When you get as big as fast Oasis did, there’s bound to be a modicum of backlash, especially from the tastemaker set. We saw a similar phenomenon with Coldplay and more recently, with Mumford and Sons, but in the case of Oasis, they didn’t really do themselves any favours. The Gallagher brothers’ constant squabbling was much publicized in the music press, as were their outspokenness and snarky potshots at other bands. It’s like they couldn’t keep their mouths shut and it only got worse as their egos grew. This attitude also found its way into the studio with them. You only have to listen to the all the bombast and navel-gazing on “Be here now” for a point of reference.
Now don’t get me wrong, I love Oasis. Noel Gallagher is as great a songwriter as he is at repurposing hooks and melodies and Liam’s looks and attitude (when held in check) made him an all-star frontman. Their first two albums were brilliant rock and roll records but when it came to the third, I thought it all just way too much. Then, when “Standing on the shoulders of giants” was released in 2000, I didn’t even bother. I mean, just think about what that title means. I only finally listened to their fourth album in full close to a decade after it was released, just after the Gallagher brothers and the new look Oasis lured me back into the fold with albums five (“Heathen chemistry”) and six (“Don’t believe the truth”).
That doesn’t mean I never once heard “Go let it out” in the intervening months and years. How could I not? It was all over the radio, at the least it was on the only radio station I could stomach at the time: Toronto’s EDGE 102.1. My initial response was ambivalence. I didn’t hate it but I didn’t love it enough to make me want to check out the album. It has turned out to be a grower though and nowadays, it ranks up there with some of my favourite Oasis singles. It’s got that cracking drum sample that loops through the entire tune and due to the departure of both Bonehead and Guigsy, Noel does double duty here, providing both the muscular rhythm guitar and the fuzzy bass. Liam, meanwhile, is very present and provides his usual edge, a raw and raspy performance.
“Go let it out” is as stadium-friendly and anthemic as their other work during this period, yet it also feels somewhat restrained, at least as restrained as these guys could ever get (it’s almost two minutes shorter than the average song on “Be here now”). And yes, it has that raise your fist and pump it in the air kind of climax. Pure Oasis.
For the rest of the Best tunes of 2000 list, click here.
10 replies on “Best tunes of 2000: #13 Oasis “Go let it out””
They won me back with Don’t believe the truth – I may have to revisit this one!
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Yeah. It’s a good one. You should check out Heathen Chemistry too. There’s some fine stuff there.
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For all the ups and downs of their album releases, they could always pull out a classy single, and this is one of them. I haven’t listened to “Standing…” since it was released. Maybe a return should be in order after all these years.
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Navigating their third and fourth albums is such tricky business but while listening to it recently, I found myself enjoying “Standing” more than I was expecting.
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I remain ambivalent about Oasis and the Gallagher lads. Unforgettable songs that you respond to on a gut level, but there’s not much there lyrically. And the Gallaghers are hilarious; I follow Liam on Twitter because I can’t help myself. I realized the other day that my sister and I were born the same years as them. She’s Noel, I’m Liam. We get along a bit better than they do.
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Interesting what you say about the gut level. It’s true that the words are meaningless but they evoke emotion anyway and we as listeners give the songs own our meaning.
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[…] I wrote in my post detailing their appearance on my Best tunes of 2000 list with “Go let it out”, I found their third record, 1997’s “Be here now”, just a tad over the top, even for them. […]
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