Tag: 1990s

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Tunes

Best tunes of 1990: #13 The Sundays “Here’s where the story ends”

<< #14    |    #12 >>

The Sundays’ “Here’s where the story ends” epitomizes for me the dog days of summer, something we have yet to really experience here in Ottawa, Canada this year. The song is jangly and full of sunshine, yet you don’t have to make a lot of movements to be able to dance to it. Instead, the peppy yet subdued guitar strumming backbone of the song, warms you up, bringing to mind some of the more upbeat tunes from The Smiths’ repertoire, and yet Harriet Wheeler’s vocals are completely different than those of Morrissey. Less affected and more natural and yes, actually cheerful.

The Sundays were formed by Wheeler and David Gavurin in 1988. While they added members to become a four piece by the time they recorded any material, the original duo were the main creative force behind this British alternative rock band. They released their debut album, “Reading, writing, and arithmetic”, in 1990 and it was a creative and commercial success, reaching number 4 on the UK charts and 39 in the US, mostly on the back of “Here’s where the story ends”. They released two more albums in the nineties, with each selling about the same amount of units as the debut. After that, silence. They have never officially broken up but it’s been almost twenty years since their last release. Apparently, Wheeler and Gavurin, after taking time away to raise their two children, have been working on new material, but it’s anyone’s guess as to whether it will ever see the light of day. The couple are notorious for taking their time and are perfectionists when it comes to their own music.

Still, we have a pretty solid body of work from the band in the 1990s. “Here’s where the story ends” is a particularly lovely slice of joy. So bring on the sunshine.

For the rest of the Best tunes of 1990 list, click here.

Categories
Vinyl

Vinyl love: Blur “Parklife”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Blur
Album Title: Parklife
Year released: 1994
Year reissued: 2012
Details: 3 of 7 in Blur 21, anniversary box set, black vinyl, 180 gram, 2 x LP, Gatefold sleeve

The skinny: A thematic and sonic continuation, Blur’s third record almost sounds like its material was recorded during the same sessions as ‘Modern life’. In my opinion, this Blur at their best, Britpop in full bloom, and likely my favourite of their albums, from beginning to end.

Standout track: “This is a low”

Categories
Tunes

Best tunes of 1990: #14 The Charlatans “The only one I know”

<< #15    |    #13 >>

I received a mixed tape from a friend back in high school, a tape that I mentioned ad nauseum on my old blog, Music Insanity, but one that bears mentioning again in these pages, because it introduced me to a number of bands back in the day, including one that would become one of my all-time favourites: The Charlatans. Known as The Charlatans UK here in North America, the group formed in 1989, “survived” the deaths of two band members and several changes in sound over the years, and have released 13 albums, including this year’s, “Different days”. Not bad for a band that was once referred to as the “also-rans” of Manchester (and later on, the “Britpop survivors”).

Indeed, at the time of “Some friendly”‘s release, the band were lumped in with the likes of Stone Roses and Happy Mondays, despite not being from the greater Manchester area at all. It was obviously more to do with their debut album’s musical proximity than the band’s geography. The album was heavy on the danceable bass and beats, acid house psychedelia, Tim Burgess’s lethargic vocals, and of course, Rob Collin’s monstrous organ work. The aforementioned mixed tape sampled heavily from “Some friendly” but surprisingly, nowhere in its contents was the album’s first single, “The only one I know”, so I didn’t hear it until I got my hands on the cassette tape of the album. And oh, when I did, there was plenty of rewinding and replaying required.

At the time, I saw it as completely new and inventive but I would learn much later that the song borrowed lyrics from The Byrds and an organ riff from Deep Purple. “The only one I know” went on to be The Charlatans’ first top ten single in the UK and hit number 5 on the US Modern Rock charts. Today, it remains one of the band’s best-known songs.

It certainly displays the early incarnation of the band firing on all five proverbial cylinders. The screaming high end on guitars and Martin Blunt’s thumping bass line, simply provide an extra large canvas for Rob Collins to paint his whirling Hammond splatters. And then… and then, there’s Jon Brookes’ mad shuffling drum beat that almost begs you to take up the maracas, à la Bez, and dance like a looney fool. Even today, I feel out of breath just listening to it and remembering all the times, all the drunken nights, I danced to this particular track, mouthing along to what I imagined were the lyrics to “The only one I know”.

Such a great song.

For the rest of the Best tunes of 1990 list, click here.