kissing is forbidden. Biting leaves marks. Sex is overrated. I need to dance.” The final track of the album is the epitome of slow build into oblivion and ecstasy. It begins with a rumble of bass and the tease of cello, synthesized, of course, and Tim Booth in agony. Then comes the threat of a beat, a tribal one at that, and a whole lot of incidental noise filling in the negative space. These become louder, like shrieking ghosts gaining confidence as the David Baynton-Power asserts himself firmly at the kit. Finally, it is a cacophony of joy and Booth can go home. And dance.

“Waterfall”: Opens with a crushing, thumping beat but not long after, the drums are joined by jangling guitars and Andy Diagram’s horns. At the verses, things let up and Tim Booth goes on about being crushed by the weight of material things. “Watching too much TV I’m an actor in a puppet show. There’s so much stuff in my life no room for me to grow. One day I’m going to break from my life due south down to Mexico. I’m going to burn down my house it’s the only way to let it go.” Then, at the chorus, the rest of James’s players join in, letting loose a waterfall of sound (so to speak), that big sound again. Those of you from Canada might find the track familiar and this is because it was used as the background for a commercial here. But for the life of me, I can’t think of what it was for, nor could I find it with a quick google search. Maybe one of you can help me out here…

“Hey ma”: You might have noticed that the cover of the album is a bit provocative and the band was firm in keeping it as it was (though the gun was removed from the image for the US release). The title track is just as heavy handed, an obvious poke at the quick and just as heavy handed reaction to the 9/11 attacks. “Now the towers have fallen, so much dust in the air. It affected your vision. Couldn’t see yourself clear. From the fall came such choices, even worse than the fall.” And yet, it is also a great pop song, perhaps just as danceable and ear worming as “Laid” was a decade and a half earlier. Listen to it a few times and see if you don’t find yourself singing along to the chorus lines, “Hey ma. the boys in body bags, coming home in pieces.” And that’s the beauty of James: thought-provoking lyrics set to pop hooks wrapped up in a million layers of big sounding music.


In case you missed them, here are the previous albums in this list:

10. Fleet Foxes  “Fleet Foxes”
9. The Submarines “Honeysuckle weeks”
8. Schools of Seven Bells “Alpinisms”
7. Glasvegas “Glasvegas”
6. Spiritualized “Songs in A & E”
5. Elbow “The seldom seen kid”
4. Death Cab For Cutie “Narrow stairs”
3. Vampire Weekend “Vampire Weekend”
2. The High Dials “Moon country”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.