Categories
Tunes

Best tunes of 2003: #30 The Coral “Liezah”

#29 >>

This new list counting down my favourite thirty tunes of 2003 starts off with “Liezah”, a non-single to which I was partial from The Coral’s sophomore album, “Magic and medicine”.

I remember becoming super enamoured with the zaniness of these youngsters’ self-titled debut, especially the infectious hit single, “Dreaming of you”, which appeared at number three on my list for 2002. That album was free-wheeling and full of exuberance and definitely sounded like it had creativity and energy to spare. So it didn’t come as a surprise to me when I heard news of a follow up so soon after I discovered them. In fact, the band members first headed to the studio to work on their sophomore album a mere three months after the debut was released. The sessions were split into a few chunks and were wrapped up in the spring of 2003.

“Magc and medicine” was released on “The Coral”’s first year anniversary, give or take a day, and the difference between the two is remarkable. It’s definitely more polished and tame, something that might not seem like a good thing to all. Where the debut was a melange of everything that made psychedelia great, the scope of the sophomore was more narrow, focused on a bluesier psych-rock in the vein of The Animals. I still enjoyed much of the music and show of musicianship but the lustre was dimmed for me.

Track number three was the exception to all this for me. “Liezah” was even more toned down and scaled back than the rest of the record and yet it somehow managed to share the spark that I saw in “Dreaming of you”. It’s got a bopping baseline that can only come from an upright bass. It’s got a ticky tacky brushing on the high hat and the snare. It’s got a finger picking noodle that sounds timeless and idyllic and breezy. It’s got a restrained vocal turn by James Skelly, showing a gentleness and wistfulness not seen before.

“And every time I think of Liezah
I break down and I start crying
Although she tore me apart
There’s still a place for that girl in my heart”

It’s a song of heartbreak and heartache and bittersweet memory. And yet, “Liezah” never fails to bring a smile and get my toes a-tapping whenever I hear it.

For the rest of the Best tunes of 2003 list, click here.

Categories
Vinyl

Vinyl love: Secret Machines “Awake in the brain chamber”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Secret Machines
Album Title: Awake in the brain chamber
Year released: 2020
Details: Black vinyl, 180 gram

The skinny: Much like last week, this week’s Vinyl love post is one of my favourite albums from 2020. However, unlike “The view from halfway down”, which I came across too late for it to officially make my end of the year list, Secret Machines’ fourth long player “Awake in the brain chamber” did not escape my notice and easily found its way to the number five spot on said list. Released more than a decade after their last record and almost as much time since the untimely death of one of the band’s founding members, it was the polar opposite of a disappointing return. It had all the hallmarks of the band’s big and epic sounding first two records but scaled back into manageable serving sizes. Of course, I was going to procure a copy of this for my vinyl collection. It didn’t matter that it was a bare bones release (as is evidenced by the few photos above). It was a heavyweight, 180 gram disc and had impeccable sound.

Standout track: “Everything’s under”

Categories
Tunes

Best tunes of 2012: #28 Dr. Dog “These days”


<< #29    |    #27 >>

Dr. Dog was formed by Toby Leaman and Scott McMicken in Philadelphia, Pennsylvania in 1999. They’ve had a number of different members come in and out of their midst and have released ten albums and a handful of EPs over the past couple of decades, but have never really managed to crack mass culture consciousness. Indeed, they might have never even managed to catch my own attention had it not been for fellow blogger, John Hubner over at Complex Distractions. I’m 100% certain I first read about these guys when he wrote about Dr. Dog’s sixth, “Be the void”, the album on which this song can be heard, on a previous iteration of Mr. Hubner’s very excellent blog.

The band name was what first caught my attention. (Much like every person I’ve mentioned them to since, my own first words upon reading their name was: “What a great band name”.) But it was Hubner’s description of their psych rock sound that had me searching them out. “Be the void” was on regular rotation for me after that first meeting in 2012 and I recommended them to my good friend Andrew Rodriguez, who also enjoyed their carefree sound. And now, every time their name comes up, which is pretty much every time I see him, Rodriguez tells the story of how he met some guy wearing a Dr. Dog toque at an Oh Sees show. Funny, the stuff that sticks with us.

Track three on “Be the void” is this two and three-quarter minute ditty that shakes with the shakers and whose frenetic guitars match the piano madness and heavy drum pacing. It feels not a little bit like the energy of an early Strokes barnburner, but there’s less anger here and more laissez-faire attitude. Indeed, it’s easy-going psych rock with an über-peppy pop tone, just plain fun all around. And as John Hubner said in his aforementioned post back in 2012: “If you don’t like Dr. Dog, check to make sure you have a pulse.”

For the rest of the Best tunes of 2012 list, click here.