Here’s one that might incite comments. Or maybe it’ll just incite vitriol. I usually finish these posts with the question of which you prefer, the cover or the original, but I’m pretty I sure I know the answer to this one already.
Mumford and Sons brought back the banjo in a big way in the late 2000s. It feels like the centre around which their platinum-selling debut album, “Sigh no more”, crowded, but really, they used a lot of non-traditional rock instruments to build their sound. I really liked the debut when I first heard it (still do, really) and because I don’t often listen to commercial radio, didn’t realize that it made them a household name until I saw a part of their set at Osheaga in 2013. Already by this time, though, the typical backlash that accompanies a meteoric rise had begun to set in. There really is a lot of hate out there for them. I’m not sure I completely understand it. However, I will say that with each successive album I’ve become more and more ambivalent, especially after they dispensed with their trademark sound on their third record and started to head down the vanilla pop road, hot on the trails of Coldplay.
They covered Simon & Garfunkel’s classic folk pop tune, “The boxer”, just before they remade themselves, and released it as a bonus track on the deluxe edition of their 2012 sophomore release, “Babel”. This is a tune I have known and loved since high school and can remember singing the words along with my classmates on the bus trip back from a particular weekend winter retreat. Though Simon & Garfunkel were usually on the quieter side of folk, this was a jauntier number and when I saw that Mumford had covered it, I thought I would enjoy it even before I had heard it.
The instrumentation is different but the feel is very much in the same vein, the banjo, resonator guitar, and even Marcus Mumford’s vocals lending the tune some uplifting sadness. And it is just as easy to sing along with on that “la la lie” chorus.
So though I won’t bother asking the question, I will say that at least Paul Simon must have approved of this cover, given that he appeared on it, along with resonator guitar legend Jerry Douglas.
For the rest of the 100 best covers list, click here.