(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Camera Obscura Album Title: Underachievers please try harder Year released: 2003 Year reissued: 2008 Details: Black vinyl, remastered, 180 gram
The skinny: Given that it’s June and we are preparing to slip from Spring and into Summer, I thought it was time for a mini Vinyl Love series, one that featured a band that screams equal parts sunshine summer and wistful heartbreak sadness. Scotland’s Camera Obscura is exactly that, sporting a brand of twee indie pop shared by their perhaps more famous compatriots, Belle and Sebastian. In fact, I got into them with their second album, “Underachievers please try harder”, because of their connection to B&S frontman Stuart Murdoch. I did also enjoy the band’s debut, “Biggest bluest hi-fi”, but never did purchase it for my record collection so it is here that where we start our four part journey. This 180 gram reissue was released five years after the album’s initial release and the remastering is quite sweet. It is an album that flashes the potential of a band still finding its feet and yet, nonetheless exhibits some excellent tracks of note.
(This year’s edition of Ottawa Bluesfest has been cancelled, for obvious reasons. In previous years, especially on my old blog, I would share photos and thoughts on some of the live music I was enjoying at the festival throughout the duration. So for the next week and a half, I thought I’d share ten great sets, out of the many I’ve witnessed over the years, one for each day on which music would have be performed. Enjoy.)
Belle and Sebastian live at Bluesfest 2013
Artist: Belle and Sebastian When: Saturday, July 6th, 2013 Where: Claridge Homes stage at 8:00pm Context: Where do I even begin? I mean Belle and Sebastian has been one of my favourite bands for a very long time. I’ve been following this Scottish indie pop band since some point around 1997 or 1998. One of my favourite ever albums is 1998’s “The boy with the arab strap” but I know each one of their albums intimately and have a bunch of them in my vinyl collection. But this set was my first and still only time seeing the band to date.
When Belle and Sebastian took the stage, they were an impressive sight. They are already a large band, sitting at seven full-time members, but then when you add in the string quartet, a cellist, additional keyboards and horn players, they had up to 13 musicians on stage at different points in their performance. Again, it was a pretty impressive sight and the sound was just incredible.
The biggest surprise for me of their whole set, though, was Stuart Murdoch. I’m not sure what I was expecting but I thought he was excellent and I’m not just talking about his singing and guitar playing. He was a delight with the audience from the beginning, telling stories and jokes between every song. He started off by mentioning that because this was their first time in Ottawa, they fully intended to play music from their entire catalogue. As Murdoch himself put it, “something old, something new, something borrowed, something blue.” He also called Ottawa the friendliest city in Canada and went on to the tell the story of how he went for a walk downtown and didn’t think he’d make it back to the festival on time so he jumped on a bus without correct change and the driver let him ride for free, “just this once”.
As promised, Murdoch and company performed tracks from all over their career. A couple of times during the set he introduced older tracks with the preface that they were for those in crowd that were older, like him, but that if the youngsters in the crowd knew the songs too, even better. There was so much from which to choose that they could have played but didn’t. Still, I was not disappointed in the least at the songs that made the set. In fact, I think I would have been happy with whatever they played but there was one song in particular that I really wanted to hear, that is, of course, the title track off “The boy with the arab strap”. And wouldn’t you know? They played it, along with another of my favourite tracks, “Legal man”, during a part of the set where Murdoch was feeling like dancing. He invited a few members from the audience to come up on stage while the band performed these two songs. It was brilliant.
The band finished off their proper set with “Judy and the dream of horses” and left the stage. But the crowd was not letting them off that easily, insisting on one more song. They returned, almost embarrassed, and Murdoch wondered aloud whether it was “bad protocol” to perform an encore at a music festival. We weren’t complaining at all, especially when he dove into another classic track, “Get me away from here I’m dying”.
The setlistThe backdropStuart Murdoch and Chris Geddes of Belle and SebastianStevie Jackson and Bobby Kildea of Belle and SebastianDave McGowan and Sarah Martin of Belle and SebastianRichard Colburn of Belle and SebastianStevie Jackson and Stuart MurdochSarah Martin and Stuart MurdochDancing to ‘The boy with the arab strap’
Setlist:
Judy Is a Dick Slap
I’m a Cuckoo
Expectations
I Want the World to Stop
To Be Myself Completely
Piazza, New York Catcher
If She Wants Me
Funny Little Frog / Seeing Other People
Like Dylan in the Movies
I Didn’t See It Coming
The Boy With the Arab Strap
Legal Man
Judy and the Dream of Horses Encore:
Get Me Away From Here, I’m Dying
(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)
Camera Obscura live at Bluesfest 2013
Artist: Camera Osbcura When: July 5th, 2013 Where: River stage, Ottawa Bluesfest, Lebreton Flats Park, Ottawa Context: In my humble opinion, 2013 saw the best lineup that Ottawa Bluesfest has ever seen, especially for indie rock fans like myself. Case in point was this early evening performance by Glasgow’s Camera Obscura on one of the festival’s side stages. This set in support of their fifth record, “Desire lines”, was actually my second time seeing the band, but I haven’t seen them since. I was super glad to catch this show with original keyboard player, Carey Lander, who, unfortunately for all of us, died two years later from Osteosarcoma. The indie pop group went on hiatus afterwards and only just this year returned to performing live. Hopefully, this means new material and perhaps another North American tour soon. Point of reference song: “Break it to you gently”
Tracyanne Campbell of Camera ObscuraCarey Lander of Camera ObscuraCarey Lander’s keyboardLee Thomson of Camera ObscuraCarey Lander, Tim Cronin, and Tracyanne Campbell of Camera ObscuraKenny McKeeve and Gavin Dunbar of Camera ObscuraTracyanne Campbell