Tag: 2000s

Tunes

100 best covers: #40 Iron And Wine “Such great heights”

Post author By jprobichaud
Post date June 28, 2024
2 Comments on 100 best covers: #40 Iron And Wine “Such great heights”

Back in May, I travelled down to Toronto to see a concert for which I had purchased tickets almost six months beforehand. The show in question was certainly worth all the pre-planning and the additional travel: one of the few stops on the tour by Death Cab for Cutie and The Postal Service celebrating the 20th (er… 21st) anniversary of these bands’ landmark 2003 albums, “Transatlanticism” and “Give up”. It was double duty for Ben Gibbard, frontman of both acts, as he performed two sets on the evening, both feted albums from beginning to end, before coming back to perform a two-song encore, the first song* of which was “Such great heights” (again), which Gibbard introduced as a cover of an Iron And Wine song.

Gibbard was joking, of course, but there was a kernel of truth in there somewhere as well.

When “Such great heights” was launched as the first single from “Give up”, it was released as a four song EP, including covers of two of the album’s songs by two of The Postal Service’s Sub Pop label mates**. The Iron And Wine cover was very nearly as popular as the original, both versions coming to the public’s consciousness at around the same time, and the fact that the pair were very different in sound and style but equally catchy probably helped record sales for both artists. The cover was featured on the “Garden State” soundtrack, a massive vehicle for certain indie artists at that time, and the two versions appeared in multiple TV advertising campaigns.

The Postal Service’s original is a digital beast. The upbeat chiming synths and frenetic rhythm reflect the almost blinding optimism and exuberant subject matter of love and hope, a rarity in Gibbard’s early songwriting. Played back to back, the Iron And Wine cover is still nearly unrecognizable as the same composition. It has a tempo slowed down a hundred million times and is austere in its acoustic guitar finger picking and Sam Beam’s soft and wistful delivery. The production, too, is like a 180, sounding ancient, rather than futuristic, analog versus digital. You can almost hear imagined vinyl crackling overlaying the audible breaths between lines and the tactile feel of the calloused fingertips on the strings.

Both versions are swoon worthy, each a work of beauty in their own right. I couldn’t possibly choose one over the other, unless the mood dictated a certain aesthetic on a given day. Of course, it would be the opposite on the next.

I call this one a draw.

Cover:

Original:

*The second one being an actual cover of Depeche Mode’s “Enjoy the silence”!

**The other was The Shins’ cover of “We will become silhouettes”.

For the rest of the 100 best covers list, click here.

Tags 2000s, Alternative, Ben Gibbard, Best tunes, Cover, Covers, Indie, Indie folk, Indie Pop, Iron And Wine, Jimmy Tamborello, Sam Beam, The Postal Service

Vinyl

Vinyl love: The Strokes “Is this it”

Post author By jprobichaud
Post date April 14, 2024
2 Comments on Vinyl love: The Strokes “Is this it”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Strokes
Album Title: Is this it
Year released: 2001
Year reissued: 2024
Details: Original cover, transparent red vinyl

The skinny: Here’s my most recent vinyl purchase, having just received it in the mail a few weeks ago. The Strokes’ debut album “Is this it” has been on my wishlist for a while but every time I saw a copy in stores, I already had something else in my hands. And of course, it always seemed to be the US version of the cover, which I did not want. The album probably up there with some of the best debuts ever, certainly ranking amongst those released in the 2000s. I distinctly remember that there was a lot of excitement with its release, breathing new life into American indie with its blistering take on garage rock. I wasn’t as enthused with the albums that came after, however, with the exception of The Strokes’ most recent release, but I never lost the love for “Is this it”. So when I caught the news of its reissue on transparent red vinyl with the international cover art, I didn’t second guess – I put in the order.

Standout track: “Last nite”

Tags 12", 2000s, 2001, Alternative, American rock, Coloured vinyl, Garage rock, Indie, Indie rock, Red Translucent, Reissue, The Strokes

Tunes

Best tunes of 2003: #13 Snow Patrol “Spitting games”

Post author By jprobichaud
Post date March 13, 2024
2 Comments on Best tunes of 2003: #13 Snow Patrol “Spitting games”

<< #14 | #12 >>

Snow Patrol got started in Dundee, Scotland way back in 1994 when Gary Lightbody formed a band with university friends Mark McClelland and Michael Morrison. Of course, they went through a few name changes and struggled mightily before settling on the moniker we now know and signing to indie label Jeepster, original home to another Scottish indie band we love*. Unfortunately, the struggles didn’t end there, seeing an almost complete turnover in personnel and middling sales and critical reception of their first two records. They were dropped by Jeepster in 2001 but it turned out to be the best thing to happen to them, because they were signed to Fiction less than two years later and sent to the studio to record their major label debut.

“Final straw”, Snow Patrol’s third record, was where I came in. I don’t remember now exactly how I heard about the group or the record, but I definitely remember that it was never a grower. I was hooked to the sound of the album right away. I bought the album on CD**, something I wasn’t doing a lot of at the time, given my lack of disposable income. And when I went back to sample the music of the previous two albums, I didn’t find them nearly as compelling. So something truly clicked here.

“It’s not as if I need the extra weight
Confused enough by life so thanks a lot”

“Spitting games” was the first of five singles to be released off the record. It was and still is my favourite of the bunch. At just shy of four minutes, it is one of the longer tracks, especially on the first side but it is no less driving, nor hard-hitting for all that. It is brash and breathless, starting off all guns ablaze, a punishing drum beat and raging guitars, and it never really lets up. The verses all have the same energy as the non-chorus, where Lightbody just lends his voice to a raging wordless melody. It all leads to the feeling of nervousness and anxiety of someone that has feelings that he doesn’t know what to do with, the confusion of youth and the uncertainties of love.

“Spitting games” is a track, much like the rest of the album, that is raw and passionate and hints at the success that the band will find a few years later.