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Tunes

100 best covers: #61 Nick Cave “Disco 2000”

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So here’s an interesting one.

Pulp released “Disco 2000” as a single in 1995, right at the height of their popularity, and of course, right around the apex of the Britpop extravaganza. Like many of their tunes, it tells a story from the point of view of our semi-unreliable narrator, Jarvis Cocker, an autobiographical tale whose names weren’t even changed to protect the guilty. Its subject matter and sound is inspired not only by contemporary dance clubs, but also of that oft-maligned genre from the 70s, as its title suggests, even tipping an emphatic nod to Laura Branigran’s “Gloria”, a hit song from that era. It is sweaty, laughing, and beer-soaked fun, with a wicked wink at misspent youth.

Seven years later, Pulp was releasing their final single before dissolving into the mist, though none of us really knew it at the time. “Bad cover version” was a play on the subject of this very series – the cover tune – and the video poked fun at BandAid style collective songs, enlisting lookalikes of the who’s who of pop music to sing the tune as a tribute to the band. For the b-sides of this single, Pulp found a couple of willing artists to cover two of their most popular tracks and one of these was Nick Cave to deliver us this rendition of “Disco 2000”.

Now Mr. Cave is known to most as a powerful and talented lyricist and songwriter, often spinning epic yarns, much like our friend Jarvis, but he also doesn’t shy away from covers and usually does an amazing job with them. For “Disco 2000”, he slows things right down into a languid waltz, stretching it and wringing out every ounce of pain. And this is why it’s so brilliant. Cave is an excellent sport, taking the task rather than himself seriously, almost creating a parody of himself in the process. Indeed, where the original is a nostalgic dance party, Cocker’s words in Cave’s hands become a late night at the whiskey bar, full of regret and tears.

Both versions are brilliant. As much as I love the original, I’m calling this one a draw.

Cover:

The original:

For the rest of the 100 best covers list, click here.

Categories
Playlists

Playlist: Be my valentine

Okay. So here’s something that’s never been done before, at least not on this blog, or really, during any of my years of blogging. It’s true. I have never done a post observing this somewhat suspect ‘holiday’, a day that has been over-commercialized and become more about selling chocolates and flowers and overpriced dinners than spending time with the one you love. Still, as I’ve alluded to in previous posts, I do have a sappy side, a side that gets totally wrapped up in rom-coms and even the odd Hallmark Christmas film. And yeah, my wife and I typically do observe February 14th, usually in our own quiet way, but the odd time we have gone out for a nice dinner and paid exorbitant prices for roses.

It just so happened a few weeks ago that I realized I was due for a new playlist and the idea occurred to me to create one of ‘love songs’. Then, I quelled the idea, remembering the struggle Victoria and I had looking for appropriate songs in my collection that we could dance to on our wedding day. “Do none of your bands write songs about love?” she asked, frustrated and tired at one point during our search. Apparently not, was the answer, at least not in the conventional sense, the sense in which hair bands managed it in the 80s and out of which some R&B singers have made a career. Often the alternative and indie bands to whom I listen wrote beautiful lyrics that touched on love but did so looking at it not as a pure thing but one to be feared and revered, a bringer of both pain and joy. In short, not your typical love songs.

In the end, we found a handful to use, of which a few of them can be found in the playlist below. Of course, I had Victoria in mind while putting this one together, though I know she wouldn’t appreciate many of the tracks, still, there’s a little something for everyone. I’ve got some iconic tunes by influential alt-rock bands like The Cure and The Smiths, lesser known acts from the 90s like The Lowest of the Low and My Drug Hell, and of course, highlights from the indie kids of this new century, like Bloc Party and The Decemberists. I’ve got the whole list below, in case the Spotify doesn’t work for you, and included a lyrical gem from each song, just to give a glimpse of what you can be listening for as you peruse the list.

1. The Cure “Lovesong”
“Whenever I’m alone with you, you make me feel like I am home again. Whenever I’m alone with you, you make me feel like I am whole again.”

2. Elbow “An audience with the pope”
“I have an audience with the Pope, and I’m saving the world at eight, but if she says she needs me, she says she needs me, everybody’s gonna have to wait.”

3. Blur “To the end”
“You and I collapsed in love. And it looks like we might have made it.”

4. The Rural Alberta Advantage “In the summertime”
“Once in a while, I know our hearts beat out of time. And once in a while, I know they’ll fall back in line.”

5. Teenage Fanclub “What you do to me”
“There’s something about you, got me down on my knees.”

6. The Cranberries “Dreams”
“Now I tell you openly, you have my heart so don’t hurt me. You’re what I couldn’t find, totally amazing mind, so understanding and so kind, you’re everything to me.”

7. The Postal Service “Such great heights”
“I am thinking it’s a sign that the freckles in our eyes are mirror images, and when we kiss they’re perfectly aligned.”

8. Coldplay “Yellow”
“Look at the stars, look how they shine for you.”

9. Depeche Mode “One caress”
“Just one caress from you and I’m blessed.”

10. James “Just like Fred Astaire”
“Meteors may strike the earth. Nations live and die. I’m the boy who got the girl who showed me how to fly.”

11. The Beautiful South “Song for whoever”
“I love you from the bottom of my pencil case. I love you in the songs I write and sing.”

12. Death Cab For Cutie “I will follow you into the dark”
“Love of mine, someday you will die, but I’ll be close behind, and I’ll follow you into the dark. No blinding light or tunnels to gates of white, just our hands clasped so tight, waiting for the hint of a spark.”

13. Oasis “Wonderwall”
“I don’t believe that anybody feels the way I do about you now.”

14. Nick Cave & The Bad Seeds “Do you love me?”
“I knew from that moment on that I’d love her till the day that I died.”

15. The Lowest of the Low “Subversives”
“There’s something subversive about you and me, ’cause there’s a market-value on love and we’re getting something for free.”

16. The Smiths “There is a light that never goes out”
“And if a double-decker bus crashes into us, to die by your side is such a heavenly way to die.”

17. The Lemonheads “Alison’s starting to happen”
“I never looked at her this way before, but now she’s all I see.”

18. Bloc Party “This modern love”
“Do you want to come over and kill some time? Throw your arms around me.”

19. The Verve “Sonnet”
“Yes, there’s love if you want it, don’t sound like no sonnet, my lord.”

20. Chairlift “Bruises”
“I tried to do handstands for you, but every time I fell for you. I’m permanently black and blue, permanently blue for you.”

21. The Decemberists “We both go down together”
“And my parents will never consent to this love. But I hold your hand.”

22. Black Box Recorder “Andrew Ridgley”
“I came alive to the smouldering fire in your eyes. I love you now and I will ’til the day that I die.”

23. The Stone Roses “Ten storey love song”
“When your heart is black and broken and you need a helping hand. When you’re so much in love, you don’t know just how much you can stand.”

24. First Aid Kit “Emmylou”
“I’ll be your Emmylou and I’ll be your June, if you’ll be my Gram and my Johnny too. No, I’m not asking much of you, just sing little darling, sing with me.”

25. Björk “Violently happy”
“Since I met you, this small town hasn’t got room for my big feelings. Violently happy, ’cause I love you.”

26. Longpigs “On and on”
“All the songs that I’ve sung you, more often than you know. You’re the love that I’ve clung to more often than I’ve let it show.”

27. Edward Sharpe & The Magnetic Zeros “Home”
“Ah, home, let me come home, home is wherever I’m with you.”

28. My Drug Hell “Girl at the bus stop”
“Girl at the bus stop, I wished for once that the bus would never come. She sat downstairs, I sat behind I couldn’t get her off my mind.”

29. Pulp “Babies”
“Oh I want to take you home. I want to give you children. You might be my girlfriend, yeah.”

30. Nine Inch Nails “Closer”
“I want to f*ck you. I want to taste you. I want to feel you.”

Enjoy. Happy (Saint) Valentine’s Day.

And of course, I’d be up for hearing what your own favourite ‘love’ songs are from the alternative and indie rock realms.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

Categories
Albums

Best albums of 2019: The honourable mentions (aka #10 through #6)

Good morning everyone! And happy Tuesday!

It is that time of year again. The end of the year lists have started flying about and some brave souls have even delved back to try to come up with their favourites of the decade. You won’t count me among those attacking such a daunting task. I had a hard enough time narrowing down my favourite albums of the year to ten this time around. Indeed, for me, it was a weird year in that besides perhaps the number one and two albums, I didn’t have consensus favourites. I had no preconceived notions, really, of what this list would look like before sorting through all the albums to which I have devoted time this year. And yeah, there were lots of them.

Still, I’ve been doing my own end of year lists for so long (many others have been generated before even the two others on these pages) that I’ve almost got this process down to an art. For the two previous years, I did these posts on Fridays but decided to change things up this time and by methodical calculation, determined that to wrap things up with a final post with my favourite album on the final day of the year, Tuesdays would be the day of the week of choice for this series. As always, I am starting things off with an ‘honourable mentions’ post, this post, listing out albums 10 through 6, and will countdown my favourite five albums, one each week, for the next five. Of course, I’ve cheated a bit with my photo at the top of this post. It shows four additional albums from 2019, albums in my vinyl collection that won’t appear in the list but bear mention nonetheless. A sort of honourable, honourable mentions, if that makes sense.

Of course, as we go through these albums, I welcome your comments and thoughts and perhaps even your own top ten favourites in the space provided below.

Here we go.


#10 Chromatics “Closer to grey”

I don’t know where my head was back in 2012 because when I listened to Chromatics’ fourth album, “Kill for love”, I thought it was… just okay. Well, that was so seven years ago and I am quite enthralled with their fifth album, this one. Seven years may seem like a long time between albums and in this day and age, it’s an eternity, but the group has not quite been inactive. There’s been some EPs and singles in the meantime and also an aborted album that might still see the light of day. But here we are now and “Closer to grey” is dark and breathless noir cinema, set provocatively in the middle of a sweaty 80s rave club. And yeah, the Simon & Garfunkel and Jesus and Mary Chain covers are spot on.

Gateway tune: You’re no good


#9 Elva “Winter sun”

I thought it a shame when I heard Allo Darlin’ were calling it quits in 2016. They had released a handful of excellent twee/indie pop records based upon the songwriting and vocals of frontwoman Elizabeth Morris. Then, because I followed that band on Twitter, I heard tell that Morris had formed a new band with her husband, Ola Innset, who happened to be a veteran of the Norwegian music scene. “Winter sun” is this new group’s debut and is also quite lovely. Morris shares equally the songwriting and vocal duties with Innset, adding an interesting dynamic that is taken further by mixing up quieter acoustic songs with louder, full band jams.

Gateway tune: Athens


#8 The Twilight Sad “It won/t be like this all the time”

I’ve been following Scottish post-punk quintet, The Twilight Sad, for their last few albums and can safely say that this fifth album of theirs is my favourite so far. That I’ve truthfully said that for each of their successive albums shows how great a band they are still in the process of becoming. A mind-blowing proposition, indeed. The music is dark, bleak, punishing, and yet, somehow, uplifting at the same time. James Graham’s intense lyrical delivery seems somehow more haunting given his thick accent and throws tons of weight behind Andy MacFarlane’s music.

Gateway tune: I/m not here [missing face]


#7 Nick Cave and the Bad Seeds “Ghosteen”

Okay. So it’s taken me a lifetime to get into Nick Cave’s music. This is not an exaggeration. I tried many times over the years because I’ve always loved his lyrics. He just doesn’t make it easy. His seventeenth album, “Ghosteen”, isn’t any less than trying, beautiful, yes, but very difficult. If I hadn’t already succeeded with the start of the trilogy cycle of which this album is the final chapter, this album would likely not be appearing here. As it is, I don’t see myself necessarily slipping this on everyday, nor are there a lot of tracks that I could single out as, well, singles. However, “Ghosteen” is a very excellent album. Cave very much still has the power to surprise and to move us. The music here is synth heavy, augmented orchestral pieces and his normal narrative lyrics and deep baritone vocals have both been turned on their head. The results are haunting, to say the least.

Gateway tune: Bright horses


#6 The Soft Calvary “The Soft Calvary”

Like the Elva album above, here’s another project by an artist I like, working with her spouse, but in this case it feels like it’s more his labour of love with her support rather than a full-on collaboration. The Soft Calvary is Steve Clark working with Rachel Goswell of Slowdive and Mojave 3 (and a bunch of their recent projects). He takes the lead for the most part, writing most of the material, while Rachel adds her lovely, ethereal voice to the proceedings and sings lead on one track. The production is crisp and the effects give most of the album an otherworldly feel. The songs are well-written and stick with you well after you press stop or lift the needle. I love it.

Gateway tune: Bulletproof


Check back next Tuesday for album #5 on this list. In the meantime, you can check out my Best Albums page here if you’re interested in my other favourite albums lists.