(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Goat Girl
Album Title: On all fours
Year released: 2021
Details: Limited edition, gatefold, double LP, pink transparent vinyl
The skinny: The first 2021-released record that I bought last year was Goat Girl’s sophomore album, “On all fours”, and it ended up as my fifth favourite album when I counted them down at the end of December. I had never heard of the band before but the track below caught my attention when it popped up on one of those “Release radar” playlists on Spotify last January. I checked out the rest of the album and then, checked it out again. The next thing I knew, I was hunting down a copy to order for my vinyl collection and found this limited edition pink transparent pressing. This all female quartet is post-punk, but less in the sense that we’ve come to know of late. They are their own thing, beating to their own drum, giving no f*cks, and that ethos feels truer to me to the original movement than so much of the music being put out by their peers and that is so much fawned over by the music press. Goat Girl is colourful and unique, much like the album art suggests.
Standout track: “Sad cowboy”
5 replies on “Vinyl love: Goat Girl “On all fours””
I just ordered the upcoming Frank Turner album from one of our local shops yesterday – the clerk said, it looks like it’s on Red Vinyl, is that OK?
Talk about a rhetorical question!
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Haha. It certainly sounds like one to me. I like the coloured variants myself. However, there are some purists out there who want black or nothing.
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I find I’m not enough of an audiophile to notice any sound difference – but I notice a visual difference & I highly approve!
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I like the sound quality vinyl offers but I think I’ve gone to too many concerts and can’t always hear what the serious audiophiles hear. But yes, the colours, the larger album art, the active engagement with the music and the overall ‘tactile-ness’ (for want of a better word) of vinyl are all huge draws for me.
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