Best albums of 2019: The honourable mentions (aka #10 through #6)

Good morning everyone! And happy Tuesday!

It is that time of year again. The end of the year lists have started flying about and some brave souls have even delved back to try to come up with their favourites of the decade. You won’t count me among those attacking such a daunting task. I had a hard enough time narrowing down my favourite albums of the year to ten this time around. Indeed, for me, it was a weird year in that besides perhaps the number one and two albums, I didn’t have consensus favourites. I had no preconceived notions, really, of what this list would look like before sorting through all the albums to which I have devoted time this year. And yeah, there were lots of them.

Still, I’ve been doing my own end of year lists for so long (many others have been generated before even the two others on these pages) that I’ve almost got this process down to an art. For the two previous years, I did these posts on Fridays but decided to change things up this time and by methodical calculation, determined that to wrap things up with a final post with my favourite album on the final day of the year, Tuesdays would be the day of the week of choice for this series. As always, I am starting things off with an ‘honourable mentions’ post, this post, listing out albums 10 through 6, and will countdown my favourite five albums, one each week, for the next five. Of course, I’ve cheated a bit with my photo at the top of this post. It shows four additional albums from 2019, albums in my vinyl collection that won’t appear in the list but bear mention nonetheless. A sort of honourable, honourable mentions, if that makes sense.

Of course, as we go through these albums, I welcome your comments and thoughts and perhaps even your own top ten favourites in the space provided below.

Here we go.


#10 Chromatics “Closer to grey”

I don’t know where my head was back in 2012 because when I listened to Chromatics’ fourth album, “Kill for love”, I thought it was… just okay. Well, that was so seven years ago and I am quite enthralled with their fifth album, this one. Seven years may seem like a long time between albums and in this day and age, it’s an eternity, but the group has not quite been inactive. There’s been some EPs and singles in the meantime and also an aborted album that might still see the light of day. But here we are now and “Closer to grey” is dark and breathless noir cinema, set provocatively in the middle of a sweaty 80s rave club. And yeah, the Simon & Garfunkel and Jesus and Mary Chain covers are spot on.

Gateway tune: You’re no good


#9 Elva “Winter sun”

I thought it a shame when I heard Allo Darlin’ were calling it quits in 2016. They had released a handful of excellent twee/indie pop records based upon the songwriting and vocals of frontwoman Elizabeth Morris. Then, because I followed that band on Twitter, I heard tell that Morris had formed a new band with her husband, Ola Innset, who happened to be a veteran of the Norwegian music scene. “Winter sun” is this new group’s debut and is also quite lovely. Morris shares equally the songwriting and vocal duties with Innset, adding an interesting dynamic that is taken further by mixing up quieter acoustic songs with louder, full band jams.

Gateway tune: Athens


#8 The Twilight Sad “It won/t be like this all the time”

I’ve been following Scottish post-punk quintet, The Twilight Sad, for their last few albums and can safely say that this fifth album of theirs is my favourite so far. That I’ve truthfully said that for each of their successive albums shows how great a band they are still in the process of becoming. A mind-blowing proposition, indeed. The music is dark, bleak, punishing, and yet, somehow, uplifting at the same time. James Graham’s intense lyrical delivery seems somehow more haunting given his thick accent and throws tons of weight behind Andy MacFarlane’s music.

Gateway tune: I/m not here [missing face]


#7 Nick Cave and the Bad Seeds “Ghosteen”

Okay. So it’s taken me a lifetime to get into Nick Cave’s music. This is not an exaggeration. I tried many times over the years because I’ve always loved his lyrics. He just doesn’t make it easy. His seventeenth album, “Ghosteen”, isn’t any less than trying, beautiful, yes, but very difficult. If I hadn’t already succeeded with the start of the trilogy cycle of which this album is the final chapter, this album would likely not be appearing here. As it is, I don’t see myself necessarily slipping this on everyday, nor are there a lot of tracks that I could single out as, well, singles. However, “Ghosteen” is a very excellent album. Cave very much still has the power to surprise and to move us. The music here is synth heavy, augmented orchestral pieces and his normal narrative lyrics and deep baritone vocals have both been turned on their head. The results are haunting, to say the least.

Gateway tune: Bright horses


#6 The Soft Calvary “The Soft Calvary”

Like the Elva album above, here’s another project by an artist I like, working with her spouse, but in this case it feels like it’s more his labour of love with her support rather than a full-on collaboration. The Soft Calvary is Steve Clark working with Rachel Goswell of Slowdive and Mojave 3 (and a bunch of their recent projects). He takes the lead for the most part, writing most of the material, while Rachel adds her lovely, ethereal voice to the proceedings and sings lead on one track. The production is crisp and the effects give most of the album an otherworldly feel. The songs are well-written and stick with you well after you press stop or lift the needle. I love it.

Gateway tune: Bulletproof


Check back next Tuesday for album #5 on this list. In the meantime, you can check out my Best Albums page here if you’re interested in my other favourite albums lists.

Playlist: Time to get your Goth on

Happy World Goth Day everyone!

Er… To be honest, it’s not a holiday I observe but it did give me occasion to start in on an idea that I’ve kicked around in the past. And that is making and sharing genre-themed playlists on these pages. So, yeah, starting things off with Goth.

Goth is easily the music genre, lifestyle, and subculture that is most misunderstood by mass media and the public in general. I remember the going joke amongst a few of my coworkers, some years ago, which centred around the term ‘practicing Goth’ (as in, ‘Look at all that black, it looks like Jennifer is practicing Goth today’). It’s a term we culled from an article, one of many that had wrongfully attributed the perpetrators of the Columbine massacre as members of the ‘Goth community’.

I’m not sure I even fully understand the idea of being and ‘practicing’ Goth and all of the different offshoots that now exist but I do enjoy some facets of the fashion (the adoption of Victorian dress, for instance). I am also quite a big fan of a lot of the music that inspired the original scene, though I completely missed out on it, being too young at the time.

Some people sneer at the term Goth as a genre of music, calling it gimmicky, and the truth of the matter is that many of the original artists attached to the genre disliked the tag and tried to loosen its hold. I can remember going to a Sisters of Mercy show in Toronto in 1998, seeing all the youngsters in the audience wearing black, leather, S&M gear, etc., and wondering what they thought of lead singer Andrew Eldritch coming out on stage with his hair bleached blonde and cut short, and wearing a loud red Hawaiian shirt.

The idea in creating this playlist was not to define what is and what is not goth but to celebrate those artists that inspired generations to wear black. It is somewhat chronological, starting with those post-punk artists that toiled in darkness (Joy Division, Bauhaus), continuing with those that took up the mantle (The Cure, The Sisters of Mercy), squeezing in some acts that are not technically goth but definitely don’t sound out of place (Nick Cave, Leonard Cohen), and finally, gently transitioning to those that felt honoured to play in the originators’ shadows (She Wants Revenge, The Horrors), many years later.

For those who don’t use Spotify or if the embedded playlist below doesn’t work for you, here is the entire playlist:

1. Joy Division “She’s lost control”
2. Bauhaus “Bela Lugosi’s dead”
3. Tones On Tail “Christian says”
4. Love and Rockets “Haunted when the minutes drag”
5. The Cure “The hanging garden”
6. Killing Joke “Love like blood”
7. Siouxsie & The Banshees “Cities in dust”
8. Sisters of Mercy “Alice”
9. The Mission “Tower of strength”
10. The Cult “She sells sanctuary”
11. Nick Cave & The Bad Seeds “Red right hand”
12. Concrete Blonde “Bloodletting (The vampire song)”
13. Leonard Cohen “Waiting for the miracle”
14. Dead Can Dance “Ubiquitous Mr. Lovegrove”
15. Cranes “Shining road”
16. Interpol “Obstacle 1”
17. She Wants Revenge “Tear you apart”
18. The Horrors “Do you remember”
19. Esben and the Witch “Marching song”
20. I Love You But I’ve Chosen Darkness “According to plan”

Enjoy.

For those of you who are on Spotify, feel free to look me up. My user name is “jprobichaud911”.