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Eighties’ best 100 redux: #97 The Box “L’affaire Dumoutier (Say to me)” (1985)

<< #98    |    #96 >>

My parents must’ve gotten tired of waking me up in time to go to school at some point a few years before high school because, one Christmas, I received as a gift my very own clock/radio. These are probably not in use as much these days with today’s youth, possibly opting instead for setting an alarm on their smartphones. However, it’s a gift I grew to love, not long after I got over the shock of unwrapping something other than games or chocolates or clothing. With the novelty of it, I plugged it in right away and placed it within arm’s reach of my single bed. I set the time and an alarm time around 7am and then, started playing with the other functions. I turned on the radio and found CFTR, an old AM radio station that has long since gone talk radio but at the time was playing current hits, and I likely didn’t touch the dial for quite a few years.

It was this clock/radio that started a habit that I didn’t break myself of until I moved in with my girlfriend, now wife, a decade and a half later. I discovered the sleep function and fell asleep to the sweet sounds of music every night, some nights I would have had to extend the sleep past the standard hour when it took longer. This is where I discovered a lot of music in my youth, some of which are still favourites and some appear on this list, including this song.

I definitely remember hearing “L’affaire Dumoutier (say to me)” quite often in the evenings while falling asleep or as the alarm went off in the mornings*. I didn’t know the name of it at the time, nor did I know who performed the song, I wouldn’t discover either of these until much, much later, during a period in the early 2000s when I started using the powers of the internet for good and ill and to reconnect with the long-lost favourites of my youth.

The Box was formed by Jean-Marc Pisapia in Montreal in 1981, a year after he left Men Without Hats**, and they released four full-length studio albums before disbanding a decade later. Little did I know that they were actually quite successful in the late 80s and had a string of hit singles on Canadian radio, many of which I actually knew and loved. I only discovered this last fact recently when I saw them advertised as touring here in Ontario with Chalk Circle, another classic Canadian alternative band, and decided to investigate songs other than “L’affaire Dumoutier”.

Although I can say now that I am more of a true fan of their work, this one is still my favourite. Based on a real news item that Pisapia had read that had haunted him, the song deals with mental illness and its dangers, a murder committed when its perpetrator was not in his right mind. The sound of the song is also haunting, the gonging of church bells interspersed with police sirens in the fog, the verses spoken as news reportage, including interviews and statements, both in English and French, and though I couldn’t understand it all when I was younger, I knew something dark was at play. Of course, the chorus as a counterpoint is a singalong and infinitely hummable, which I did at various points in my life whenever the song came back to me.

Original Eighties best 100 position: n/a

Favourite lyric:  “Non coupable! Pour cause d’aliénation mentale…” My French wasn’t strong enough for me to understand what this meant at the time but I still loved how this was spoken with such finality to end the song. Now that I can understand it, I appreciate it even more.

Where are they now?: Jean-Marc Pisapia revived the band back in 2004 with himself being the only original member. This new incarnation has since released two albums, an EP, and a bunch of singles and has toured quite regularly.

*Because, of course, I used to opt for radio rather alarm sound to wake me up.

**Another Canadian new wave group of whom some of you may have heard.

For the rest of the Eighties’ best 100 redux list, click here.

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Tunes

Top five tunes: The Specials

(We interrupt our regularly scheduled programming today with a special guest post from our good friend Andrew Rodriguez, who was perhaps inspired to write some words by the recent news of Terry Hall’s death. We will return to our end of the year Best Albums countdown on the morrow. Enjoy.)

I met Todd Burnham in 1986. He was an “Old Boy” from the Boarding School I attended for a few years. In fact he was partially responsible for me being sent there in the first place, our fathers were friends, and Mr B had told my father about how ‘impressed’ he was with the school. What impressed me about Burnham most however, was his style. He was a Rude Boy. And he dressed like nothing I had ever seen. 2 Tone Dr Marten brogues, rolled up jeans, Fred Perry, Stingy Brim and a jacket covered in patches. “What is Ska?” I asked. “It’s early reggae – it’s faster tempo”. I cooly memorised all the names of the bands displayed on his jacket and made a note to seek out what albums I could, when I got to go home. The largest of the patches had a checkerboard theme and said simply ‘THE SPECIALS’.

About a year later I bought my first Specials album, with my allowance. It was called More Specials – their second album, though I didn’t know that at the time. From the first needle drop, I was very much hooked. A danceable mixture of styles and themes, characterised by a sort of (my term) pragmatic moodiness.

They formed around 1977 in Coventry England, from a band called the Coventry Automatics. They were key figures in the “2 Tone movement”, also called “second wave ska”, which was based around the 2 Tone record label (created by Jerry Dammers – their Organist). There were several other notable bands on that label but I won’t discuss them here. If you choose to look further into the Specials (you should), do not be confused by the names. Early on they went by the name “Special AKA”, and variations thereof. That name was also used by the second incarnation of the band, so it can get a bit confusing! With various lineup changes they’ve been an active touring and recording band since reforming after their first real breakup in 1984.

For the purposes of this short entry (no-one is allowed to go over word limits here – we are professionals goddammit!) I’ll skip the details of the band, that is what Wikipedia is for (be sure to donate too they are begging for money). I’m also going to stick to their (best) earliest era, lineup, and albums.

OK! They were just such a striking band. Their dress style was heavily influenced by the early 60s mod scene. Their first album was produced by Elvis Costello, and had a punk feel to it, something you really get in their live recordings. By the second album they slowed the tempo down a bit and the sound was fuller and more produced. More Specials also included outside personnel, including the Sax player from Madness and the singer from the Bodysnatchers – both labelmates on 2 Tone. Their lyrics were substantial, addressing daily life, with some political and social commentary elements thrown in for good measure. They looked cool and sounded even cooler. In keeping with the restrictions placed on me spirit of this blog, I’m now going to introduce you to 5 of my favourite Specials tunes. I hope you enjoy this as much as I do!

“Concrete jungle” (from The Specials, 1979)

Remember I mentioned the punkiness of some of their early stuff? First up is a live version of Concrete Jungle, from their self-titled debut LP. It’s not a cover of the Bob Marley song. The grainy footage is taken from a film called Dance Craze which was a sort of promo for 2 Tone, it and the associated live album are quite good, and feature most of the bands on the label. Both are on Youtube.

“It’s up to you” (from The Specials, 1979)

Now, this is direct from the first album – The Specials. I picked this because it showcases a bit more of their ska/reggae influences. The entire album is worth a spin, it’s hard to select just a few.

“Rat race” (from More Specials, 1980)

Next up we have Coventry’s finest looking very Scholarly, in the video for a tune from their second album (and the one I bought first) More Specials. Rat Race (again not a Bob Marley cover!). Note the slightly moodier tone. Note also, singer Terry Hall and the band don’t look nearly as dated as the 1980 kids in the ‘classroom’ – some looks just don’t go out of style.

“I can’t stand it” (from More Specials, 1980)

Hey – I coined the term “pragmatic moodiness” – so I certainly as EFF can determine this song to be the epitome of it! From More Specials, and a personal favourite, I Can’t Stand It. verbally jousting with Terry Hall is Rhoda Dakar – the singer from the Bodysnatchers.

“Ghost town” (from Ghost town, 1981)

NOW. The final selection, this is from the Ghost Town Ep. It was a single and it went to number 1 in 1981. Shortly thereafter Terry, Neville, and Lynval left the group to form Fun Boy Three. Ghost Town was a 3 song Ep and it is phenomenal. It is more reggae than ska. Since I really can’t make my mind up – you really should check out all three songs, each is very different. Friday Night and Saturday Morning is probably my favourite Specials song of all. But I won’t play it here because I’ve already done a moody song. Why? is also fantastic. But I will take the lazy route and just select the single itself. I drove around town a lot listening to this during the lockdown(s). You might see why it was stuck in my head.

Well that’s a wrap. Thank you for reading. Sadly, the day that I wrote this, I learned (from John) that Terry Hall died. The details are sparse, which generally leads some to speculation. There is no speculation to be found in these pages; merely respect, and appreciation for a fantastic singer and entertainer. Thank you Mr. Hall. You will be missed. On a more positive note I would like to wish the readership a Merry Christmas, and Happy music listening New Year!


A few more stats on The Specials

Years active: 1977–1981, 1982-1984, 1993, 1996–2001, 2008–present

Original band members:
Terry Hall – lead vocals (1977–81, 2008–22)
Lynval Golding – rhythm and lead guitar, vocals (1977–81, 1993, 1994–1998, 2008–present)
Horace Panter – bass guitar (1977–81, 1982, 1993, 1994–1998, 2000-2001, 2008–present)
Jerry Dammers – keyboards, principal songwriter, vocals (1977–81)
Roddy Radiation – lead guitar, vocals (1978–81, 1993, 1996–2001, 2008–14)
Neville Staple – toasting, vocals, percussion (1978–81, 1993, 1996–2001, 2008–12)
John Bradbury – drums (1979–84, 2008–15)
Dick Cuthell – flugelhorn, trumpet (1979–84)
Rico Rodriguez – trombone (1979–81, 1982)

Discography (studio LPs only):
The Specials (1979)
More Specials (1980)
Today’s Specials (1996)
Guilty ’til Proved Innocent! (1998)
Skinhead Girl (2000)
Conquering Ruler (2001)
Encore (2019)
Protest Songs 1924-2012 (2021)


For other top five lists in this series, click here.

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Tunes

Eighties’ best 100 redux: #98 Nena “99 luftballons” (1983, 1984)

<< #99    |    #97 >>

Back when I counted down my Eighties’ best 100 the first time, “99 luftballons” came in at #99. Honest to god. And I didn’t even plan it that way.

In fact, I hadn’t even realize what I had done until I was discussing the list with my friend and colleague Ian and let slip the song at #99 on said list. I actually considered switching the list order right there and then, so that the readers on my old blog didn’t think I was trying to be clever. In the end, I decided it was too early in the game to be making changes to the list and in spite of those original worries, I decided to let the list grow organically this time around as well, and the let proverbial chips fall where they may. So it is merely incidental (I assure you) that for this redux, the song moves up one spot to number 98.

Of the now three songs into my top 100 songs of the eighties, “99 luftballons” is the first but most likely not that last song by a so-called “one hit wonder” to grace the list. I think it would be near impossible to discuss the best tracks of the nineteen-eighties without one or two of them rearing their ugly noggins because the decade was full of them.

Unlike the previous two songs, I distinctly remember listening to this one when it was popular back in 1984. I used to watch the Chum FM 30 video countdown every week on CityTV and wait for the video to come on, typically near the top of the list. What I didn’t know back then though was that the version I was listening to (and watching) was translated and re-recorded into English from the original German to be more palatable for international audiences (hey, I was still a kid). I didn’t actually hear the original German version until almost a decade later when a friend in university put it on a mixed tape of retro tunes that she made for me.

Nena (named for the lead singer Gabriele Kerner, whose stage name was Nena) came from the very German school of New German Wave music. It originated as an underground scene that was heavily influenced by British Punk and New Wave. As the sound gained popularity, more commercially viable bands based on this sound came out of the woodwork, incorporating English instead of German lyrics, among these were Nena and other acts you might recognize (like Alphaville, Peter Schilling, and Falco).

Most people I encounter prefer the German version of the song but I can appreciate both (and I have included both for your listening pleasure below). The German version because it is as was initially intended and the English because I likely would have never truly understood the song in the first place and it really is worth understanding. It’s not just a good beat that you can dance to. In fact, its Cold War protest implications landed itself a place in an exhibit I once took in at the Canadian War Museum on the impacts of the Cold War on music and music videos, along with Alphaville’s “Forever Young.” I don’t think that particular exhibit is still there but the museum is very cool and if you’re ever in Ottawa, I highly recommend checking it out.

I’m sure you’re familiar with one of these two versions but here they are for your enjoyment nonetheless.

First, here’s the German version:

Now, the English version:

Original Eighties best 100 position: #99

Favourite lyric:
In German:
“Hab’ nen Luftballon gefunden / Denk’ an Dich und lass’ ihn fliegen” I don’t know what she’s saying – it’s just the way she sings it.

In English:
“This is what we’ve waited for / This is it boys, this is war” Again, it’s the way she sings it.

Where are they now?: Nena (the band) broke up long ago but Nena (the solo artist) had a resurgence in popularity in the early 2000s and was rather prolific up until 2015. She most recently released a new album called “Licht” in 2020.

For the rest of the Eighties’ best 100 redux list, click here.