Tag: Singer/Songwriter

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Tunes

100 best covers: #95 Aurora “Half the world away”

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I was driving home from work last night, listening to the CD that was in the car’s player, which happened to be a mix I had made at the behest of my lovely wife. And I was thinking of Victoria because she is away in Toronto right now and I was returning home to an empty house. And I definitely smiled when this particular song came over the speakers at about the midway point in my trajectory, not because Toronto is even close to ‘half a world away’, but because I knew, even when making the mix, that despite this cover’s beauty, Victoria would never be a fan.

I’ve mentioned already in previous posts in this series that Victoria is not fond of covers and that, in her humble opinion, there’s definitely bands whose songs should never be touched. Oasis would likely fit nicely into this category. They are among the first bands that I introduced her to back in university and to whom she really took. Victoria could easily listen to anything by them in the era during which their first two albums were recorded and that even includes the B-sides, such as this track: “Half a world away”. Originally included on the “Whatever” single in 1994, Oasis’s version features Noel on vocals, acoustic guitars, and drums (!) with Paul Arthurs backing him on keys. It became pretty popular in the UK due to it being used as theme song to a sitcom there, called “The royle family”, in the late 90s.

However, if you google the words “Half the world away” today, chances are that Aurora’s cover is the first listing you will see. I came across this cover last year when I was first listening to the young Norwegian singer-songwriter’s debut album, “All my demons greeting me as a friend”, and I noticed it among the bonus tracks included on the deluxe edition. The album as a whole is fantastic. I pretty much latched on to her dark and haunting sound right away, likening it to the more Kate Bush-sounding Florence and the Machine songs. Her take on “Half the world away” is simple, yet lovely, her ringing voice skipping along a layered bed of pianos and strings. It’s even more wistful sounding and emotional than Noel’s tough-guy-with-a-tear rendition.

I love both versions pretty much equally, but in the absence of the original on the mixed CD, I was quite content to replay Aurora’s cover for the rest of the drive home. And smiling, of course.

The cover:

The original:

For the rest of the 100 best covers list, click here.

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Tunes

Best tunes of 2000: #5 Richard Ashcroft “A song for the lovers”

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For the first two thirds of 2000, I shared a two-bedroom apartment in the St. Clair and Bathurst area of Toronto with my good friend Ryan and my cat Lucy. Ryan and I met while at York University and whiled away many an evening over beers, discussing music. After I graduated, I moved to the apartment and he moved in after my previous roommate moved out with her boyfriend after one year. Ryan and I got along pretty well as roommates. When we weren’t working or spending time with our respective significant others, we’d hang out, go out to watch films, attend concerts, take a quick streetcar down to the Dance Cave on a Saturday night, or just stay in and spin tunes.

I remember when Richard Ashcroft’s first solo record, “Alone with everybody”, was released because Ryan and I both came home with a CD copy of it the day it came out. We had both been fans of The Verve’s final record, “Urban hymns”, and though were sad at the band’s passing, had reason to be optimistic for his solo work, given the debut’s advance single, “A song for the lovers”. I may be completely reinventing the evening in my mind now but I feel like we ordered takeout (probably Pizza Gigi), grabbed some beers, and gave the album a listen or two. There was likely a sense of disappointment after the first spin that it wasn’t a masterpiece. On the second, we began to identify the obvious high points and after the third, realized that though Ashcroft is a mad genius, he needs a sounding board. There are some incredible tunes on Ashcroft’s debut, lush and beautiful, yes, but he also had a tendency to get bloated and over-extravagant without Nick McCabe reining him in.

“A song for the lovers” is one the great tracks on “Alone with everybody” and telling that it was one of a handful of tracks on the album that he originally wrote for “Urban hymns”. It is not a pure love song like “Lucky man” but a love song nonetheless, very likely inspired by his muse wife Kate Radley. It starts with the riff of a string orchestra and a plaintive horn response and then instantly deepens with layers and layers of sound. The song is pure Ashcroft in its construction. There’s almost too much going on with the different guitar effects, the aforementioned horns and strings, and bongos but everything is okay once he starts singing. That voice of his is inimitable.

“I spend the night
Yeah looking for my inside in a hotel room
Waiting for you”

It sounds like he must’ve found his insides somewhere and poured them all into this tune, not just the lyrics but every facet of the song. And that’s what is great about Richard Ashcroft. You may not like every tune but you really have to be impressed by his passion.

For the rest of the Best tunes of 2000 list, click here.

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Tunes

Best tunes of 2010: #27 Karen Elson “The ghost who walks”

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The next stop on this Best tunes of 2010 list is the title track off Karen Elson’s debut solo album, “The ghost who walks”. This title, apparently, is a nod to one of the nicer nicknames bestowed upon her in school for “being tall, pale and a little bit haunted”.

Karen Elson was born and grew up in Manchester, England, where she was “discovered” at the age of 16 and began working as a model. She met Jack White in 2005 while filming the video for The White Stripes’ “Blue orchid” and they married shortly afterwards. They had two children together and divorced after eight years in 2013. She continues to model but claims that music is her first love, having released two solo albums now, having co-founded and performed with the New York-based cabaret troupe, The Citizens band, and having collaborated with a number of prominent musicians over the years.

A more cynical writer than I might point to her connection with Jack White as the reason this debut album was ever released. He did produce it and release it on his own label, Third Man Records. However, they have both maintained that she had written the majority of the album in secret, keeping it from him until she thought it almost ready to start recording. Still, his musical touch is pressed firmly on the album’s sound and sensibility and one only has to listen to and compare it with Elson’s sophomore solo release, “Double roses” (released last month), for confirmation.

I’ll be honest. I first came across this album because of the Jack White connection. (I was quite enamoured with The White Stripes for a number of years but more on that another time, I’m sure). I stuck with it after the first listen, though, and this on the strength of the songwriting and of course, for Karen Elson’s vocals.

“The ghost who walks” as an album is quite lovely, if not dark and perhaps macabre, and its title track is emblematic of the entire work. It feels like a cabaret number. Listening to the song (not the video, that’s a whole other story), one can almost picture the waif-like redhead in a black cocktail dress and in a murky spotlight, surrounded by cigar and cigarette smoke. She herself sports a lit cigarette in a holder, clasped in a slender, gloved hand, while her other hand rests on cocked hip, standing and singing alone. Her backing band are in the shadows, neckties loosened, hair dishevelled, crashing cymbals and guitars and keys, each climbing and falling, vying for supremacy. For all this, it’s a mellow and morbid number. A song for well after last call, when the last of the rookie party animals have gone home and only the diehards remain.

For the rest of the Best tunes of 2010 list, click here.