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Live music galleries

Live music galleries: No Joy [2025]

No Joy at The 27 Club, October 1, 2025

Artist: No Joy
When: October 1st, 2025
Where: The 27 Club, Ottawa
Context: No Joy is an act that I’ve been waiting to see for well over a decade. Indeed, I had planned to see them in 2015 when they were touring in support of their third album, “More faithful”, and they were hitting a now-defunct local spot that was even more intimate than Wednesday night’s venue*. I purchased the ticket for this latest show back in August, right after I realized that the Oasis show I was supposed to see was not in the cards, that disappointment making me even more determined to not miss No Joy a second time. When I first heard of them, they were a full band but nowadays, the project is mostly the work of Jasamine White-Gluz. For the tour, she has brought Tara McLeod and Liam O’Neill along to bring even more noise. And man, was it loud**. It was a sound that was palpable and filled with texture. Jasamine and Tara shredding away (and I mean SHREDDING) at their guitars and Liam hammering away at the drums. It was a relatively short set and ended early, which suited these aging bones just fine, but it was a fine selection of tunes and included many of my favourites from “Wait to pleasure”, “Motherhood”, and the new one, “Bugland”. I went home buzzing and quite satisfied.
Point of reference song: Bugland

Jasamine White-Gluz (aka No Joy)
Tara McLeod helping out on guitars
Liam O’Neill taking care of the beats
Jasamine playing for effect
Liam doing his thing
Tara shredding
Jasamine taking a water break

*Why I missed that show is too embarrassing to recount.

**I was very glad for my earplugs.

Categories
Tunes

Best tunes of 2013: #16 Black Hearted Brother “This is how it feels”

<< #17    |    #15 >>

For a time back at the end of 2013, I found myself listening to nothing but Black Hearted Brother and their debut album, “Stars are our home”.

The album was released in October of that year and took me completely by surprise. At the time, I had pretty much given up on any new material from Mojave 3, and well, forget about Slowdive, and Halstead’s solo work, while excellent, had never been mind-blowing. I hadn’t heard any peep or rumour about any possible new Neil Halstead projects. The only reason I listened to this album at all was that the name, Black Hearted Brother, jumped out at me from the album release pages as one that I fancied. So, yes, the album was a surprise but it was even more so when I first put it on. Indeed, that voice was instantly familiar to me and a quick Google search had me smiling at the discovery.

The term supergroup was bandied about in the press immediately after the release of “Stars are our home” but the album was far from a planned project, really more of a happy accident that came together between friends. Neil Halstead, Nick Holton, and Mark Van Hoen, all had a wealth of prior recording experience between them. They knew what worked and what didn’t. But if you’re a fan of their previous work, don’t go into this album expecting a rehash of any of their respective bands’ classic albums. Rather, it’s a synthesis of what these guys are and do and what they haven’t done before and as a group, seemed to have made a conscious decision with this project to just let go of everything and not let themselves be restricted by their own musical history. In that sense, “Stars are our home” is an experimental album and for me, it’s an experiment that worked wondrously.

When I listen to it still, I picture these guys just having a blast in the studio, just playing with different sounds and not thinking too much about whether any of the songs will make a good single or not. Indeed, you can tell that this is an album that the musicians wanted to make for themselves and nobody else. It feels like a shake up (shake down) to the dream pop scene of the 21st century, their record label, the mighty Slumberland Records, calling it “space-rock/shoegaze/post-everything”. It’s the veterans showing the young pups how it’s done. It’s noisy, electronic, gentle, beautiful, ugly, and delicious. “Stars are our home” rocks*.

There’s certainly plenty to like on “Stars are our home” but “This is how it feels” became an early favourite around these parts and remains so to this day. Never since Spiritualized’s “Ladies and gentlemen, we are floating in space” has a song practically forced me to picture myself orbiting the earth from outer space, encapsulating the feeling of weightlessness and solitude. By times gentle and by times brash, it dances daringly between genres, flitting between folk and synth, splashing bright colours and loud washes over the already blurred lines of psychedelia. It lulls you, lullaby-like, into a false sense of security with its gentle drum rhythm and barely there guitar strums and then, shakes you wide awake at each freakout chorus.

*Unfortunately, “Stars are our home” would turn out to be the one and only release by the project. I’m not even sure they ever did any shows to promote it, though I’m sure these shows would’ve been amazing. Slowdive announced their reunion not long into 2014, taking up the lion’s share of Neil Halstead’s over the last decade or so.

For the rest of the Best tunes of 2013 list, click here.

Categories
Vinyl

Vinyl love: Operators “Blue wave”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Operators
Album Title: Blue wave
Year released: 2016
Details: white

The skinny: Here’s an album that hasn’t seen my turntable in some time. I purchased it from Amazon (back when I was still buying records from Amazon) shortly after its release on the back of seeing the group perform live the previous edition of Ottawa’s Bluesfest. Operators was a short-lived synth rock trio led by Dan Boeckner, formed after the dissolution of Handsome Furs, then the one album collaboration with Spoon’s Britt Daniels (Divine Fits), and just before the reformation of Wolf Parade. The trio also included drummer Sam Brown and keyboardist Devojka and only ever released an EP and two full length albums. Spinning this white vinyl pressing of their debut “Blue wave” and its new wave influenced rock will forever remind me of a certain time and place and feeling, hot and yellow summery nights, crowds of like minded music fans, and joy.

Standout track: “Nobody”