Live music galleries: Ottawa Bluesfest 2019, day three – Children of Indigo, The Beths, Pup, This is the Kit

(Since I’ll be too busy attending Ottawa Bluesfest over the next week or so to continue with this blog’s regularly scheduled programming, I thought I would do a special ‘live galleries’ series this week to share some pics from some of the sets I am enjoying.)

Entrance to Bluesfest

Artists: Children of Indigo, The Beths, Pup, and This is the Kit
When: July 6th, 2019
Where: Lebreton Flats Park, Ottawa
Some words: You might’ve noticed there wasn’t a post yesterday detailing Friday night’s exploits. There’s a good explanation. The original plan was to attend but when the main reason for going that night, Colter Wall, cancelled earlier in the day, I made the call to stay home, what with the dodgy weather, lack of sleep, early wake up hour the next day, and the country heavy musical content and expected crowds. By my count, that’s four cancellations for this year’s festival, bad luck in its twenty-fifth year. Here’s hoping the bad luck ends there and the rest of the festival runs smoothly.

When I arrived yesterday, nice and early, I still wasn’t expecting crowds in the entrance line so like Thursday night, the temporary barricade maze was more walking than I wanted to do in that heat. So after I entered, I once again headed inside to the Barney Danson theatre where a surprisingly large crowd had gathered to hear an early set by a lovely, local indie folk trio named Children of Indigo. Unlike Thursday, there was no overlap last night so I didn’t have to rush anywhere afterwards and actually got to enjoy some full sets.

Next up was the band I was most excited to see last night, an indie rock trio out of New Zealand called The Beths. If you haven’t heard them, check them out. To my ears, they sound quite a bit like Alvvays and Camera Obscura but with more fuzz. I’ve been listening to their album a lot in the lead up to last night but their performance was so good, it pushed me to pick up a copy of their record at the merch tent.

Just after dinner time, I headed over to the main stage to catch Toronto punk band Pup struggle to reconcile their counter-culture cred and such a huge outdoor audience. They shouldn’t have worried so much as their fans were just as pleased to mosh and pump their fists outdoors as in. I stayed out of the fray and enjoyed the energy from afar. I finished my evening early, back where I started, in the Barney Danson theatre, with British folk songstress Kate Stables, who might be better known under stage name, This is the kit. I had originally thought to stick around for The Turbans, the headliners on one of the side stages, but after drinking a few beers in the afternoon heat, my bed and AC were the stronger calls.

Natasha Pedersen and David Campbell of Children of Indigo
Mitchell Jackson of Children of Indigo
Tristan Deck of The Beths
Jonathan Pearce of The Beths
Benjamin Sinclair of The Beths
Elizabeth Stokes of The Beths
Steve Sladkowski of Pup
Zack Mykula and Nestor Chumak of Pup
Stefan Babcock of Pup
This is the Kit with The Texas Horns
Kate Stables aka This is the Kit

Live music galleries: Ottawa Bluesfest 2019, day one – Marie-clo, Abigail Lapell, Chvrches, U.S. girls, Alt-J

(Since I’ll be too busy attending Ottawa Bluesfest over the next week or so to continue with this blog’s regularly scheduled programming, I thought I would do a special ‘live galleries’ series this week to share some pics from some of the sets I am enjoying.)

May of Bluesfest 2019 grounds

Artists: Marie-clo, Abigail Lapell, Chvrches, U.S. girls, Alt-J
When: July 4th, 2019
Where: Lebreton Flats Park, Ottawa
Some words: By my count, it’s been four years since I last bought a full festival pass to Ottawa’s Bluesfest, mostly due to increasing difficulties in finding enough in the lineup to be excited about. This year, there were two (perhaps three) bands that I was really, really jived for (and multiple others that generated a good enough amount of interest) and one of them was scheduled to play last night. Unfortunately for me (and likely many others), they were forced to cancel all of their summer shows. This removed a horrible time slot conflict with the main stage headliners for a lot of people. But for me, I would have rather seen First Aid Kit and crossed them off the bucket list. Next time, I guess.

I stopped off for dinner and a couple beers at a local brewery before heading down to the festival, factoring in plenty of time to navigate the long lines that are usual on opening night as organizers figure out their processes. Imagine my surprise to find nary a line, which made walking the labyrinth of temporary barriers superfluous. Once past the gates, I refilled my water bottle and headed in to the museum where the festival always has an intimate stage set up inside the Barney Danson theatre. Yeah, I’m very thankful that with last night’s heat, my first two shows were scheduled inside. Sweet air conditioning.

Right at 6 o’oclock was a local-ish, indie pop bilingual vocalist that went by the stage name of Marie-clo and was backed by another local band, Mal/aimé. After that, things got a bit dicey with conflicts and time slot overlaps. I caught the first half of Toronto singer/songwriter Abigail Lapell’s excellent and intimate folkie set. Then, I slipped into the middle of Scottish indie dance pop trio, Chvrches’ well-attended and high energy set on the main stage. At some point around 8pm, I hightailed it to the Videotron stage to catch the end of my happiest surprises of the night: the insanity of Meghan Remy’s art pop laboratory, U.S. Girls. I finished the night back at the City stage where the crowds had amassed even more for Alt-J. And it was brilliant.

Marie-clo and Mal:aimé
Marie-clo
Abigail Lapell
Lauren Mayberry and Jonny Scott of Chvrches
Martin Doherty of Chvrches
Iain Cook of Chvrches
Lauren Mayberry of Chvrches
U.S. Girls
Meghan Remy aka U.S. girls
Alt-J
Thom Sonny Green of Alt-J
Gus Unger-Hamilton of Alt-J
Joe Newman of Alt-J

Live music galleries: July Talk [2014]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Like my ‘Vinyl love’ series, these posts will be more photos than words but that doesn’t mean I won’t welcome your thoughts and comments. And of course, until I get around to the next one, I invite you to peruse my ever-growing list of concerts of page.)

July Talk live at Ottawa Bluesfest in 2014

Artist: July Talk
When: July 11th, 2014
Where: River Stage, Ottawa Blues Fest, Lebreton Flats Park, Ottawa
Context: I finally got to see the Toronto-based indie rock band, July Talk, a couple of years after the release of their debut, self-titled album. By this time, they had built up a following and quite a bit of buzz on backs of their live show and unique sound. You might notice that the majority of the photos here focus on the principal vocalists Leah Fay and Peter Dreimanis and this is because when seeing them live, it’s nearly impossible to take your eyes off them. On the record, their vocals play off one another, his rough-hewn and hers angelic pop and live the two of them played the Mars versus Venus game right to the end. Fun, fun show.
Point of reference song: Paper girl

Peter Dreimanis of July Talk
Ian Docherty of July Talk
Leah Fay of July Talk
Peter Dreimanis and Leah Fay of July Talk
Leah Fay of July Talk and some random fan