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Best tunes of 2003: #18 Blur “Out of time”

<< #19    |    #17 >>

Blur’s seventh full-length album, “Think tank”, was their first in a large mittful that I didn’t rush out to purchase upon release. I had been a rabid fan for over a decade by this point and loved everything they did but as I think I’ve mentioned elsewhere in this Best tunes of 2003 series, I didn’t have a lot of disposable funding in the early 2000s and was forced to be excessively discerning in my CD purchases. And though I became familiar with some of its songs*, I didn’t really give the album a good listen until a decade or so later when I purchased it as part of the “21” vinyl box set and really got an understanding for how much I had previously underestimated its value.

Still, it’s a bit of an outlier in their catalogue, being the only album to which founding guitarist Graham Coxon didn’t contribute as a full-time member, only appearing on its final track. He left the group very early on in the recording sessions, after they had started them without him while he recovered in rehab and then, found himself not on the same wavelength as his bandmates**. And while it’s not quite as out there and as experimental as their previous output, “13”, it’s not exactly the accessible pop record that Damon Albarn had promised beforehand. Without Coxon’s influence, “Think tank” really reflects Albarn’s ever changing interests, less focus on guitar and an increased synthetic palette, and of course, it’s painted with a big world music brush.

“Out of time”, just as an example, features an Andalucian string group, a benefit of their having recorded a large part of the album in Marrakesh, Morocco. These strings come in during the latter part of the song, after the rhythm section of Dave Rowntree and Alex James have set the scene with the subdued drum beat and lackadaisical bassline. All the while, Albarn is crooning along to vaguely unintelligible sounds, like he’s performing with an orchestra of ghosts.

“And you’ve been so busy lately
That you haven’t found the time
To open up your mind
And watch the world spinning
Gently out of time“

He is addressing someone, or perhaps a gaggle of someones, who is completely removed from everything else going on in the world and that perhaps that someone is partially and inadvertently contributing to everything that is going on. When the orchestra (of ghosts or of Moroccan musicians) kicks in to gear, it’s like the rest of us should be joining in and rising up together.

*Including this one

**Coxon has, of course, since participated in all of the group’s reunion activities, including the surprise/surprising eighth album, 2015’s “The magic whip”.

For the rest of the Best tunes of 2003 list, click here.

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Best tunes of 2003: #19 The Clientele “Porcelain”

<< #20    |    #18 >>

London-based indie pop band The Clientele have appeared on these pages a few times already. A couple of their albums have appeared high up on the Best Albums lists for the years in which they were released (see here and here) and in their first appearance with “Rain” off their debut release in 2000, I talked a little bit about my introduction with the band. This came in 2003 with the release of their sophomore album and first proper studio album*, “The violet hour”.

I remember being in constant discussion with Jez, my friend and colleague at the time, about the bands we were discovering during our shared favourite post-work activity: trawling the Internet for new and exciting bands. I’m not sure which of us happened upon this particular album first but we were both enamoured with it right off the bat and I’m sure that our other colleagues must have tired of us raving about it. It almost became a running joke to bring them up at least once a conversation.

I’ve been following the group ever since, through the various lineup changes and hiatuses, and though each of their albums have been special, “The violet hour” is still my favourite. It is a collection of tracks that sounded like nothing else at the time and at the same time hinted at music from a bygone era. Track eight was this mellow but peppy number called “Porcelain”. It shared the feel and environment of the rest of the whole, like dewdrops glistening in the bright morning sunlight and gauzy curtains billowing in the warm summer wind. Like the echo of a half-remembered dream. MacLean whispers and croons his la-la-las and the guitars and drums and even that wicked bass line that pops its head in for munchies, they’re all sopping wet with reverb. And the words are not a narrative as much as they are an oil painting.

“Sunlight on the empty house and sunlight on the fields
The cul-de-sac, the law, the tracks, the lane
But the world is porcelain
Yes, the world is porcelain”

Incidentally, “The violet hour” is the only one of The Clientele’s albums that I still don’t have a copy of on my vinyl shelves but this is only because it hasn’t yet been reissued. I was beginning to think I’d never have a copy because I’d heard that the master recordings were lost but I am pretty sure that frontman Alasdair MacLean has since announced that they were found. So far there’s been no reissues announced but perhaps this year for it’s 20th anniversary? One can hope.

*Given that “Suburban light” was more of a compilation of early singles and b-sides, much like Lush’s “Gala” ten or so years earlier.

For the rest of the Best tunes of 2003 list, click here.

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Best tunes of 2003: #20 South “Loosen your hold”

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This will be a short but sweet post for this happy Friday because South’s “Loosen your hold” is a rare example of a song that I truly loved but never managed to discover much about its creators.

All I really know about South are facts that I’ve gleaned from Wikipedia. That Joel Cadbury, Brett Shaw, and Jamie McDonald formed the group in London back in 1998, each were multi-instrumentalists and that apart from Cadbury’s lead vocals, the group shared the work of creating the other sounds amongst themselves. They’ve released five studio albums in total, the most recent being last year’s “From here on out”, but the only one I’m really familiar with their sophomore record, 2003’s “With the tides”.

I’d heard about the song “Loosen your hold” and heard the group compared to Travis, Coldplay, Doves, and Elbow, all groups that were, at that time, filling the British musical void left by the mighty tumble from grace of 90s Britpop. The song certainly fit the mould for me and persuaded me to check out the rest of the album. Ghostly harmonies hover over a banjo and a harpsichord playing hopscotch, and it’s all glued together with thick and sinewy synths.

“So loosen your hold
Though you might be frightened
Release or be caught
If this be the right thing”

It might not save the world but it’ll likely bring a smile to your face.

For the rest of the Best tunes of 2003 list, click here.