Tag: American indie

Tunes

Best tunes of 2003: #5 Death Cab For Cutie “The sound of settling”

Post author By jprobichaud
Post date February 5, 2026
2 Comments on Best tunes of 2003: #5 Death Cab For Cutie “The sound of settling”

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“Bop-baaah… bop-baaah! This is the sound of settling!”

Yes. “The sound of settling”. This was my first of many favourite songs by Bellingham, Washington’s Death Cab for Cutie.

As I wrote back in August in relation to the number 10 song on this list, it was the many promotional posters, wallpaper style, in the windows of a local independent record store, The Record Runner, hundreds of blackbirds tangled in red yarn, that first piqued my interest in the band and their fourth album, “Transatlanticism“. I wasn’t immediately sold on their sound on first listen but there were a couple of tracks that did grab me right away, this one included, and those sustained me, drawing me back for repeat listens. Eventually, I picked up on the melancholic joy that “Transatlanticism” was laying down and the rest was history.

The band originally formed back in 1997, releasing three albums prior to “Transatlanticism” but those I could never really get into. Founding members Ben Gibbard, Chris Walla, and Nick Harmer found structure with their fourth drummer Jason McGerr in 2003 and this lineup remained a constant through their jump to the majors with their fifth album, 2005’s “Plans”, up until lead guitarist Walla departed the group in 2014. Without him, Death Cab has soldiered on, replacing him with a pair of guitarist/keyboardists, releasing three more albums and they remain active.

“Our youth is fleeting
Old age is just around the bend
And I can’t wait to go gray
And I’ll sit and wonder
Of every love that could have been
If I’d only thought of something charming to say”

But back to “The sound of settling”. The album’s second single was famously disliked at first by Gibbard because it was so upbeat but it had a big supporter in Walla, who was also producing the album. I’m so glad he won out*. The song is unbelievably catchy and immediately replayable. It’s got a driving beat that lasts the whole two minutes that is tailor-made for a mid-tempo pogo. It’s got the hand claps, the bopping baseline and Ben Gibbard’s unique voice and take on the dangers of searching for love, the anxiety, the fear that it might not be returned, and on the other side of the coin, the risks of not taking those risks. And yeah, those inescapable “bop-baaahs”!

Pure indie pop goodness.

*And I’m sure Ben and the rest of the band were also glad in the end given how universally loved it is.

For the rest of the Best tunes of 2003 list, click here.

Tags 2000s, 2003, Alternative, American indie, Ben Gibbard, Best tunes, Chris Walla, Death Cab For Cutie, Indie, Indie rock

Tunes

Best tunes of 2003: #11 The Decemberists “Los Angeles, I’m yours”

Post author By jprobichaud
Post date April 14, 2025
2 Comments on Best tunes of 2003: #11 The Decemberists “Los Angeles, I’m yours”

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I’ve spilled plenty of virtual ink already on the Portland, Oregon based indie-folk quintet led by Colin Meloy. However, the band keeps coming up on these lists of mine because I love them so much, so I might as well spill a little bit more.

“Los Angeles, I’m yours” is a track off The Decemberists’ second album, “Her majesty The Decemberists”. As I’ve already shared, I first heard this album, along with the debut, a year after its release and promptly fell for the literate tales* that frontman Colin Meloy spins into his globalized and folkloric indie rock. Apparently, he wrote this track after his band’s first visit to the great metropolis on the west coast and found that he hated it. The song is a hilarious number where he pokes fun at its denizens and their collective fashion sense**, the sights and the smells, and likens the entirety of it all to vomit from the Pacific Ocean.

“It’s streets and boulevards
Orphans and oligarchs are here
A plaintive melody
Truncated symphony
An ocean’s garbled vomit on the shore”

In true Decemberists fashion, though, the song is not a straight-ahead diss track. The music tells a completely different story, giving the feel of an answer to Sinatra’s “New York, New York”. The melody is at times joyful and wistful but always upbeat. There’s an aggressive strum on the acoustic that sets the mark and the tone. There’s strings. There’s a harmonica. You can almost hear birds chirping at one point… but maybe that would be too much.

As a post script to this entire thing, it’s worth noting Meloy’s story about the first time The Decemberists played this song live in LA after it was released into the world. He had been half expecting to be pelted by tomatoes by the crowd. Instead, the crowd all happily sang along, loudly and proudly, and this changed Mr. Meloy’s mind about the city and its people.

Happy endings all around.

*It was no big surprise to me when Meloy started publishing works of fiction, all of which are great. I just finished “The stars did wander darkling”.

**The women with their underwear straps showing about the waist of their pants and the men with their pants hanging off of them, well below their bottoms.

For the rest of the Best tunes of 2003 list, click here.

Tags 2000s, 2003, Alternative, American indie, Best tunes, Colin Meloy, Indie, Indie folk, The Decemberists

Vinyl

Vinyl love: The Airborne Toxic Event “The Airborne Toxic Event”

Post author By jprobichaud
Post date February 19, 2024
1 Comment on Vinyl love: The Airborne Toxic Event “The Airborne Toxic Event”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Airborne Toxic Event
Album Title: The Airborne Toxic Event
Year released: 2008
Year reissued: 2020
Details: Limited edition, 180 gram, white with red splatter, signed by some of the band members

The skinny: I’ve been back collecting vinyl for well over a decade now and have quite a few great pieces in my ever-expanding collection, as you might have noticed by these very posts. And though I do try to spin them quite regularly, what I have found that I don’t do enough of is what my wife might call listening to them “with intention”. So I started changing that this year. Instead of putting on discs while doing something else, I’ve been focusing on devoting time to just listening to the full album, examining the artwork, and reading the lyrics and liner notes. In fact, I started this routine back during the second week of the year, working my way through my collection, from A to Z, a couple of days a week and documenting each with photos on my Instagram* account. The first couple were Adorable’s “Against perfection” (for which I’ve already done a ‘Vinyl love’ post) and this one, The Airborne Toxic Event’s self-titled debut. I was all over this album when it was originally released back in 2008, mostly on the back of the excellent track referenced below, and then, I got to see them live at V fest that fall. I’ve seen them live a few more times since and enjoyed their following records as well, but never quite as much as I did the debut. So when they announced a reissue in late 2020, pressed to coloured 180 gram vinyl and signed to boot, I was all over it.

Standout track: “Sometime around midnight”