Just over a week ago, on May 2, an album that many consider one of the greatest, if not the greatest debut album ever, The Stone Roses’ self-titled album, celebrated its 30th anniversary. The final track on the original UK release of that album was this dance floor freak out, encapsulated in an epic, eight plus minutes called, “I am the resurrection”. It was steady and funky drumming by Reni, a muscular bass line by Mani, John Squire’s beautiful guitar wankery, and a young Ian Brown brashly invoking New Testament messiah imagery to talk about relationships and the breakups thereof. And then, halfway through the song, Squire takes over and leads the rest of the players through a four minute guitar outro. The album and this song was the template for the psych rock and acid house fusion that was the baggy/Madchester scene.
Almost twenty years later, Jon Lawler decided he needed a creative change from his full-time gig as frontman for The Fratellis. Thus, he formed a side-project with vocalist/keyboard player Lou Hickey called Codeine Velvet Club and put out one self-titled album of retro sixties leaning indie pop before breaking up a couple years later. There was a bonus track on that one album and it was a lounge-flavoured cover of The Stone Roses’ “I am the resurrection” that we never knew we needed.
Where The Stone Roses are still very much revered 30 years later around the world, I feel that Codeine Velvet Club (and possibly The Fratellis) are largely forgotten or ignored outside of England only ten years later. And yet, I do love both versions of this song. I mean, you can’t touch the original for its sheer majesty and near perfection but the gall and cheek of the cover make it a worthwhile go as well.
How do you improve upon a perfect song? More horns and Mike Flowers!
For the rest of the 100 best covers list, click here.