Categories
Vinyl

Vinyl love: Various artists “Help: The album”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Various artists
Album Title: Help: The album
Year released: 1995
Year reissued: 2020
Details: 2 x LP, 25th anniversary reissue

The skinny: On September 4th, 1995, many of the biggest names in British rock went into studios across England and Ireland to record a brand new song to contribute to a charity compilation album in support of War Child. These recordings were all handed over to Brian Eno for mixing the next day and on September 9th, the resulting compilation album was released and went straight to number one on the UK album charts (for compilations). Late in August of this year, it was announced by War Child (and many of the contributing artists) that the album would be reissued on vinyl on September 9th, 2020, to celebrate its 25th anniversary and I was one of thousands that frantically went online to pre-order it. Yeah, the first run of 2020 copies completely sold out on the first day and they’ve since had to press a second run. The excitement was palpable the day I found it in my mailbox and walked home with it. In my humble opinion, this is the best the compilation album ever recorded. I distinctly remember when I purchased my first copy of it on CD from the now long defunct Penguin Music in Toronto and there was sticker providing the track listing affixed to the jewel case, so done because the artwork (done by The Stone Roses’ John Squire and Massive Attack’s 3D) was printed concurrently with album’s recording and couldn’t possibly include the finalized track list. My eyes must’ve bulged out of my head upon reading the wealth of my (at the time) favourite artists who appeared on the compilation: Blur, Oasis, Suede, Radiohead, The Boo Radleys, The Charlatans, Levellers, The Stone Roses, and more. The quick timeline on the album’s release meant that many of the songs were either original works in progress or covers of already established tracks. Indeed, two of the songs on this album have already appeared my 100 best covers list (at #100 and #74) and I feel like we might see at least one or two more make an appearance on that list. I still have that CD, though I played the hell out of it over the years, and now I have it my vinyl collection. And that makes me smile.

Standout track: “Come together” by The Smokin’ Mojo Filters (Paul McCartney, Noel Gallagher, and Paul Weller)

Categories
Albums

Best albums of 1989: #1 The Stone Roses “The Stone Roses”

So we’ve reached the end of this series and here were at the number one position on my Best Albums of 1989 list. There have already been comments and I’m sure there have been more than a few raised eyebrows at seeing some pretty iconic albums placed lower on this list, like “Doolittle” at number four and “Disintegration” at number three. I did forewarn you at the outset that the year was pretty stacked and I myself had a hard time looking at some of my favourite albums placed lower than number one. But such is the case for 1989 and the fallacy of ranking things in lists is that there should be only be one number one. For me (and a couple of you have already guessed this), that number one is The Stone Roses’ self-titled debut.

The band had originally formed in 1983, six years before this album’s release, but the personnel didn’t stabilize to the lineup we know of Mani, Reni, John Squire, and Ian Brown until a year or two later. Many of this debut’s songs are reworkings of tracks that had been written long before its release and had been demoed in a variety of ways. When it was released by indie label Silvertone Records, it didn’t immediately take the world by storm. Indeed, even the band themselves weren’t super happy with the production on it. However, the press liked it, especially the NME. Single upon single upon single were released and word of mouth spread based on their live shows. And eventually sales increased and they started rocketing up the charts.

“The Stone Roses” is now seen as the album that kickstarted Madchester and ‘Baggy’ culture, alongside The Happy Mondays, and laid the foundations for 90s Britpop. Indeed, the blend of 60s psychedelic guitar rock with a highly danceable rhythm section were highly influential on what would happen in British music for the next decade and onwards, though North American culture would largely ignore them until much later. Unfortunately, this debut, which many argue is the greatest debut ever, would be their only output for half a decade due to record label battles and a host of other problems. Their sophomore album, “Second coming”, would finally be released but was initially seen as disappointment to many and the band would disintegrate within two years of its release.

I heard many of the songs on “The Stone Roses” on the radio and CityLimits and on friends’ stereos long before I ever heard the full album. I distinctly remember hearing it for the first time and thinking it must’ve been a best of compilation because I already knew and loved most of it. An astounding seven singles were released from “The Stone Roses”, which is more than half of its tracks. There is just so much fun and awesomeness on this album that I could’ve chosen any three songs at random to share with you and I would’ve been happy with the picks.

I hope you enjoyed this series as much I did, even if you might’ve disagreed with the rankings. Let me know what your own top albums would’ve been in the comments section below and we can continue the discussion as we play this album one more time.


”I wanna be adored”: This is the track that greets the listener upon putting on the album, an easy introduction that merely foreshadows the crazy ecstasy that’s to come. The album version starts very slowly with hints of Mani’s bass strings being fiddled with, Reni’s cymbal crashes, and John Squire’s guitar scrapings being heard far off in the distance, as if the song is being conjured by a trio of mad scientists who are not really sure of the consequences of their actions. Eventually the bass line that holds the whole song together takes shape and grows in volume, that drum beat for which the Roses are famous kicks in, and so does Squire’s wailing guitars. When Ian Brown adds his hushed, mellowed out vocals to the Petri dish, it’s merely a delicate glaze. The words are hardly deep, I think I counted fifteen different words in the whole song, used in different configurations, but the intonation and the repetition is the key. It makes the song easier to sing or shout along with on the dance floor if the words are easy to remember. I mean, who doesn’t wanna be adored?

”She bangs the drums”: A hiss-to-the-hiss-to-the-hiss tappety-tapping on the closed high hat, a rumbling mumbling bassline, all like the foreboding of the explosive shimmering guitar riff that’s sure to come. Ah. There it is. Yeah. The second single off the record jumps out at you, a high energy dance jam that plays just as well as a singalong number. That bass line continues to climb up and down your spine and Squire does his best Marr impression, jangling down the road like a jester troubadour. But he doesn’t stop there, throwing in some wicked backwards effects and wankering away while Brown sings those words with a crazed grin pasted to his face. How do I know he’s smiling? Just listen to him. And while you’re at it, just take a look at yourself in the mirror as you’re singing along. See? You’re smiling too. How can you not? This song is pure joy. Just like so much of this record. Amazing.

”I am the resurrection”: The final song on the original track listing of the album is an eight minute long, acid house dance club anthem, perhaps one the best examples of its kind, the fusing of 60s psychedelic rock and the early days of rave culture, images of kids in baggy clothing tripping on ecstasy. Reni and his ever-present bucket hat puts on a drumming clinic, keeping perfect time for the duration, but the intro is all his, that cadence he sets puts you in the mood to jump on the dance floor right away. Mani steps in next with his flitting bass line that, while not quite as game-changing as it is on “Fools gold” (the band’s other anthem), is nonetheless integral to the song’s soul. Finally, Ian Brown’s mellow, laissez-faire tones fit in perfectly with the sound. Of course, the track really only digs in after he stops singing about halfway through and John Squire and his guitar noodling takes over, leading the rest of the group into a four and a half minute long freak out jam.


Here are the previous albums in this list:

10. The Jesus And Mary Chain “Automatic”
9. Galaxie 500 “On fire”
8. The Beautiful South  “Welcome to The Beautiful South”
7. The Grapes of Wrath “Now and again”
6. New Model Army “Thunder and consolation”
5. The Wonder Stuff “Hup”
4. Pixies “Doolittle”
3. The Cure “Disintegration”
2. Nine Inch Nails “Pretty hate machine”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Playlists

Playlist: Be my valentine

Okay. So here’s something that’s never been done before, at least not on this blog, or really, during any of my years of blogging. It’s true. I have never done a post observing this somewhat suspect ‘holiday’, a day that has been over-commercialized and become more about selling chocolates and flowers and overpriced dinners than spending time with the one you love. Still, as I’ve alluded to in previous posts, I do have a sappy side, a side that gets totally wrapped up in rom-coms and even the odd Hallmark Christmas film. And yeah, my wife and I typically do observe February 14th, usually in our own quiet way, but the odd time we have gone out for a nice dinner and paid exorbitant prices for roses.

It just so happened a few weeks ago that I realized I was due for a new playlist and the idea occurred to me to create one of ‘love songs’. Then, I quelled the idea, remembering the struggle Victoria and I had looking for appropriate songs in my collection that we could dance to on our wedding day. “Do none of your bands write songs about love?” she asked, frustrated and tired at one point during our search. Apparently not, was the answer, at least not in the conventional sense, the sense in which hair bands managed it in the 80s and out of which some R&B singers have made a career. Often the alternative and indie bands to whom I listen wrote beautiful lyrics that touched on love but did so looking at it not as a pure thing but one to be feared and revered, a bringer of both pain and joy. In short, not your typical love songs.

In the end, we found a handful to use, of which a few of them can be found in the playlist below. Of course, I had Victoria in mind while putting this one together, though I know she wouldn’t appreciate many of the tracks, still, there’s a little something for everyone. I’ve got some iconic tunes by influential alt-rock bands like The Cure and The Smiths, lesser known acts from the 90s like The Lowest of the Low and My Drug Hell, and of course, highlights from the indie kids of this new century, like Bloc Party and The Decemberists. I’ve got the whole list below, in case the Spotify doesn’t work for you, and included a lyrical gem from each song, just to give a glimpse of what you can be listening for as you peruse the list.

1. The Cure “Lovesong”
“Whenever I’m alone with you, you make me feel like I am home again. Whenever I’m alone with you, you make me feel like I am whole again.”

2. Elbow “An audience with the pope”
“I have an audience with the Pope, and I’m saving the world at eight, but if she says she needs me, she says she needs me, everybody’s gonna have to wait.”

3. Blur “To the end”
“You and I collapsed in love. And it looks like we might have made it.”

4. The Rural Alberta Advantage “In the summertime”
“Once in a while, I know our hearts beat out of time. And once in a while, I know they’ll fall back in line.”

5. Teenage Fanclub “What you do to me”
“There’s something about you, got me down on my knees.”

6. The Cranberries “Dreams”
“Now I tell you openly, you have my heart so don’t hurt me. You’re what I couldn’t find, totally amazing mind, so understanding and so kind, you’re everything to me.”

7. The Postal Service “Such great heights”
“I am thinking it’s a sign that the freckles in our eyes are mirror images, and when we kiss they’re perfectly aligned.”

8. Coldplay “Yellow”
“Look at the stars, look how they shine for you.”

9. Depeche Mode “One caress”
“Just one caress from you and I’m blessed.”

10. James “Just like Fred Astaire”
“Meteors may strike the earth. Nations live and die. I’m the boy who got the girl who showed me how to fly.”

11. The Beautiful South “Song for whoever”
“I love you from the bottom of my pencil case. I love you in the songs I write and sing.”

12. Death Cab For Cutie “I will follow you into the dark”
“Love of mine, someday you will die, but I’ll be close behind, and I’ll follow you into the dark. No blinding light or tunnels to gates of white, just our hands clasped so tight, waiting for the hint of a spark.”

13. Oasis “Wonderwall”
“I don’t believe that anybody feels the way I do about you now.”

14. Nick Cave & The Bad Seeds “Do you love me?”
“I knew from that moment on that I’d love her till the day that I died.”

15. The Lowest of the Low “Subversives”
“There’s something subversive about you and me, ’cause there’s a market-value on love and we’re getting something for free.”

16. The Smiths “There is a light that never goes out”
“And if a double-decker bus crashes into us, to die by your side is such a heavenly way to die.”

17. The Lemonheads “Alison’s starting to happen”
“I never looked at her this way before, but now she’s all I see.”

18. Bloc Party “This modern love”
“Do you want to come over and kill some time? Throw your arms around me.”

19. The Verve “Sonnet”
“Yes, there’s love if you want it, don’t sound like no sonnet, my lord.”

20. Chairlift “Bruises”
“I tried to do handstands for you, but every time I fell for you. I’m permanently black and blue, permanently blue for you.”

21. The Decemberists “We both go down together”
“And my parents will never consent to this love. But I hold your hand.”

22. Black Box Recorder “Andrew Ridgley”
“I came alive to the smouldering fire in your eyes. I love you now and I will ’til the day that I die.”

23. The Stone Roses “Ten storey love song”
“When your heart is black and broken and you need a helping hand. When you’re so much in love, you don’t know just how much you can stand.”

24. First Aid Kit “Emmylou”
“I’ll be your Emmylou and I’ll be your June, if you’ll be my Gram and my Johnny too. No, I’m not asking much of you, just sing little darling, sing with me.”

25. Björk “Violently happy”
“Since I met you, this small town hasn’t got room for my big feelings. Violently happy, ’cause I love you.”

26. Longpigs “On and on”
“All the songs that I’ve sung you, more often than you know. You’re the love that I’ve clung to more often than I’ve let it show.”

27. Edward Sharpe & The Magnetic Zeros “Home”
“Ah, home, let me come home, home is wherever I’m with you.”

28. My Drug Hell “Girl at the bus stop”
“Girl at the bus stop, I wished for once that the bus would never come. She sat downstairs, I sat behind I couldn’t get her off my mind.”

29. Pulp “Babies”
“Oh I want to take you home. I want to give you children. You might be my girlfriend, yeah.”

30. Nine Inch Nails “Closer”
“I want to f*ck you. I want to taste you. I want to feel you.”

Enjoy. Happy (Saint) Valentine’s Day.

And of course, I’d be up for hearing what your own favourite ‘love’ songs are from the alternative and indie rock realms.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.