Categories
Live music galleries

Live music galleries: Blonde Redhead [2015]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Blonde Redhead live at Glowfair 2015

Artist: Blonde Redhead
When: June 19th, 2015
Where: Glowfair Festival, Bank Street, Ottawa
Context: The Glowfair festival in Ottawa was launched by the Bank Street BIA in 2013, as means to bring some post-business hour life to the one of the city’s downtown strips. Admission to the festival was free and boasted ten city blocks of entertainment, including DJs, yoga, buskers, games and of course, live music. I didn’t attend any of the festivities until its third year and I finally did so mostly because I saw an unexpected name listed among the performers. New York City’s art rock trio, Blonde Redhead performing a live set for free in my hometown? How could I refuse? The deal was sweetened further when I was able to combine taking in the show with my annual visit to the city’s beloved Sparks Street Rib festival. So with a tummy full of pork and a good measure of craft beer imbibed, I wandered to the main stage to be blown away frontwoman Kazu Makino and the wizardry of Pace twins, Simone and Amedeo. I had gotten into the group eight years earlier with their shoegaze influenced masterpiece “23” and was neck deep into the two albums that had been released since. It was monster show, all droning noise and feedback on a Friday night under the stars. It was lovely.
Point of reference song: Dripping

Amedeo Pace of Blonde Redhead
Kazu Makino of Blonde Redhead
Simone Pace of Blonde Redhead
The Pace twins
Kazu Makino rocking out
Categories
Vinyl

Vinyl love: Lowest of the Low “Thrifty thrifty thrifty”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Lowest of the Low
Album Title: Thrifty thrifty thrifty
Year released: 2018
Details: Black vinyl, part of five album box set, autographed and limited to 300 copies, (box set includes booklet, lyrics sheets, poster, and stickers)

The skinny: For the final instalment in this series on Lowest of the Low’s “Shakespeare… my box” vinyl box set, I present the only album in the collection that I had yet to hear before this week. “Thrifty thrifty thrifty” is the bonus disc of b-sides, live tracks, and rarities that was specifically put together for the set and isn’t available anywhere on its own. I didn’t listen to this record back when I first got the set and really, don’t think I’ll listen to it all that often, but still, really enjoyed giving it a spin. There’s some stuff on there I’d never heard before, which is saying a lot for a fan like me. And I really love the cover artwork, which for those not in the know, features some iconic and long-shutdown Toronto music shops.

Standout track: “New westminster taxi squad”

Categories
Live music galleries

Live music galleries: New Order [2013]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

New Order at Osheaga 2013

Artist: New Order
When: August 4th, 2013
Where: Mountain stage, Osheaga, Parc Jean Drapeau, Montréal
Context: A week ago, the organizers of Montreal’s Osheaga music and arts festival announced that much like last year, this year’s event would not take place due to the COVID-19 pandemic. It was hardly a surprise and yet, though I hadn’t attended in many years, I felt a bit sad at the news. Every year, I get excited around lineup announcement time and I peruse the acts, weighing whether it is worthwhile to attend and whether I think I might be able to convince friends to go with. The last time I was able to achieve such a feat was in 2013 and though the lineup was favourable, it was mostly because my friends Mark, Tim, and I were all celebrating a certain landmark birthday. The headliner on the final night was Mumford and Sons but we were way more excited to see New Order, who were slated to perform just beforehand. Original keyboardist Gillian Gilbert had recently rejoined the group but Peter Hook had departed and was touring with his own band, performing landmark New Order and Joy Division albums in full. New Order, meanwhile, was touring in support of their latest album, “Lost sirens”, but the set list that night featured none of its songs and instead, read like a greatest hits album, much like that of The Cure’s set, two nights earlier. And then, just when we thought it was over, the band blew our mind’s further by performing three classic Joy Division tracks, going well over their allotted set time and cutting into Mumford’s set. The indie kids were pissed but we were in heaven. Afterwards, the headliners felt pedestrian by comparison and we were tired of drinking macro brewed beer so we ducked out of the final night early and went off to a local pub.
Point of reference song: Crystal

Bernard Sumner of New Order
Stephen Morris of New Order
Gillian Gilbert of New Order
Bernard Sumner, Tom Chapman and the multimedia light show
Phil Cunnngham of New Order
Bernard Sumner (and Stephen Morris obscured by the drum kit)
Forever Joy Division