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Tunes

Best tunes of 1993: #27 Frank Black “Hang onto your ego”

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By the time I started listening to the Pixies, they had already released their fourth and ‘final’ album*, “Trompe le monde”. That album’s second single, “Alec Eiffel”, became my gateway and my friend Tim did the rest, sharing with me the best of their back catalogue. So though I was somewhat saddened by the news of their breakup in 1993, it was short-lived, because almost immediately afterwards, I started hearing bits of new solo work by the band’s ex-frontman, Black Francis, heretofore renamed as Frank Black. Indeed, the first single off his self-titled debut, “Los Angeles”, got a lot of attention right off the bat, plenty of radio air play, and its video hit the regular rotation on MuchMusic.

That a new release from Black came so quickly after the demise of his band was hardly a surprise to anyone. In fact, some critics had facetiously called “Trompe le monde” his first solo album, pointing out the reduced creative input by bassist Kim Deal. The tensions in the band at that time was palpable to all and sundry. Indeed, even while recording that album, he had discussions with the album’s producer about a possible solo album. He didn’t have a lot of new material at the ready to record so Frank Black had originally planned to record an album of covers. By the time he entered the recording studio in 1992, though, he had plenty of material, much of it a continuation of what he had begun with “Trompe le monde”.

“Hang on to your ego” is the only holdover from Black’s original concept, though when I first heard it on a mixed tape a university friend made for me, I had no idea it was a cover. It’s a great one, too, and by all rights should also appear on my 100 best covers series**.

The original was recorded by The Beach Boys for their “Pet sounds” album in 1966. It sounds of a carnival, slightly off-kilter with a janky piano, a tambourine, and a harmonium and very inventive and cool but you can’t forget that it’s the Beach Boys, all harmonies and wholesome, blonde hair and a tan. The original lyrics were re-written before the album’s release to cover up the drug references and it was renamed “I know there’s an answer”. The original recording with the original lyrics later surfaced on the 1990 reissue of “Pet sounds” and this is the version upon which Frank Black’s version is based.

And his cover betrays no hint that it was such, sounding nothing at all like a Beach Boys track, all driving guitars and drums and synths, a screaming guitar solo and instead of the telltale harmonies, Black’s ultra cool vocals are backed up by robots. Pure awesomeness.

*I am using the proverbial air quotes here because as we all know, the Pixies re-formed a decade after their dissolution to much success and further albums became a reality.

**Spoiler alert: I somehow missed including it on that list when creating it but that’s okay it’s here now.

For the rest of the Best tunes of 1993 list, click here.

Categories
Live music galleries

Live music galleries: Sam Roberts Band [2014]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Sam Roberts of The Sam Roberts Band


Artist:
The Sam Roberts Band
When: July 13th, 2014
Where: Claridge Homes stage, Ottawa Bluesfest, Lansdowne Park, Ottawa
Context: Just a few days ago, I posted about an incredible early single by a singer/songwriter that since the time of its release has become something of a Canadian institution. Montreal-based, Sam Roberts started things off as a solo artist but these days leads a pretty solid rock band that releases music that is pretty universal in terms of fan base, at least here in Canada. I feel like I’ve seen him perform live a bunch a times but in reality it was only twice, at least twice in full, though I’ve had a plethora of opportunities. The first of these opportunities was in 2009, the first year I attended Ottawa’s Bluesfest, and his set overlapped with that of Okkervil River and so only caught a few tunes from it. The first full set I attended was five years later at the same festival and he had just released his fifth album (the second as a band) called “Lo-fantasy”. The crowd was large and pumped and when the energy is that great, you’re bound to have a blast. I spent the whole time jumping up and down, fist pumping in the air, screaming along to lyrics of songs* I’d heard many times over on the radio with people I’d never before met and will likely never do again. Good times indeed.
Point of reference song: We’re all in this together

The Sam Roberts Band!
Eric Fares and Dave Nugent of the Sam Roberts Band
Sam Roberts and James Hall of the Sam Roberts Band
(The sax player)
Dave Nugent
Eric Fares, Dave Nugent, and a sax player
Sam Roberts

*With the magic of the internet, I was able to go back to rewatch the same concert recently on YouTube and sang (not screamed) along with it all over again.

Categories
Tunes

Best tunes of 2002: #6 Sam Roberts “Don’t walk away, Eileen”

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Do you have a song from your youth that you detest? And I’m not thinking because it was a bad tune or anything but that its sole offence was that it used your name in its title or lyrics and became fodder for use in teasing by your peers.

Yeah? Me too.

Mine came by way of El Debarge’s “Who’s Johnny?” that featured prominently in the 80s film “Short circuit”, another source of teasing (“Johnny five is alive!” Kids are so weird). I also got a lot of “Johnny B. Goode”, which I minded quite a bit less, because, well, that song rocks. And then, in university, I was introduced to a song by Madder Rose called “Beautiful John” that… okay… nobody really used that one to tease me…

Then, there’s the case of a friend of my wife’s and mine who had to grow up with people singing words to a certain hit Dexy’s Midnight Runners song, to the point that she couldn’t abide the tune. We were laughing about this very subject one night over dinner and the physical reaction she had at the mere mention of “Come on, Eileen” was hilarious to behold. But when I asked if she felt the same way about Sam Roberts’ hit tune “Don’t walk away Eileen”, her response was: “No! I love that song!” And she immediately started singing the song and drumming her hands on the table.

I don’t disagree with our friend Eileen’s assessment of the song at all. It was released as the second single off Sam Roberts’ debut EP, “The inhuman condition”, and is the second song from it to feature on this very list. Not bad at all for a release that only has six songs in total and one whose artist wondered whether the EP was a good idea for his first foray into music. It is basically a reinterpretation of half the demo tracks he put together to generate industry interest and well, the EP generated a huge buzz on Canadian radio. Then, a bunch of these tracks also appeared on Roberts’ debut long player, “We were born in a flame”, that was released the following year after he signed to Sony Music.

“Don’t walk away Eileen” is a thorough banging and crashing away at drums and guitars, a general racket, really, and Roberts seems less concerned about carrying a tune than emoting the feeling of anger and passion. It is punk without the trappings of being punk. It is a fun tune that many can identify with, a universal kick at a troubled or troubling love interest, a song to scream along with at the top of your lungs, whether in your car, in your room, in a bar drinking with friends, or in the middle of a crowd at a concert.

Yeah, it’s fun. I’m not quite sure it mitigates all those years of “Come on, Eileen” for our friend though.

For the rest of the Best tunes of 2002 list, click here.