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Tunes

Best tunes of 2012: #10 Father John Misty “I’m writing a novel”

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Back when I was in university, I managed to weasel my way into the Creative Writing program. I had always fancied myself a writer and managed to put together a serviceable portfolio that apparently impressed someone.  Nonetheless, I often felt like a fraud in those workshops, even though I sometimes managed to create something by chance that I felt was new and real. Notwithstanding, I met some great people back then, likeminded writers-in-training, and we waxed pretension and separately dreamed of writing the next great novel or poem.

So yeah, I always laugh a little bit when Josh Tillman sings the line: “And I’m writing a novel because it’s never been done before.”

I honestly had never before thought about the word in that way: a bunch of pages bound in a sheaf, crammed with words that, strung together, weave tales of grandeur, angst, sadness, and glory. But it’s true. The whole idea of it was all very new at one point and each piece that has been published since is new its own way. And here is this singer, spouting this brilliant line of verse in a stream of conscious song, getting me thinking about the gall of all writers (or just us wannabes), thinking that we have something new to say to change the world.

Yep. This is how I fell for the music of Father John Misty.

I first perused the songs off “Fear fun”, the debut album under this moniker*, when I read that Tillman had previous performed with Fleet Foxes as their drummer. I started out by watching a few of his videos, which in themselves were a bit bizarre, and I must say that I was quickly hooked. The sound struck me as retro sounding but in a whacked out kind of way and the words were hilarious, especially the closer I listened and the deeper I crawled into the woven stories.

I then caught Father John Misty perform live at two separate festivals in 2012 and 2013, both appearances in support of this debut and found his onstage persona compelling and ridiculous. Tillman has since released three more albums since “Fear fun” and I have seen two more live performances and in that interim, he has honed his sound into something all his own, still keeping his storytelling lyrics intact.

Still, I feel closer to his debut than any of his later work, with “I’m writing a novel” being a tune that I always keep close. It’s jump jivin’ guitar and juke joint piano, old school folk rock and psychedelics and Josh Tillman spouting a nonsensical narrative that oddly makes sense and reads like a pretentious cautionary tale. It’s rock and roll for which to take drugs and imagine new worlds.

“Heidegger and Sartre, drinking poppy tea
I could’ve sworn last night I passed out in my van and now these guys are pouring one for me
I’ll never leave the canyon ’cause I’m surrounded on all sides
By people writing novels and living on amusement rides”

*Josh Tillman had previously recorded under the name J. Tillman but put an end to all that in 2009.

For the rest of the Best tunes of 2012 list, click here.

Categories
Tunes

Best tunes of 2002: #2 The Flaming Lips “Do you realize??”

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Have you ever been so completely turned off by one song that you very nearly missed out on the experience of an excellent band?

This is how it was for me and The Flaming Lips for many years. It was their biggest commercial hit, 1993’s “She don’t use jelly”, that really did me in from the first. Not that it was a particularly bad song, it was just that ultra push foisted upon us by their major label. It was overplayed to the point where they warranted an appearance on an episode of Beverly Hills, 90210 and gained Steve Sanders’ seal of approval. “You know, I’ve never been a big fan of alternative music, but these guys rocked the house!” Ugh.

Interestingly, it was television that brought me back to the psych-rockers from Oklahoma City. More to the point, it was a television commercial. For many years, I have misremembered the ad being for Volkswagen, probably because it fell in line with the other songs that had been used for their ad campaigns, but when I googled it, discovered that it was actually for Hewlett-Packard (and also featured famed magicians, Penn and Teller). More on that in a minute.

The Flaming Lips actually formed as early as 1983 and they released four full-length studio albums before they caught the attention of Warner Brothers. And then, they released four more albums on that major before they finally found their feet and released 1999’s “The soft bulletin”, an album many critics see as the best album in a decade that included “Nevermind”, “Loveless”, and “OK computer”. And the band didn’t stop there. Indeed, eight albums later and they still show no signs of slowing or falling into ruts or making anything that vaguely resembles pedestrian tunes.

My ears pricked up with the first notes of “Do you realize??” that I heard at the end of that Hewlett Packard commercial. I was at my desktop computer with the TV on behind me and I heard spaceships and angels and beauty. I turned around, made notes, did some google searches, and eventually found the full song. I played it and replayed it and replayed it. Then, I listened to the rest of the album on which it appeared, “Yoshimi battles the pink robots”, and declared myself in love.

These days, I wouldn’t consider myself a diehard of the band. Yet I do very much love “Yoshimi”, along with the two albums that bookend it in their chronological discography, and totally respect everything they do, even if I don’t like it all. I saw them perform live at Ottawa Bluesfest in 2011 and would jump at the chance to witness their live extravaganza again… But I’m once again getting away from our song today.

“Do you realize??” is possibly their most recognizable song. It was honoured by their home state as its official song for a period of time in 2000s and is considered by the band as the best thing they have ever done. It was inspired by multi-instrumentalist Steve Drozd’s struggles with drug withdrawal and by the death of frontman Wayne Coyne’s father. It is about the precariousness of life, the planet, and everything else.

“Do you realize that you have the most beautiful face?
Do you realize we’re floating in space?
Do you realize that happiness makes you cry?
Do you realize that everyone you know someday will die?”

It all starts with a robotic count in and the falls up the rabbit hole in the clouds and the ether where everything is in stasis and sparkly. The strumming of the guitar holds everything together and roots you in reality while everything flies around you – memories, feelings, life, death – and everyone is singing along. It is gentle and beautiful and sad and perfect. Just wow.

For the rest of the Best tunes of 2002 list, click here.

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Vinyl

Vinyl love: The Coral “The Coral”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Coral
Album Title: The Coral
Year released: 2002
Year reissued: 2011
Details: Black vinyl, 180 gram, Music on Vinyl

The skinny: Just a few days ago, I wrote about this ridiculous ear worm that appeared at number three on my Best tunes of 2002 list. But “Dreaming of you” is by no means the only incredible tune on The Coral’s self-titled debut. Indeed, the (at-the-time) young sextet from Merseyside, England had put together a twelve-song kooky and psychedelic party, that you might say is reflected in the colourful pastiche album artwork. When I saw a reasonably priced copy of this Music on Vinyl reissue pressed to a 180 gram disc, I did not hesitate. And I can happily say that I am just as pleased with this pressing as I have been with everything else I’ve purchased by MOV.

Standout track: “Wildfire”