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Best tunes of 2003: #26 Black Box Recorder “Andrew Ridgeley”

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Black Box Recorder was formed in 1998 when Luke Haines, who had found previous success with his Britpop-era band The Auteurs, formed a duo with former Jesus and Mary Chain drummer John Moore and the two of them approached Sarah Nixey to provide vocals. I myself didn’t get into the synth-based, indie pop trio right away. In fact, it was my friend Tim that suggested I give their 2003 album, “Passionoia”, a go, likening their sound to that of Saint Etienne but with the dark lyrical content of The Auteurs. Tim was dead on and of course, I loved the album right off. Unfortunately, like most of Haines’s projects around that time, the project was short-lived, and “Passionoia” ended up being the group’s third and final album.

Track seven on said album was a fun number called “Andrew Ridgeley”. That’s right. That Andrew Ridgeley.

“I never liked George Michael much
Although they say he was the talented one”

A portrait of the artist as young music fan is turned on its head in Haines’s hands. He writes a fictional version of singer Sarah Nixey’s youth, who dutifully reads her lines in that fabulous sing/speak thing she does. A lovelorn teen who buys her first record because of the lesser known half of Wham!, and then discovers the reason why you should never meet your heroes. Randy Andy tumbles down from the sparkling clouds in her eyes when she spies him many years later and she realizes he is only human.

“I was brought up to the sound of the synthesizer
I learned to dance to the beat of electronic drums
I came alive to the smouldering fire in your eyes
I love you now and I will til the day that I die”

Musically, “Andrew Ridgeley” is a synth pop suite in three movements: the tentative and twinkling verses, the picked up and thunderous dance floor choruses, and finally, the breathy and joyful puffed up clouds. If only all pop music was this smart.

For the rest of the Best tunes of 2003 list, click here.

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Best tunes of 2003: #27 José González “Crosses”

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Much like most people, I came across Swedish singer/songwriter, José González’s debut material two years after it was originally recorded and released. This is because it was two years before “Veneer” saw the light of day outside of his home country.

Gonzàlez was in the middle of completing his PhD in biochemistry when, after years of performing in various bands, his solo work caught the ear of Joakim Gävert and he was signed as the first artist to Gävert’s new record label. The PhD was dropped in favour of a focus on music and a 7” single was soon followed by the aforementioned debut long player. He has since released three more solo albums and two albums as part of the indie rock band Junip.

“Crosses” was the second single to be released off of “Veneer” and was my own gateway to Gonzalez’s indie folk sound. I remember first seeing the video late one Friday night on MuchMusic’s The Wedge and finding it perfect for that time and place, went searching it out online. I was happy to find that the song is indicative of the rest of the album’s sound, mellow and intense and austere, just Gonzàlez and his acoustic guitar. But “Crosses” is particularly haunting and harrowing, contrasting the menacing and violent plucking against gentle fingertip brushing styles at different and key points. Meanwhile, González leans into the mike, singing to himself about the crosses we are all carrying, as if reassuring himself that his own sadness will be short-lived and that the sun will return eventually.

In 2006, Gonzàlez was enlisted by English electronica duo, Zero 7, to provide vocals to a number of tracks on their third studio album, “The garden”. One of these is a remake of “Crosses”, a longer and more drawn out piece that builds to a fulfilling climax. It is the high point on that particular release for me but it’s still not quite as beautiful as the original. Sometimes quieter just creates the right mood.

“Disturbing silence darkens your sight
We’ll cast some light and you’ll be alright
We’ll cast some light and you’ll be alright for now”

And you almost believe him.

For the rest of the Best tunes of 2003 list, click here.

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Best tunes of 2003: #28 The Concretes “You can’t hurry love”

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The Concretes were originally formed in Stockholm, Sweden, way back in 1995. They started out as just a trio – Victoria Bergsman (vocalist), Maria Ericsson (guitars), and Lisa Milberg (drums) – but within three more years, their ranks had blossomed to eight full-time members. They released a handful of EPs in their early years, and released a compilation that collected the first two of these for easier consumption, but their full-length debut didn’t come about until eight years into their existence on the scene.

“The Concretes”, however, wasn’t my introduction to this Swedish indie pop collective. I didn’t actually hear their music until they released their sophomore album, “In colour”, in North America in 2006 and by that time, Bergsman, the group’s principal lyricist, was already on her way out. I loved the album and for me, her frail and precious delivery and how it felt just this side out of step with the band’s technicolour sound, was what really sold me on the group. So I didn’t really pay that much attention when they resurfaced the following year with a new album with Milberg stepping out from behind the drum kit to take up the mic. I did, however, go back and pick up the debut and found much to love there as well.

The first single to be released off the debut record was “You can’t hurry love”, a two minute wonder that is definitely not a Supremes cover. Instead, it calls to mind the girl groups from the Phil Spector school: JAMC guitars, horns, handclaps, shuffling drums, and woo woo woo woo backing vocals. It’s a party turned up to eleven, a howling at the sun, a whole fireworks show set off at once, and a running of the bulls at rush hour. And at the head of it all, Bergsman is ‘racing’ to the finish line at her own pace.

“Boy
Do you hear me say
Do you hear me say now
Love
Ain’t far
Well I didn’t mind
I didn’t mind
I didn’t mind
You can’t hurry love
You can’t hurry love”

Those are the words, repeated twice through, and the refrain comes again, just in case you didn’t get it the first time. Pop perfection.

For the rest of the Best tunes of 2003 list, click here.