(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Blur Album Title: Modern life is rubbish Year released: 1993 Year reissued: 2012 Details: 2 of 7 in Blur 21, anniversary box set, black vinyl, 180 gram, 2 x LP, Gatefold sleeve
The skinny: Blur found their feet and their voice on their sophomore record, painting a picture of British life in a sound that definitely not American. It’s here, along with Suede’s self-titled release, that we find the roots of Britpop.
Being that I grew up in small-town Southern Ontario, Canada, in an age before the wonders of the Internet, it often happened that I came upon a band’s more popular and successful material, long after I did their less successful work. I discovered The Beautiful South’s “A little time” and their second album, “Choke”, years after their debut and third albums had become close friends. Truly, by the time I came across this song and the album on which it appears, I had listened to “0898” countless times (had written all my first year university essays to it), was intimate with each song, and knew most of the lyrics therein, like I knew every acne scar on my young twenty-something face. I never knew then that their third record was seen as a bit of a letdown after “Choke” and that none of its singles had reached as high on the UK singles charts as did “A little time”, their only tune to reach the number one position.
None of this is really surprising given that the band never achieved the same success here in North America. However, I was super eager to follow them as soon as I learned that they were an offshoot of 80s indie pop group, The Housemartins. Formed around the vocals of Paul Heaton and Dave Hemingway, The Beautiful South added Briana Corrigan as a third vocalist for “Choke” after she had guested successfully on their debut, “Welcome to the Beautiful South”. And it was the interplay between the three vocalists, especially the male/female sparring, that marked the group’s sound, set them apart, and along with their smart and jarring lyrics, was the likely reason for the modicum of success they achieved over their nine-album career.
“A little time” is a perfect illustration of the band’s magic. Featuring Hemingway and Corrigan on vocals, it jingles and jangles and tells the story of a relationship that sours after the male decides he needs “a little time” to, as he puts it, “think things over” and “find himself”. But when he decides he’s ready to settle down, he learns that the female didn’t sit by the phone to wait for him.
You had a little time
And you had a little fun
Didn’t you, didn’t you
While you had yours
Do you think I had none?
It’s not a little. It’s lots of fun. “A little time” plays the Brechtian-irony card well, pitting the dark and cynical vocals against the rays of the sunshine in the instrumentation.
For the rest of the Best tunes of 1990 list, click here.
(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Blur Album Title: Leisure Year released: 1991 Year reissued: 2012 Details: 1 of 7 in Blur 21, anniversary box set, black vinyl, 180 gram
The skinny: The debut album by Damon Albarn, Graham Coxon, Alex James, and Dave Rowntree, also known as Blur. It’s a bit messy, not knowing whether to lean towards baggy or shoegaze, two sounds that were both on their way out. Still, some fantastic tracks here.
My (life in) music lists 