Live music galleries: Ottawa Bluesfest 2019, day five – Scary Bear Soundtrack

(Since I’ll be too busy attending Ottawa Bluesfest over the next week or so to continue with this blog’s regularly scheduled programming, I thought I would do a special ‘live galleries’ series this week to share some pics from some of the sets I am enjoying.)

Entrance to Bluesville

Artist: Scary Bear Soundtrack
When: July 9th, 2019
Where: Lebreton Flats Park, Ottawa
Some words: This’ll be a short and sweet one.

I hadn’t actually planned on attended Tuesday night but an early set by a local band caught my eye. The name, Scary Bear Sountrack, was a fun one that aroused my curiosity. However, it was the influences of dream poppers My Bloody Valentine and Cocteau Twins, and Canadian indie stalwarts, Stars, that drew me right in.

And that’s the beauty of having a festival pass. One can choose to stop in after work for one band, a local one that may be heretofore unheard of, without a great commitment, rock out at the front of the Bluesville stage and go home at a decent hour, satisfied.

And so that is what happened.

To sum up, many of you outside of Ottawa, or if you’re lucky, Canada, may never get the chance, but if you do and you love any of the aforementioned influences, go check out Scary Bear Soundtrack. The local five piece led by Gloria Guns put on a great set for these ears, three part female vocal harmonies and plenty of noisy guitars and washy synths.

Scary Bear Soundtrack

“Trevor”

Gloria Guns of Scary Bear Soundtrack

Live music galleries: Ottawa Bluesfest 2019, day three – Children of Indigo, The Beths, Pup, This is the Kit

(Since I’ll be too busy attending Ottawa Bluesfest over the next week or so to continue with this blog’s regularly scheduled programming, I thought I would do a special ‘live galleries’ series this week to share some pics from some of the sets I am enjoying.)

Entrance to Bluesfest

Artists: Children of Indigo, The Beths, Pup, and This is the Kit
When: July 6th, 2019
Where: Lebreton Flats Park, Ottawa
Some words: You might’ve noticed there wasn’t a post yesterday detailing Friday night’s exploits. There’s a good explanation. The original plan was to attend but when the main reason for going that night, Colter Wall, cancelled earlier in the day, I made the call to stay home, what with the dodgy weather, lack of sleep, early wake up hour the next day, and the country heavy musical content and expected crowds. By my count, that’s four cancellations for this year’s festival, bad luck in its twenty-fifth year. Here’s hoping the bad luck ends there and the rest of the festival runs smoothly.

When I arrived yesterday, nice and early, I still wasn’t expecting crowds in the entrance line so like Thursday night, the temporary barricade maze was more walking than I wanted to do in that heat. So after I entered, I once again headed inside to the Barney Danson theatre where a surprisingly large crowd had gathered to hear an early set by a lovely, local indie folk trio named Children of Indigo. Unlike Thursday, there was no overlap last night so I didn’t have to rush anywhere afterwards and actually got to enjoy some full sets.

Next up was the band I was most excited to see last night, an indie rock trio out of New Zealand called The Beths. If you haven’t heard them, check them out. To my ears, they sound quite a bit like Alvvays and Camera Obscura but with more fuzz. I’ve been listening to their album a lot in the lead up to last night but their performance was so good, it pushed me to pick up a copy of their record at the merch tent.

Just after dinner time, I headed over to the main stage to catch Toronto punk band Pup struggle to reconcile their counter-culture cred and such a huge outdoor audience. They shouldn’t have worried so much as their fans were just as pleased to mosh and pump their fists outdoors as in. I stayed out of the fray and enjoyed the energy from afar. I finished my evening early, back where I started, in the Barney Danson theatre, with British folk songstress Kate Stables, who might be better known under stage name, This is the kit. I had originally thought to stick around for The Turbans, the headliners on one of the side stages, but after drinking a few beers in the afternoon heat, my bed and AC were the stronger calls.

Natasha Pedersen and David Campbell of Children of Indigo
Mitchell Jackson of Children of Indigo
Tristan Deck of The Beths
Jonathan Pearce of The Beths
Benjamin Sinclair of The Beths
Elizabeth Stokes of The Beths
Steve Sladkowski of Pup
Zack Mykula and Nestor Chumak of Pup
Stefan Babcock of Pup
This is the Kit with The Texas Horns
Kate Stables aka This is the Kit

Vinyl love: Amos the Transparent “This cold escape”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Amos the transparent
Album Title: This cold escape
Year released: 2014
Details: ice blue vinyl, normal weight, gatefold jacket, signed

The skinny: The third full-length album by local Ottawa indie rockers is a concept album that seems to deal with choices, aging, dreams, and love. It plays like a symphonic journey through memories and dreams and reality. Lovely stuff.

Standout track: “That’s the life for me”