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My good friend and infrequent contributor to this blog, Andrew Rodriguez, once quipped that I wasn’t able to be a fan of a band unless they had at least six members. And while he exaggerated some, it’s true that a lot of the new bands that I discovered and fell for in the 2000s had a lot of personnel. This singular characteristic, however, wasn’t one that automatically made me a fan of the act in question. As a case in point, Broken Social Scene is a band who is quite famous for having a large contingent, filling stages both large and small, whenever and wherever they played live, and try as I might, I was never able to get into them in their early days.
The Toronto-based indie collective actually started out as duo back in 1999. Kevin Drew and Brendan Canning recorded their mostly instrumental, ambient debut album, 2001’s “Feel good lost”, by themselves, for the most part. When it came to performing it live, however, Drew and Canning would enlist the help of their friends, many of them fixtures of the Toronto indie rock scene, members of bands already established or soon to be established, like Metric, Stars, Apostles of Hustle, and Feist. The duo then brought a lot of these same friends into the studio with them when they recorded their sophomore album, the now iconic “You forgot it in people”, and the rest, as they are wont to say, is history. The album was critically acclaimed, did quite well commercially for a Canadian indie band, and was cited in many conversations as one of the centrepieces around which the Canadian indie explosion of the 2000s revolved. And I remember telling people in similar conversations that I appreciated all that, but for me, they were a band of whose parts I enjoyed more than their sum.
Of course, that was back then. These days, I love Broken Social Scene. Somewhere along the line, I came to my senses and became a fan, allowing me to reclaim my Canadian citizenship. I’ve seen them live twice, experiencing the magic that made me question whether or not I was on bad drugs when I listened to them early on. Their show is so much fun, seeing so many talented musicians playing together on the same stage, all contributing to creating that perfect sound and obviously, having fun doing it. Yeah and each time I saw them, the show was completely different because it was a different combination of musicians on stage. It seems that it’s like – whoever’s available, come on out and play. And play and rock, they do.
“Cause = time” is the perfect way to illustrate how they bring the rock. It was an exceptional tune for me because it was one of the few that I liked even before I became a full-fledged fan. The atmospherics of their early work still laid the groundwork but the driving drum beat, rumbling bass line, and screeching, screaming, and scratching guitars all get the heart racing. Indeed, it is a noisy cacophony and could’ve been in danger of becoming unlistenable if it weren’t for the counterpoint put forward by Kevin Drew. He settles things down to a mellow and cool vibe with his vocals and it’s like losing yourself in the beauty of the moment while the chaos of the world flashes violently around you.
Chaos and calm. That says it right there.
For the rest of the Best tunes of 2002 list, click here.