Tag: Miles Hunt

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Eighties’ best 100 redux: #91 Pop Will Eat Itself “Wise up! sucker” (1989)

<< #92    |    #90 >>

I started this project of re-counting down my top 100 favourite eighties tunes just over a year ago and yet, I’m only at song #91!*

Pop Will Eat Itself’s track, “Wise up! sucker”, just snuck itself into the eighties, and subsequently, my list, being released in 1989. PWEI came out of the same Grebo music scene as another Stourbridge, England band, The Wonder Stuff (see track #96). In fact, both bands have their roots in a short-lived project from the early eighties, called From Eden and Miles Hunt and Clint Mansell remain friends today. PWEI very quickly moved on from their original pop punk influenced sound to the dark, drum machine- and sample-heavy music heard on “Wise up! sucker”.

This song comes from what many consider to be PWEI’s second album, “This is the day!… This is the hour!… This is this!” (I guess many don’t consider “Now for a feast” a proper album?) “Wise up! sucker” is a cacophony of the aforementioned drum machines and samples, along with drilling guitars and half-sung, half-rapped vocals and is instantly recognizable for its “She loves me… She loves me not” chorus. And yes, that is Miles Hunt singing back up.

I think I first came to realize that I liked these guys after dancing to this very song and drunkenly screaming the chorus on a Saturday night at a now defunct alternative music club in Oshawa called the Moon Room and meeting a girl on the dance floor that I would spend the rest of that summer courting. I never got the girl (I have since found a better one) but still love the tune.

Original Eighties best 100 position: #92

Favourite lyric: “You give me sixteen different flavours of hell” Have you ever been in a relationship like that?

Where are they now?: The band went on to many different projects after their breakup in 1996. Original member Clint Mansell has had a successful career scoring films, such as “Requiem for a dream” and “The wrestler”. In 2011, Graham Crabb resurrected the PWEI name and released a new album, though he was the only original member that performed on it. Since then, original members Richard March, Fuzz Townshend, and Adam Mole** have rejoined the group and a couple other records have followed.

*Though I have been making up ground of late…

**Clint Mansell is the only original member that is not currently with the band.

For the rest of the Eighties’ best 100 redux list, click here.

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Eighties’ best 100 redux: #96 The Wonder Stuff “Unbearable” (1988)

credit to Derek Ridgers, Brighton 1988
credit to Derek Ridgers, Brighton 1988

<< #97    |    #95 >>

At song #96, we have The Wonder Stuff and their snarling, acerbic track “Unbearable”. This is a band that I typically identify with the early nineties because this is when I discovered them and also when the band released the bulk of their original catalogue. However, their startlingly upbeat debut album, “The eight legged groove machine” was released in the latter part of the eighties, back before the fiddle was added to the stuffies’ repertoire and before The Bass Thing left the band for America. I featured this very same album when it appeared at number two on my Best albums of 1988 list*, back when I counted that down a few years ago. And in that post, I described how the album was my introduction to the band and a bit of the story behind how the band became one of my favourites during my last few years of high school and into my early twenties.

For those unfamiliar with The Wonder Stuff, “Unbearable” is a good starting block. It is certainly representative of their early work and the rest of their debut album, seamlessly blending the pop mentality of The Beatles with the guns blazing, two-minute guitar rock of The Ramones. Yes, it’s the thirteenth track on a fourteen track LP that falls well short of the forty minute mark. Another song about money and the way it’s misspent, priorities and greed. It was this angst and snarling lyrics and vocals of frontman Miles Hunt that drew me (and by all accounts many others) to the band in the first place and what most probably led to the band’s downfall. They were quite popular for a time in their native country but sadly, The Wonder Stuff never quite broke into the North American market.

Original Eighties best 100 position: #98

Favourite lyric:  “I didn’t like you very much when I met you / And now I like you even less” Classic Miles Hunt.

Where are they now?: After their original break up in 1994, The Wonder Stuff re-formed for a string of shows in London in 2000. The shows were so successful, Hunt, who had been recording solo up to then, began recording new material under The Wonder Stuff name with the original guitarist, Malc Treece. The two of them are still at it these days, having added violinist Erica Nockalls in 2005, and the rest of the band has pretty much changed every few years since. They last surfaced with a new album called “Better being lucky” in 2019.

*In fact, each of their first three albums have appeared in the top five for albums on this blog for the years in which they were released.

For the rest of the Eighties’ best 100 redux list, click here.

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Tunes

Best tunes of 1993: #16 The Wonder Stuff “On the ropes”

<< #17    |    #15 >>

If you asked me today who is my favourite musical artist, I’d be hard-pressed to even narrow it down to a top 50. However, if you had asked me this same question back in high school and right up to my first couple years of university, I wouldn’t have even hesitated in responding that it was Stourbridge, England’s The Wonder Stuff.

I have written about them a number of times already on these pages, hitting lists on my favourite covers and favourites tunes of 1990 and 1991, and of course, their first three albums all placed in my top ten lists for 1988, 1989, and 1991. By the time their fourth long player hit the shelves in the fall of 1993, I was a full-on fanboy and was eagerly awaiting its release. I had already seen the Samuel Bayer* directed video for the advance single, “On the ropes”, and was thrilled by the rock energy and crisp production. It had seemed Miles Hunt and the boys were loosing themselves from the technicolour folk rock of their previous release and embracing a more rocking sound. Martin ‘Fiddly’ Bell still had his fingers all over the sound, of course, as is evidenced in this early single, in which his fiddles screamed and bounced and generally, kept the Stuffies just slightly apart from the American alt-rock that they appeared to be courting.

I was all in on The Wonder Stuff, though, and the changed sound on “Construction for the modern idiot” didn’t deter me in the least. I loved it from the first and I immediately studied it with the same fervency that I did their earlier work. Of course, a new album meant that the band might tour and going to concerts was a new favourite pastime for this young lad. When they were announced to play the tiny club RPM in Toronto in February 1994 for a mere $10, I jumped all over it.

Incidentally, one of the most memorable moments of the concert for me occurred just as the group was leaping into this very song. A few bars into the intro, the noise arrested and Miles roared into the microphone, “Gouge the ****-ers eyes out!” He was referring to a young fan that had leapt on to the front of the stage just long enough to leap off it again and into the outstretched hands of the audience. The whole band weren’t really fans of the act of stage diving. The frontman took the opportunity to take a swig from his magnum of red wind before continuing his tirade against the offender that had disappeared into the crowd. “The next person that tries that will have the rest of the crowd to deal with when we walk off the stage. They paid to see us, not your ass!” The band then started right back up and with no less energy, blowing the doors off the place.

There wasn’t one other attempt to dive off the stage that night and the band duly played a super long set, complete with three encores. I left the show a very happy fan and with a concert T-shirt much like the one Hunt sports in this video, a shirt that I wore for nearly a decade and only retired it when it was no longer wearable. I was proud idiot.

Good times.

*Famous for directing the iconic video for a certain Seattle grunge act’s breakthrough hit.

For the rest of the Best tunes of 1993 list, click here.