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Tunes

Best tunes of 2003: #16 The White Stripes “Girl, you have no faith in medicine”

<< #17    |    #15 >>

I first came across The White Stripes with their third album, 2001’s “White blood cells”. The primary single from that album, “Fell in love with a girl”, came in at number three on my Best tunes list for that year. And I wrote in that very post about their blues-influenced garage rock and their contribution to the early 2000s indie rock resurgence.

For an encore, Jack and Meg White put together what is arguably their best album, critically and commercially, as a group. Recorded in two weeks in the spring of 2002, purportedly without the help of any technology newer than the early 1960s, “Elephant”, their fourth, found favour with a lot of people, placed the group in the hearts and minds of everyone, each player recognized for their instrumental prowess and the album on many best of the year, decade, and century lists. Personally, I found it delightful from many angles, my favourite track a moving target from day to day while I was initially discovering it, finding in it much to pick apart and unpack. In the end, though, it wasn’t their two big tracks “The hardest button to button” or “Seven nation army”*, nor the Burt Bacharach/Dusty Springfield cover “I just don’t know what to do with myself”** but the penultimate track on the album, “Girl, you have no faith in medicine”, that got me going every time.

Interestingly, this track was recorded for and was supposed to appear on “White blood cells”. Meg wasn’t a fan of it, however, so it was pulled and shelved until Jack lobbied hard for it a couple of year later. A lyric that Meg really took offence to was pulled and the track was re-recorded for “Elephant”. Jack being Jack, he used to tease Meg with it when they played it live and changed the lyrics to ‘Meg, you have no faith in medicine’. I don’t know and really don’t want to investigate what the offending lyric was because if Meg thought it misogynistic, I don’t want it to ruin the song for me.

Indeed, the words in this song have always little import for me. Some have talked about its placebo references and linked it to relationships and others have marvelled how White managed to string the word ‘Acetaminophen’ into the lyrics. I just think the song rocks, and that, in an album full of bangers. Meg’s anger with the skins is palpable and Jack is unrelenting on the guitars. He howls and screams breathlessly and dares us all to keep up with him. Sometimes it’s just this energy that you need to feel and absorb and that will get you through.

*The latter of which is played every night in some stadium or arena somewhere on earth.

**Though it is quite fantastic also.

For the rest of the Best tunes of 2003 list, click here.

Categories
Live music galleries

Live music galleries: Ottawa Bluesfest 2019, day seven – Brandon “Taz” Nederauer, Shakey Graves

(Since I’ll be too busy attending Ottawa Bluesfest over the next week or so to continue with this blog’s regularly scheduled programming, I thought I would do a special ‘live galleries’ series this week to share some pics from some of the sets I am enjoying.)

Bluesville stage lineup

Artists: Brandon “Taz” Nederauer, Shakey Graves
When: July 11th, 2019
Where: Lebreton Flats Park, Ottawa
Some words: After taking another night off imposed by serious stomach issues (I’ll never know what that was), I was back at the festival last night. A massive wave of violent storm activity passed through the area right around the time the gates were due to open, delaying this for almost two hours and cancelling a whole swath of the early shows. This suited me just fine because I had planned from the beginning to head back home by bus, eat a home-cooked meal, and then drive back in to catch a couple sets.

On deck on the Bluesville stage tonight were some serious guitarists. I arrived with plenty of time to catch the first of them to take the stage for 7:30: teenage blues rock guitarist, Brandon “Taz” Nederauer. It wouldn’t necessarily be music I would listen to all the time but you have to hand it to a kid that picked up a guitar after watching the film “School of rock” and found out he had real talent.

The headliner and real reason I roused myself back down to the muddy festival grounds last night was the return to Bluesfest of Alejandro Rose-Garcia, aka Shakey Graves. I had seen him twice before already, but have recently discovered his latest album and the new direction for the Texas-born guitarist and roused my interest in him all over again. As for his show? Like always, the man was a performer and had the crowd with him the whole way.

Brandon ‘Taz’ Niederauer and his band
Matt Godfrey on guitar
Kendall Lentz on drums
Matt Fox on bass
Brandon Niederauer
Shakey Graves alone onstage
Shakey Graves and his band
Patrick O’Connor on guitar
Jon Shaw on bass
Shakey Graves with drummer Chris Boosahda in the background
Categories
Tunes

Best tunes of 2010: #9 The Black Keys “Tighten up”

<< #10    |    #8 >>

I don’t know if you’re superstitious or not. I’m not typically superstitious myself but I certainly believe in The Black Keys curse. Perhaps you’ve had a different experience and if so, please interject. Every time I (or any of my friends) have tried to catch The Black Keys at an outdoor venue, a festival or otherwise, it has rained like a sonofabitch. (And yes, that is the technical term.)

The first time I saw them was at Ottawa Bluesfest in 2011. I had queued up to get as close to the front as I could when the skies opened up. It came so quickly that I was soaked through almost instantly, as was my bag, so it was no use digging out my parka, nor running for cover. This storm was so violent that it, unbeknownst to organizers, likely weakened the integrity of the stage rigging so that when it stormed again the following week during Cheap Trick, the stage came right down. When The Black Keys finally hit the stage that night, it was only to do a shortened set, a fast and furious half hour that included almost no banter with the audience.

The following year, I was at Osheaga in Montreal and they were due to close out the Sunday night. It rained off and on all day but the rain gods were at their most furious during The Shins’ early evening set. It was enough to scare my wife and I and our friends, Jean-Pierre and Shannon, off for the night. Another Black Keys opportunity missed. (Incidentally, my friend Tim was at their show in Toronto the night before and it rained pretty heavily there as well.) I finally got to see a full Black Keys set in 2013, this time, again, at Ottawa Bluesfest. They were energetic and rocking and you guessed it, they were playing to a damp audience, most of whom were wearing rain ponchos or toting umbrellas.

“Tighten up”, or rather the music video for said song, was my first introduction to The Black Keys. I know that they had been slogging it out for years, nine to be exact, before their sixth album, “Brothers” hit the mainstream. The Akron-based duo had built quite the cult following with their raw, blues-infused garage rock but I had been pretty much oblivious to them. I saw the pretty hilarious video one morning on AUX TV, which I’ve mentioned before in these posts on my Best of 2010, and then, the next morning and the next. I wasn’t at all surprised to hear that the catchy number was produced by Brian Burton aka Danger Mouse. Pretty much everything this guy was touching around this time was turning to gold. And “Tighten up” really is pure gold.

Its playful beginning calls to mind a ‘whistle while you work’ type theme but quickly gives way to soul and angst, mostly on the back of Dan Auerbach’s Howlin’ Wolf vocal play. But his raunchy guitars and Patrick Carney’s musclebound drumming certainly don’t hurt matters. You actually wish you had your own drum kit in your living room to bash things out right along with Carney. It definitely sounds like he’s having a blast.

Yes, this is a song worth standing out in the pouring rain for. Enjoy.

For the rest of the Best tunes of 2010 list, click here.