Best tunes of 2012: #16 Amos the Transparent “Sure as the weather”

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I first came across local band, Ottawa’s own Amos the Transparent, in 2010, when I saw them perform on an early Sunday evening set in only my second year attending Ottawa Bluesfest. I had only briefly sampled a couple of their tracks in advance but their big band energy had me visiting the merch tent afterwards to pick up a CD copy of their debut album, “Everything I’ve forgotten to forget”. I listened to that album quite a bit in the months that followed and couldn’t help being drawn in by the fine songwriting by band architect, Jonathan Chandler. Just as impressive was such excellent production and ambitious scope for a indie band that I just couldn’t get my head around was local.

Just over a year later in December 2011, I somehow caught wind that Amos the Transparent had recorded a video for a new song off an upcoming new record. I watched the fun, all-in-one-take video that you yourself can watch below and then, I watched it again. And then, the next day, I forced my wife Victoria to watch it with me. The video did its job. I was hooked.

A couple of months later, the group held an album release party for “Goodnight, my dear… I’m falling apart” at the now defunct Ritual night club. It was a great night where I was also introduced to the music of big-voiced Haligonian, Ben Caplan, and that was topped by the seven members of Amos the Transparent squeezing their big presence on to the tiny stage and blowing the roof off the place. I took home a CD copy of the album from that performance too because I was still a couple of months removed from starting my vinyl collection, though I remedied that at another Amos show a few years ago. For those of you too far afield to have heard this group, “Goodnight, my dear…” is an excellent, big, Canadian indie rock record in the vein of “Funeral” or “Set yourself on fire”, but in addition to the orchestral elements those two albums sport, Amos throws in some traditional folk instrumentation for fun.

Take today’s song, “Sure as the weather”, for an example. If you watch the song’s video without sound and note the varied instruments that the band pulls out – pedal steel, banjo, accordion, and cello – you could be forgiven for expecting a rollicking indie folk track. The sound on, you check off the “rollicking” box but also observe how much the tune rocks and how these varied instruments lend their distinctive sounds to the blended whole. Indeed, Amos the Transparent is built around the songwriting of Jonathan Chandler but they really are a collaborative beast, both in the way they build the songs up and tear them down and the way they harmonize and gang up on the listener with their collective voices, and in this case, singing with optimism for better days.

“I don’t want to hear about your bad weekend
And I don’t want to hear about not trusting your friends
And I don’t really care if no one’s left to blame
It’s going to be okay”

For the rest of the Best tunes of 2012 list, click here.

Live music galleries

Ten great Ottawa Bluesfest sets: #7 The Reverb Syndicate – Saturday, July 11th, 2015

(This year’s edition of Ottawa Bluesfest has been cancelled, for obvious reasons. In previous years, especially on my old blog, I would share photos and thoughts on some of the live music I was enjoying at the festival throughout the duration. So for the next week and a half, I thought I’d share ten great sets, out of the many I’ve witnessed over the years, one for each day on which music would have be performed. Enjoy.)

The Reverb Syndicate live at Bluesfest 2015

Artist: The Reverb Syndicate
When: Saturday, July 11th, 2015
Where: Canadian Stage at 3:15pm
Context: One of the great things about Ottawa Bluesfest is the focus that organizers place on promoting local talent. It’s a great gig for the bands and artists because they get exposure to crowds that they normally wouldn’t draw and they are able to attend the festival for every day after their own performance. And it’s also great for the audiences who take the time to be treated to inspired performances by local acts. Every year that I have gone to the festival, I have seen some excellent local acts and there are a great many that I could’ve chosen to include in this series. In the end, I went with an afternoon set by surf-rock outfit, The Reverb Syndicate, not just because I work with the drummer of the group and it was super fun seeing someone I knew up on that stage but also because it was like the end of an era for the band.

Over the course of the year leading up to that set, I had seen them live for the first and second time and had purchased their latest album, The Odyssey, on vinyl. The Reverb Syndicate was at that point becoming one of my favourite local bands. As it would turn out, that set at Bluesfest was their last show as a four piece, since guitarist James Rossiter departed for England shortly afterward. I seem to remember that the band acknowledged the occasion at the outset and called for a drink in his honour.

Hours afterwards, I ran into Michael, the aforementioned drummer, milling about in the crowds and he complained about how many errors he had made but from where I was standing in the audience, it was a flawless performance. The Reverb Syndicate were joined on stage by a pair of “go-go dancers”, a nice touch given the genre, and whom, if I remember correctly, were partners of a couple of the band members. These two dancers had their work cut out for them because the one hour set was a lively one, electric, and with barely room for rest.

On top of playing both sides of their newest record, “Odyssey”, which in themselves work out to almost twenty minutes a-piece of tiring madness, the quartet played a handful of upbeat tracks from older albums, plus a cover of a classic Ventures number. There was plenty of sweet guitar work and impressive, spot-on drumming, all accompanied by some incidental bleeps and bloops by an honest to goodness Commodore 64, “not a prop”, but an instrument used frequently on the aforementioned “Odyssey”.

Good times indeed.

Mike Bradford of The Reverb Syndicate
James Rossiter of The Reverb Syndicate
A fuzzy Michael Sheridan with glasses
Lauren Hart and Jeff Welch
Mike Bradford
A clearer Michael Sheridan without glasses
Katie Bonnar, Jeff Welch, and James Rossiter

Setlist: (not available)

Live music galleries

Live music galleries: Ottawa Bluesfest 2019, day five – Scary Bear Soundtrack

(Since I’ll be too busy attending Ottawa Bluesfest over the next week or so to continue with this blog’s regularly scheduled programming, I thought I would do a special ‘live galleries’ series this week to share some pics from some of the sets I am enjoying.)

Entrance to Bluesville

Artist: Scary Bear Soundtrack
When: July 9th, 2019
Where: Lebreton Flats Park, Ottawa
Some words: This’ll be a short and sweet one.

I hadn’t actually planned on attended Tuesday night but an early set by a local band caught my eye. The name, Scary Bear Sountrack, was a fun one that aroused my curiosity. However, it was the influences of dream poppers My Bloody Valentine and Cocteau Twins, and Canadian indie stalwarts, Stars, that drew me right in.

And that’s the beauty of having a festival pass. One can choose to stop in after work for one band, a local one that may be heretofore unheard of, without a great commitment, rock out at the front of the Bluesville stage and go home at a decent hour, satisfied.

And so that is what happened.

To sum up, many of you outside of Ottawa, or if you’re lucky, Canada, may never get the chance, but if you do and you love any of the aforementioned influences, go check out Scary Bear Soundtrack. The local five piece led by Gloria Guns put on a great set for these ears, three part female vocal harmonies and plenty of noisy guitars and washy synths.

Scary Bear Soundtrack


Gloria Guns of Scary Bear Soundtrack