Tag: 2003

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Best tunes of 2003: #12 Coldplay “Clocks”

<< #13    |    #11 >>

There are times while making and posting all these lists of my favourite tunes and albums of each year, times that I err and omit an important (to me) work of music. Indeed, I don’t have a perfect system and my memory is not at all what it used to be.

And so it was, that while counting down my favourite tunes of 2002, I somehow forgot to include “The scientist”, one of my favourite Coldplay songs. However, I can’t very well go back when redo the list at this point so I decided to right this wrong by fudging this new series a bit. “Clocks” appeared on “A rush of blood to the head”, the same 2002 album as “The scientist”, and was released as a single in the US in November 2002. Nevertheless, given that was released in the UK a few months later in 2003, I decided to bend my admittedly malleable rules of inclusion and insert “Clocks” here, a year late, as a sort of reparation for the earlier error. Besides, “Clocks” is a great tune in its own right.

I’ve already shared a few times on these pages about my intro to Coldplay via “Yellow“and ultimately, their debut album “Parachutes“. By 2002, we were all champing at the bit for new music but as it turns out, the group weren’t at all happy with their efforts on the recording sessions for their sophomore record. It was delayed a number of times. In fact, after putting it off, they went out on a world tour and started recording their third album. And it was during these sessions that “Clocks” came out of the woodwork and would go on to save “A rush of blood to the head”.

“Clocks” begins and ends with that piano riff that is instantly recognizable, has been used and sampled by other artists, and is nearly impossible to evacuate from your head once it’s lodged there. The song was built around this riff and despite “Clocks” being planned for a later album, it became imperative to include on the gestating sophomore release.

“The lights go out and I can’t be saved
Tides that I tried to swim against
Have brought me down upon my knees
Oh, I beg, I beg and plead”

The lyrics are unclear in literal meaning but they give a certain impression that is unmistakable. An emotion. An energy. And paired with that intense piano riff and the relentless drum beat, it all spells an immediacy. A sense that you are in the eye of the storm, feeling in slow motion while everything and everyone else is whipping around you triple time fast forward speed. This is life. This is the dream. And Coldplay is soundtracking it.

It’s a beautiful thing and no amount of radio overkill can dull the bright colours and rosy fragrance.

For the rest of the Best tunes of 2003 list, click here.

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Best tunes of 2003: #13 Snow Patrol “Spitting games”

<< #14    |    #12 >>

Snow Patrol got started in Dundee, Scotland way back in 1994 when Gary Lightbody formed a band with university friends Mark McClelland and Michael Morrison. Of course, they went through a few name changes and struggled mightily before settling on the moniker we now know and signing to indie label Jeepster, original home to another Scottish indie band we love*. Unfortunately, the struggles didn’t end there, seeing an almost complete turnover in personnel and middling sales and critical reception of their first two records. They were dropped by Jeepster in 2001 but it turned out to be the best thing to happen to them, because they were signed to Fiction less than two years later and sent to the studio to record their major label debut.

“Final straw”, Snow Patrol’s third record, was where I came in. I don’t remember now exactly how I heard about the group or the record, but I definitely remember that it was never a grower. I was hooked to the sound of the album right away. I bought the album on CD**, something I wasn’t doing a lot of at the time, given my lack of disposable income. And when I went back to sample the music of the previous two albums, I didn’t find them nearly as compelling. So something truly clicked here.

“It’s not as if I need the extra weight
Confused enough by life so thanks a lot”

“Spitting games” was the first of five singles to be released off the record. It was and still is my favourite of the bunch. At just shy of four minutes, it is one of the longer tracks, especially on the first side but it is no less driving, nor hard-hitting for all that. It is brash and breathless, starting off all guns ablaze, a punishing drum beat and raging guitars, and it never really lets up. The verses all have the same energy as the non-chorus, where Lightbody just lends his voice to a raging wordless melody. It all leads to the feeling of nervousness and anxiety of someone that has feelings that he doesn’t know what to do with, the confusion of youth and the uncertainties of love.

“Spitting games” is a track, much like the rest of the album, that is raw and passionate and hints at the success that the band will find a few years later.

*Um, Belle & Sebastian.

**And I’ve since replaced that with a copy on vinyl.

For the rest of the Best tunes of 2003 list, click here.

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Best tunes of 2003: #14 The New Pornographers “From blown speakers”

<< #15    |    #13 >>

I’ve said it before and it’ll likely come up again: I was an avid user of Ottawa’s public library services back in the early 2000s.

I didn’t have a lot of money after relocating to Canada’s capital so almost as soon as I updated my drivers license with my new address, I checked out the main branch to start borrowing books. When I discovered they also loaned DVDs and CDs, I started borrowing those as well, often spending hours perusing their virtual shelves on their website for material to request and consume. The three week loan period for CDs allowed for plenty of opportunity to explore and to discover music before making a decision to purchase for the long haul.

I’d previously heard friends talk about The New Pornographers so when I saw the library had one of their albums in their collection, I put in the request and didn’t even have to wait that long for it to arrive at my local branch for pickup. So in this way, “Electric version” was my introduction to Canada’s indie rock supergroup. Of course, I only really googled them for more info after they made a great first impression and I learned then of their background and the various members’ collective experience as part of the Vancouver area music scene. Of their membership, I’d only heard of Dan Bejar (of Destroyer) and Neko Case before, the latter from my friend Tim, who I think was in love with her at the time, and thinking back, he was probably one of the friends that had talked up The New Pornos as well.

“Electric version” was the group’s sophomore record and was seen by those familiar with “Mass romantic” as a tighter and more polished effort, the sound of a real group finding its footing, rather than a collective of individual artists collaborating on a one-off piece, which is what many expected the debut to be. On the followup, there were lots of catchy power pop gems to shake sticks at, but none as immediately captivating as track two.

“Just a contact high, one in every mood I’ve ever declined to fight
One in every single exchange you might find
From blown speakers, time came out magical”

“From blown speakers” is just shy of three minutes and features call and answer guitars and keys, as well as Carl Newman harmonizing with the lovely Neko Case and a plethora of exclamation marks on the snares. It’s an obvious high that we never wanted to come down from.

For the rest of the Best tunes of 2003 list, click here.