Best tunes of 1992: #6 Spiritualized “Run”

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Did you ever discover a band in their very early days with one particular song, a song that you loved so much but then never really managed to find out anything out about them until much later? And by much later, I really mean just a handful of years later when this same band has released an album so mind-blowing that they are instantly a favourite band. And did you then think to yourself “I’m sure I know this band” and go back in your mixed tapes and rediscover that ‘one’ song all over again?

If your answer is ‘no’, you might be too young to remember a time before the internet and Google and Wikipedia, when the discovery of music came by chance, close friends, and hours of listening to alternative and college radio, while poring over music mags and fanzines.

If your answer is ‘yes’, I’ll happily say: “Me too”. Perhaps a few times over.

Two examples of this phenomenon that I always have readily available is (The) Verve and their early single “Slide away” and of course, Spiritualized with “Run”. It wasn’t until 1997 that I really ‘discovered’ both of these bands. Spiritualized’s “Ladies and gentlemen, we are floating in space” was my favourite album that year (“Urban hymns” was very, very close second) and it only took a bit of pre-internet research for me to discover that it was their third record. The hunt for the two previous ones at the CD shops started immediately.

Spiritualized was formed from the ashes of Spaceman 3 when Jason “Spaceman” Pierce acrimoniously split with the other creative force of that band, Pete “Sonic Boom” Kember. The first iteration of Spiritualized was basically Spaceman 3 without Kember but with a few replacements, most notably, Pierce’s then girlfriend, Kate Radley, a distinct band began to rise out of the ether. The sound of their first releases also didn’t stray too far from the tried and true Spaceman 3 sound. Pierce would really hit his stride with that aforementioned 1997 album but their first two albums are very excellent as well.

“Run” was originally released as a single in 1991 but was included on their debut album, “Lazer guided melodies”, the following year and was when I first heard it. The album’s twelve songs are presented as four colour-coded suites and “Run” leads off the ‘Green’ suite, which appeared on the second side of the first disc. Part of the songwriting credits are attributed to J.J. Cale and there’s more than just a subtle wink and hesitant nod to The Velvet Underground here. You know the track I mean. Listening to it, “Run” has got a bass line that rumbles and thumps down, down, down into the depths of your heart. The drums just don’t quit, a droning dream, a brilliant epiphany, loops of ecstasy and rip-roaring guitars. It sounds like a high from which no one should tumble. Yeah. This is how addictions get started. Check it out.

For the rest of the Best tunes of 1992 list, click here.

100 best covers: #65 Asobi Seksu “Then he kissed me”

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Asobi Seksu. The name may not ring any bells for you, which is a big shame. In a perfect world, it would have done. However, it was not to be.

Asobi Seksu was a New York-based band that had a rather fluid membership over the years, the only constants being the glue that held everything together: vocalist Yuki Chikudate and guitarist James Hanna. For me, this band was among the best and brightest that started the new shoegaze revival in the early 2000s, a revival that feels like it has gone on much longer than the original scene. I got into these guys back in 2006 with their wonderful sophomore release “Citrus”, falling in love with their Lush and MBV vibes, and voraciously consumed everything they produced thereafter. Unfortunately, they announced an indefinite hiatus back in 2013, a word they’ve kept, except for a one-off appearance opening for Slowdive in Boston in 2014 at that iconic band’s request. But who could say no to Slowdive, really?

Asobi Seksu released this apt cover of The Crystals’ 1963 hit song as a B-side for their non-album single “Stay awake” in 2007. Given my relatively limited exposure to the original, I think the cover is at least faithful to the spirit of Phil Spector’s production, albeit with perhaps thicker and fuzzier walls of sound and of course, Chikudate’s chiming vocals replacing the original R&B harmonies.

At a mere two minutes, though, this cover is like that oft-elusive and all-too-brief first kiss. Strange, timid, and awkward, but fully imbued with passion and sexual energy, and yes, questions of love. You’ve all been there. You know what I mean. The taste is more-ish, fleeting, just whetting the appetite for a bigger feast.

I’m not even going to ask the question because I don’t care about the answer. I’m going with the cover here. Repeat after me: Asobi Seksu. You’re welcome.

Cover:

The original:

For the rest of the 100 best covers list, click here.

Best albums of 1989: #4 Pixies “Doolittle”

Here’s another album that originally came to me via my friend Tim. I feel like his name has come up quite a bit over the past few weeks. I sure hope he’s not reading all these posts lest it go to his head.

When I did my favourite albums of 1988 last year, Pixies’ debut long player, “Surfer rosa”, was at the number four spot on that list. And I wrote then how “Doolittle” was the first album by the band to which I was exposed. After Tim broke my will, I let him make me a copy to cassette but it wasn’t long before I bought a used copy on CD for myself. This sophomore album by the quartet from Boston is definitely my favourite by the band and on any other year, it might’ve been a bit higher up on the list. However, as I hinted a few weeks ago and as you’ll see over the next few weeks, 1989 was a loaded year, much like “Doolittle” is a Pixies album loaded with many of their biggest ‘hits’. Indeed, when I saw them in 2011, they were performing “Doolittle” in full, as well as the B-sides from the era, and that show played like a greatest hits set.

Pixies entered the studio at the end of 1988 to record their sophomore record armed with four times the budget that they had the previous time out and also with a different producer. Though the star of “Surfer rosa” was its raw sound and innovative production work by Steve Albini, the head of 4AD pushed Gil Norton on the band for the next one and the result was definitely cleaner and slicker with a greater emphasis on Pixies’ songs. Frank Black has said of the album that there was a battle at play, between the push towards a more mainstream sound and the band pulling back in attempt to keep their aesthetic intact. There are song pop songs here but there is also some racket.

“Doolittle” cracked the UK album charts from the start but only made a small dent in their native country, and this on the back of a couple singles getting airplay on alternative radio. However, it has consistently sold well over the years, eventually hitting platinum status stateside, and is probably their best known album internationally. There’s so much to like here but my three picks below are likely still my favourites on the album.


”Monkey gone to heaven”: The first single to be released off the album was also accompanied by the Pixies’ first ever music video. Lots of firsts here because it was also the first recording on which appeared additional musicians. Yes, Pixies’ three minute ditty about environmentalism was bolstered by a string quartet. Not that they were used in the traditional, symphonic sense, of course. Instead, they added an oomph to Kim Deal’s already muscle-bound bassline and Lovering’s pounding on the drums. Deal also adds harmonies to Frank Black’s crooning and screeching, lyrics he must have had a blast writing, and that crowds to this day, have a blast screaming along to: “The devil is six, the devil is six and if the devil is six. Then God is seven , then God is seven, then God is seven. This monkey’s gone to Heaven.”

”Debaser”: This track was never released as a single off “Doolittle”. That wrong was righted just shy of a decade later when it received a special release to promote the “Death to the Pixies” compilation. A lyric from the track was used to name the well-established 80s alternative and college radio blog/website “Slicing up eyeballs”. The song also inspired the creation of a little music festival called Lollapalooza when its original organizers witnessed 40,000 frenzied screaming the “Debaser” refrain along with Frank Black at the Reading festival in 1990. A more incendiary opening track you will never hear. From the Kim Deal’s rumbling bass line to Santiago’s screaming guitars and Black screeching nonsense about a Luis Buñuel film, which in itself was nonsensical. It all adds up to three minutes of madness and pure joy.

”Here comes your man”: “Outside there’s a box car waiting, outside the family stew, out by the fire breathing, outside we wait ’til face turns blue.” Now here’s a song where producer Gil Norton might’ve gotten the upper hand because this is as close to a pop song as the Pixies ever got. It’s no wonder it got released as “Doolittle”’s second single. Save for the discordant strum that kicks off the song, “Here comes your man” is pretty much blissful jangle pop, peppy drumming, fun little back climbing bass line, and Frank Black and Kim Deal both singing sunshine. And to be perfectly honest, this little gem was my gateway into the Pixies, falling in love with it immediately, the rest fell into place later. I can’t possibly count the number times I freaked out to this on the dancefloor. I’m pretty sure DJ Stephen Rigby played it every Thursday night at The Underground, the main campus pub I frequented while at York University, and every time it came on, there was group of friends I would always find at the centre of the crowd and we would jump around for its entirety.


Check back next Monday for album #3. In the meantime, here are the previous albums in this list:

10. The Jesus And Mary Chain “Automatic”
9. Galaxie 500 “On fire”
8. The Beautiful South  “Welcome to The Beautiful South”
7. The Grapes of Wrath “Now and again”
6. New Model Army “Thunder and consolation”
5. The Wonder Stuff “Hup”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.