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Best albums of 1998: #5 Manic Street Preachers “This is my truth now tell me yours”

At the time that the Manic Street Preachers released their fifth studio album, I really only knew them for a couple of cover songs that I had on compilation CDs. And I don’t actually know why I didn’t search them out sooner because I really liked their renditions of “Suicide is painless” and “Raindrops keep falling on my head”. Nonetheless, the year after “This is my truth now tell me yours” was released, my roommate at the time, Ryan, had picked up a copy and was listening to it all the time. I made a copy of it on cassette eventually (or did he burn me a copy to CD, I honestly can’t remember) and I grew to love it over the years. So much so that I now have a copy of it in my vinyl collection.

The album is the band’s first without a shred of input from Richey Edwards, one of the band’s original guitarists and lyricists. He had disappeared three years earlier in 1995 and to this day, has never been found, though he has been declared dead since 2008. His disappearance had really shaken the band to its core and they had briefly considered disbanding. Even still, they never replaced him, carrying on as a three-piece and as I understand it, they continue to set up a microphone for him at all their live shows. For the first album after he went missing, 1996’s “Everything must go”, the band used his lyrics for a handful of songs but for “This is my truth”, all the songs’ words were written by the band’s other lyricist, Nicky Wire. This album also represented a change in sound for the band, softening its harder elements and experimenting with different instrumentation and sounds.

“This is my truth now tell me yours” was a huge hit for the Manics, carrying on from the ground broken with its predecessor. It debuted at number one on the UK charts, had the band cleaning up at the NME and Brit awards, garnered them a Mercury Prize nomination, and broke them with an international audiences. It’s a big album that is both personal and aware of the ills of the world. It is melodic guitar rock with a conscience, James Dean Bradfield’s earnest voice speaking to our deepest selves.

The album is pretty darned solid from end to end and earned the band five very successful singles and it is from these that I present my three picks for you below.


”You stole the sun from my heart”: You’ve heard the term ‘Frenemy’? Well, I think that’s an apt term to describe this first song. A sampled electronic drum loop set against the quiet versus loud phenomenon. Sunshine and technicolour animals set against the deluge, love versus hate. “You have broken through my armour and I don’t have an answer. I love you all the same.” Nicky Wire has said he wrote the words about the band’s feelings towards touring but it could just as easily describe an unhealthy relationship. That’s the beauty of the Manics.

”Tsunami”: Electric sitar forms the basis of this, the fourth single released off the album. It lends a mystical and mysterious edge to an otherwise accessible sounding pop song. It tells the story of the Gibbons twin sisters who held a pact with one another not to speak to another living soul unless one of them should die. The title describes the feeling the surviving twin must have felt when the other actually did die (under mysterious circumstances) in 1993. “Tsunami, tsunami, came washing over me. Can’t speak. Can’t think. Won’t talk. Won’t walk.” Meanwhile, that electric sitar continues to dance along our spines.

”If you tolerate this your children will be next”: This is easily my favourite track by the band, a song so beautiful and moving, not just in words but in sound and passion, that has been known to bring a tear to my ear. It takes for its subject matter the Spanish civil war, the title is a tagline used by the Republican army to try enlist the help of likeminded folks from other countries to their cause. So many great lines in the song but I think the ones that ring true the most are these: “Gravity keeps my head down. Or is it maybe shame at being so young and being so vain.” Hits deep at my own heart and gets me wondering if I would have had the courage in the face of a world war or something like it. Again, there’s so much passion, incredulity, and outrage imbued in this track and yet, singing along with it brings such release. Very nice indeed.


Check back next Thursday for album #4. In the meantime, here are the previous albums in this list:

10. Sloan “Navy blues”
9. Cake “Prolonging the magic”
8. Embrace “The good will out”
7. Mojave 3 “Out of tune”
6. Rufus Wainwright “Rufus Wainwright”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Tunes

100 best covers: #100 Manic Street Preachers “Raindrops keep falling on my head”

#99 >>

Happy Friday all!

To celebrate kicking off the weekend and to belatedly usher in June, I am launching a new list, this one a grandiose glimpse of my 100 all-time favourite covers. And we start it all off on a high note with Manic Street Preachers’ rendition of “Raindrops keep falling on my head”. The original was written by Hal David and Burt Bacharach for the Butch Cassidy & Sundance Kid soundtrack. Recorded by BJ Thomas on vocals, it was released as a single in 1969 to middling reviews but sales jumped to colossal heights after the film was released in 1970.

“Raindrops” has been covered several times over the years but this one by Manic Street Preachers has been praised for injecting some angst into the blind optimism of the original. It came about as part of the Help album project in 1995, a compilation for which some of the biggest names in British music at the time (including Blur, Oasis, and Radiohead) all went into the studio on the same day to produce brand new recordings, all to raise funds in support of Bosnia’s children. A great cause to be sure and it resulted in one of my favourite ever compilation albums, containing many fantastic songs, some of which were covers that will possibly appear further on down this list.

In the case of Manic Street Preachers, they were seven months removed from the infamous disappearance of songwriter/guitarist, Richey Edwards, who to this day, has never been found. They had decided to carry on as a trio and had incidentally booked studio time for their next album. Some have theorized that the recording of this song was a message to Richey that the Manics were going to soldier on, but the band has denied this, stating that the short timeframe necessitated a song that they were already familiar with, this being one that had been part of past live sets.

Manic Street Preachers inject some (to my ears) much-needed rock and roll into the number. James Dean Bradfield’s vocals are a lot less polished than those of Thomas, but are lovely, nonetheless. The acoustic guitars are jaunty, the bass bubbly, and the drums are like a skipping heartbeat but the fun really comes in with drummer Sean Moore’s trumpet solo at the bridge. All in all, it’s just a fun track, a band showing a toothy grin in the face of adversity, and that it’s okay to be cheerful when the rain continues to fall, seemingly without end.

The cover:

The original:

For the rest of the 100 best covers list, click here.