(Since I’ll be too busy attending Ottawa Bluesfest over the next week or so to continue with this blog’s regularly scheduled programming, I thought I would do a special ‘live galleries’ series this week to share some pics from some of the sets I am enjoying.)
Artists: Marie-clo, Abigail Lapell, Chvrches, U.S. girls, Alt-J
When: July 4th, 2019
Where: Lebreton Flats Park, Ottawa
Some words: By my count, it’s been four years since I last bought a full festival pass to Ottawa’s Bluesfest, mostly due to increasing difficulties in finding enough in the lineup to be excited about. This year, there were two (perhaps three) bands that I was really, really jived for (and multiple others that generated a good enough amount of interest) and one of them was scheduled to play last night. Unfortunately for me (and likely many others), they were forced to cancel all of their summer shows. This removed a horrible time slot conflict with the main stage headliners for a lot of people. But for me, I would have rather seen First Aid Kit and crossed them off the bucket list. Next time, I guess.
I stopped off for dinner and a couple beers at a local brewery before heading down to the festival, factoring in plenty of time to navigate the long lines that are usual on opening night as organizers figure out their processes. Imagine my surprise to find nary a line, which made walking the labyrinth of temporary barriers superfluous. Once past the gates, I refilled my water bottle and headed in to the museum where the festival always has an intimate stage set up inside the Barney Danson theatre. Yeah, I’m very thankful that with last night’s heat, my first two shows were scheduled inside. Sweet air conditioning.
Right at 6 o’oclock was a local-ish, indie pop bilingual vocalist that went by the stage name of Marie-clo and was backed by another local band, Mal/aimé. After that, things got a bit dicey with conflicts and time slot overlaps. I caught the first half of Toronto singer/songwriter Abigail Lapell’s excellent and intimate folkie set. Then, I slipped into the middle of Scottish indie dance pop trio, Chvrches’ well-attended and high energy set on the main stage. At some point around 8pm, I hightailed it to the Videotron stage to catch the end of my happiest surprises of the night: the insanity of Meghan Remy’s art pop laboratory, U.S. Girls. I finished the night back at the City stage where the crowds had amassed even more for Alt-J. And it was brilliant.